Mabel’s Bear Escape

A short comedy starring Mabel Normand being chased by a very lively bear.

Dos días de suerte

Mai and Cañas, a couple of small-time criminals, see their luck change dramatically when a winning lottery ticket lands in their laps.

Fasisti

A traffic warden runs into a surprising argument with a persisting customer.

Bogo the Clown

Bogo, a self-deprecating stand-up comedian, struggles to find happiness in a life where his only value seems to be making other people laugh.

Going Where I've Never Been: The Photography of Diane Arbus

The work of photographer Diane Arbus as explained by her daughter, friends, critics, and in her own words as recorded in her journals. Illustrated with many of her photographs. Mary Clare Costello, narrator Themes: Arbus' quirky go-it-alone approach. Her attraction to the bizarre, people on the fringes of society: sexual deviants, odd types, the extremes, styles in questionable taste, poses and situations that inspire irony or wonder. Where most people would look away she photographed.

Das Rad

The stone-people Hew and Kew have seen a lot in their everlasting lives on top of their mountain. Therefore they're only mildly amazed by the ongoings in the valley below, they've got their own little problems to deal with - But all of a sudden, Mankind is discovering and inventing, instead of just woozeling, and this new behavior starts to threaten Hew's and Kew's stoic peacefulness...

Lilla Spöket Laban: Bullar och Bång

For the fourth time, it's ghost day again at Gomorronsol Castle, where we follow Little Ghost Laban, the kindest ghost in the world who is afraid of the dark. Together with Little Prince Bus and Labolina, many super scary adventures await Laban.

The Bad Companions

A comedy film directed by J. O. C. Orton.

La bergère d'Ivry

Hortense Fauvel, the wife of a village postmaster, takes Aimée, a young shepherdess, under her wing. Aimée soon becomes engaged to François, the Fauvel’s loyal servant. At a fête hosted by the Count of Granval, Aimée gives her fiancé a knife, telling him that he should kill her if ever she ceases to be faithful to him. That same day, the Count is planning to have an amorous liaison with Hortense, but Aimée intervenes. To save her mistress from a scandal, Aimée tells the postmaster that it is she, not Hortense, who has been seeing the Count. Disgraced, Aimée is dismissed by the postmaster. François contemplates his revenge and recalls what Aimée said to him.

Swell

Swell is a smartphone app that changes your mood through sound. When a young couple tries to control each other’s settings, they find their relationship threatened by an unintended cacophony of emotions.

Sens Devant Derrière

An ordinary man wakes up in a world upside down! Illegible newspaper, people backing up, cars backing up: nothing is the same anymore, but everything seems to be going well.

Fables of Forgotten Things

A mysterious drifter and his young friend must save a frightened, forgetful old lady from a memory eating ghost.

Visions of Europe

Twenty-five films from twenty-five European countries by twenty-five European directors.

Vulcão: O que sonha um lago?

Volcanoes erupt from the depths of the boiling earth to the surface of the celluloid film, to create a new abstract cinematographic language.

Quest for the Ring

Per sempre

Short film about foster care promoted by TWINSET.

La Vraie Vie

Tristan found a dead cat on the corner of his street, hit by a car and left there in the gutter to rot in the rain. The young man is shaken, and the image of the dead cat begins to haunt him.

Hathie

A virgin boy falls for a more experienced girl.

Afrocentricity

On the surface, this collection of shorts by up-and-coming African American filmmakers arrived at a perfect time. The cutting-edge products of the New Black Cinema of the early '90s had disappeared, giving way to embarrassingly stereotypical, scatological fare such as Booty Call and Next Friday. This feature-packed compilation (which includes production notes, interviews with all of the filmmakers, and audio commentary by four) attempts to prove that African American cinema is intent on moving past the lowbrow humor, as six of the seven shorts steer clear of any comedy.

Delilah, Before

A young Singaporean woman, haunted by a dark past and teenage pregnancy, has to regain her mother's trust in her rehabilitation as she reassumes custody of her young child.