Imprint in Clay

“Sardar Gurcharan Singh was the father of studio pottery in India. "Daddyji" as most called him lovingly was very close to my father. I often tagged along to visit his home studio where pottery wheels were lined up under the big neem trees in his old brick house. My father wanted me to make a film on Daddyji, who was then 95. He was afraid that Daddyji's wonderful story would be left untold. He not only introduced studio pottery in India but due to his longevity, mentored many potters. So despite not knowing anything about films, I made the documentary, Imprint in Clay with a classmate of mine, which was mostly funded by my father.”

Girl in the Hallway

A story from childhood and an indelible image continue to haunt Jamie many years later.

Vera Klement: Blunt Edge

As her 80th birthday is approaching, Vera Klement, an oil painter in Chicago, adamantly starts yet another new figure painting: a portrait of an artist under oppression, an homage to Russian composer, Dmitri Shostakovitch.

In den dierentuin van Antwerpen

The Antwerp Zoo covers a fair extent of ground, and was already in 1910 generally considered as an important one. A large number of views of birds and animals were taken and hand coloured. In those days, the monkey house was in for much attention. People found that the various comic incidents added a touch of whimsicality.

Jelenlét

Two old men enter an abandoned synagogue, look at the decay around them, and pray.

Harmadik jelenlét

Two rabbis show the ruins of an abandoned synagogue to a group of primary school-age Jewish children, and stand by as the children dip bread in honey, drink wine, pray, and sing.

Post Traumatic: An American Nightmare

This thirty minute documentary features interviews with Giovinazzo's key contemporaries discussing the continued impact and influence of Combat Shock twenty-five years later.

Nuit et Brouillard

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

I Love You, East Garrison (A Video Essay by Haley Hoult)

Haley Hoult, a student of Est Harrison High, creates a sarcastic video essay about his school.

The Story of Doctor Carver

The story of Dr. George Washington Carver (1864-1943), black educator and horticulturist. He is perhaps most well known for developing over 140 products from all parts of the peanut plant, including the shells and husks. He also developed products based on sweet potatoes and soybeans, and developed a cotton hybrid that was named after him.

How Animated Cartoons Are Made

Wallace Carlson walks viewers through the production of an animated short at Bray Studios.

PRESENCE

Presence narrates the journey of Thati, a woman determined to overcome her anxiety attacks through surfing. She finds refuge in the waves, where the surfboard becomes her ally and personal therapy.

Лариса

Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.

R. F. Outcault Making a Sketch of Buster and Tige

Buster Brown creater R.F. Outcault sketches his creation. Part of the Buster Brown series for Edison film studio.

The Somme

Drama-documentary recounting the events of the 1st July 1916 and the Battle of the Somme on the Western Front during the First World War. Told through the letters and journals of soldiers who were there.

Brasília, Contradições de uma Cidade Nova

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

Was bleibt - ein Nachruf auf Wilhelmine und Bernard

The director’s grandparents Wilhelmine, an Austrian Catholic, and Bernard, a Jewish Czechoslovakian communist, have always been part of her life, although she never met them in person. Her uncle Hermann lives in what was once their house, with their furniture, Marx and Lenin busts, Hanukkah lamp, countless photos, letters and oil paintings. Through the film Judith Schein asks whether it is possible for a house and its interiors to narrate History.

Folie douce, folie dure

This walk in the daily life of several psychiatric institutions, allows us to meet extraordinary people who let us enter their privacy.

Violons d'Ingres

Shows hobbies of people who do an ordinary job in the day. Made for New York Fair.

En dehors de vos murs