Lágrimas rojas

VIVA ÁGUA

VIVA ÁGUA is a meditation on the philosophical work entitled ÁGUA VIVA written by Clarice Lispector in 1973. The film reflects on Lispector’s interior experimental monologue on the “instant-now” of time, the discomforts of language which are “beyond thought” and the harmonious dissonant reminders and remainders of that “sometime what is seen is ineffable.”

A la diestra del cielo

¡Votad, votad, malditos!

On June 14, 1977, the eve of the first democratic elections after Franco's regime, Llorenç Soler and his crew go out into the street and ask passers-by which party they are going to vote for.

Patte mouillée

This short documentary shows Canada's top swimmers in training for the 1964 Olympic Games. Under the critical eye of coach Ed Healy, they practice long hours in the gym and in the pool to build strength and stamina.

Two/2

Music scores are atomized and recompiled into instructions for visual edits and cues. Ties are uncovered between sight and sound.

In the Ocean, on Land

Panasonic PV-GS83 in a plastic bag thrown in the ocean.

A Staircase

Single frames vectorized and stitched before processing through an analog EAB.

Water Theater

White Rock Lake Water Theater in Dallas, Texas. Sculpture by Frances Bagley and Tom Orr. Video compiled from 35mm stills.

XYZ

Oil spills around Oak Cliff, Dallas.

The Sun

Compiled and animated from still images.

Dresden Oktober '89

Fire in Paradise

In this documentary, survivors recall the catastrophic 2018 Camp Fire, which razed the town of Paradise and became California’s deadliest wildfire.

Multiple Man

A many-faced view of humanity, of global man in all his forms and interests. Produced originally in 70 mm (with stereophonic sound) for showing at Man and His World, the Montréal fair that succeeded Expo 67, this film employs the multi-image technique. People of all places, origins, cultures, secular and religious, are here united and seen side by side, creating an impressive, inspiring and challenging portrait. The film's title appears in seven languages. Film without words.

When Do We Start?

When a young man makes an unholy choice, God will test him.

Lesser Choices

The bleached palette and home-movie aesthetics of Super 8 footage provide the image track for this testimonial about an illegal abortion in Mexico City in the 1960s, delivered in voiceover by the filmmaker’s mother. In its account of this intimate and disorienting memory, Lesser Choices summons a time of profound uncertainty—a moment from an era without rights—and offers a warning to the present.

Kaukai

This is a story about the eternal miracle of life and death. The unfortunate death of a wild hare turns into a remarkable experience for children who find his body and bury it in a sand box. Now buried, the hare’s life fades away and dozens of magical creatures that lived inside him leave his body in search for a new home. The hare’s life ends by merging with nature, but is reborn in the plants and animals around it. This fairy-tale for children encourages us to think about what death is.

Flora

A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.

Until Further Notice

With his industry on lockdown and no end in sight, Toronto chef Luke Donato tries to keep his culinary passion alive during the COVID-19 pandemic - even if it means teaching a group of misfits online.

Por qué perdimos la guerra

A documentary about how Republican forces lost to Franco in the Spanish Civil War.