Cannibali domani

It is a documentary, which submits to the public the most dramatic, subhuman situations in which men find themselves living in all corners of the world. From India to Brazil, from the African nations of the Sahel to Bolivia, the camera ruthlessly shows the images of a humanity marginalized in a thousand ways by the so-called"civil consortium".

Tomboy - I misteri del sesso

Mondo Topless

Completely topless. Completely uninhibited. The craze that began in San Francisco is now exploding across the USA and Europe.

Faces of Death

A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.

90 notti in giro per il mondo

A sexy mondo movie narrated by Nico Rienzi. Starring transsexual superstar Bambi.

Mondo cane oggi - L'orrore continua

A new age Mondo film that explores the realm of urban decay and various oddities of the modern world, ranging from underground club scenes to sex change operations.

Henri le fakir

Hotel Gondolín

The hotel Gondolín is home to some 30 transvestites who practice prostitution as the only option to survive in a society that excludes them.

Strange Life: The Breech

A collection of footage and interviews with strange people and their exploration into the unusual and extreme side of body modification.

Suspension: The Ultimate Body Experience

A look into the world of body piercing and suspension and the people who do it.

Extreme Life & Death: The Blair Witches of Shockumentaries, Part One

A compilation of various accidents, disasters, executions, and other acts of mayhem and human feats caught on film.

Extreme Life & Death: The Blair Witches of Shockumentaries, Part Two

A compilation of accidents, disasters, death, mayhem, and human feats caught on tape.

Extreme Life & Death: The Blair Witches of Shockumentaries, Part Three

A compilation of various accidents, mayhem, death, gore, and human feats caught on tape.

Empire of Madness

Don’t be misled by the title and put your lube away: True Gore II (aka Empire of Madness) (1989)–M Dixon Causey’s follow-up to the eponymous first entry–has virtually no true gore in it at all. Instead, the first half is a compilation of faux-snuff vignettes akin to something you’d find in a SOV horror collection like Snuff Perversions 1 & 2, Snuff Files, The Dead Files, Violations I & II, or even more recent titles like Murder Collection Volume 1. The second half is in turn a send-up of satanic panic style videos like Law Enforcement Guide to Satanic Cults, Devil Worship: The Rise Of Satanism, and countless others shat out during the 80s/90s. The vignettes are hilariously inept to the point where it seems clear that Causey was parodying the shockumentary form. Even the credits are a joke, mocking the seriousness with which shocku producers take themselves, crediting a ‘researcher’ for a film that clearly had none, and a ‘visual archivist’ being listed in place of a cameraman.

Death Files

A disturbing documentary about true murders and real death.

Notti calde d'Oriente

Notti Calde d'Oriente (released in English-speaking countries "Orient by Night"), the 1962 Roberto Bianchi Montero Italian mondo strip tease sexploitation documentary featuring Takeucmi Keigo and His Imperial Japanese Dancers, Bommie the International Dancer of New Orleans, Chiquita and her Jamaican Strip-Tease, The Two Jolly Sisters, and Dodo D'Amburgo the Queen of the Strip-Tease. Note that this was one of the approximately 100 "sexy nocturne" mondo style documentaries that were produced between 1959 and 1970, mainly in Italy. They are documentaries that include segments of strippers, which allowed them to include nudity that had formerly only been seen in nudist movies. The strippers are shown performing their acts, and there was an attempt to film them artistically.

Hollow Jungle

Somewhere between Sri Lanka and the island of New Guinea, in the upper reaches of the Amazonia jungle, there is rumoured to be a lost tribe of cannibals. Assembled out of Italo cannibal mondo movies, Hollow Jungle documents their rituals, sourcing their power in narrative repetitions and analogies, before structurally locating them in the prurient pathologies of certain pseudo-ethnographies.

Fakir

The feature-length documentary Fakir portrays the success of fakirism in Brazil, Latin America and France. This circus art origin show is presented and analyzed through archives that reveals the success of these presentations with their pain resistance championships and the great public presence, including politicians and government officials. Fakir spans current footage from contemporary artists who keep this art alive in performances and shows.

Mondo Hollywood

Long considered a cult classic, "Mondo Hollywood" captures the underside of Hollywood by documenting a moment in time (1965-67), when an inquisitive trust in the unknown was paramount, hope for the future was tangible and life was worth living on the fringe. An interior monologue narrative approach is used throughout the film, where each principal person shown not only decided on what they wanted to be filmed doing, but also narrated their own scenes. The film opens with Gypsy Boots (the original hippie vegan - desert hopping blender salesman), and stripper Jennie Lee, working out 'Watusi-style' beneath the 'Hollywood' sign -- leading into the 'sustainable community' insight of Lewis Beach Marvin III, the S&H Green Stamp heir, who lived in a $10 a month garage while owning a mountain retreat in Malibu.

Ekstase - Der Prozeß gegen die Satansmädchen

Mondo Cane and the Schoolgirl Report series stand as obvious influences on this occasionally amusing but generally rather tedious exploitation film that alternates between documentary, fake documentary and docudrama. The theme is Satanism and the linking thread is a recreation of what is supposedly the real-life case of a murder and attempted murder of two Munich teenage men by a quartet of girls who had been dabbling in devil worship. During the ensuing trial, the lawyer resorts to dilatory tactics while the hearing is frequently interrupted by the girls breaking into incantation, temper tantrums or shivery fits ostensibly bearing on demonic possession. When the subject of the Manson killings is brought up, the most obnoxious of the defendants breaks in indignantly, claiming that Sharon Tate’s “execution” was justified as she posed dangers to the Satanic community.