Decay: On Fascism and Breakdown

A feature length Marxist documentary looking at 20th Century fascism, early English settler colonialism in the Americas and the prospects of a contemporary neofascism. The film focuses on the political economy of these forms, drawing on Rajani Palme Dutt's view that fascism represented an organisation of capitalist decay, to illustrate the various different laws of motion which condition the development of reactionary political movements.

Freedom Isn't Free — The Freedom Charter Today

Since its adoption in June 1955 by the Congress movement, the Freedom Charter has been the key political document that acted as a beacon and source of inspiration in the liberation struggle against Apartheid. It was reputedly the main source that informed democratic South Africa’s liberal constitution and a constant reference point for the ruling African National Congress (ANC) and rival political parties that it spawned since 1994, all claiming the Freedom Charter’s legacy. Freedom Isn’t Free assesses the history and role of the charter, especially in relation to key political and socio-economic aspects of developments in South Africa up to the present period. It includes rare archival footage with interviews of a cross-section of outspoken influential South Africans.

En attendant les robots

After losing his job during lockdown, Natan signs up to a microtask website. Having become a “Turker” alongside tens of thousands of others, he is paid a cent for each face he erases on Google Street View. Under the guise of Otto, a fictional character, he embarks on an experimental and playful investigation into “clickworkers”, haunted by the spectre of Beckett.

Moi, agricultrice

The Great Contemporary Art Bubble

On September 15th 2008, the day of the the collapse of Lehmans, the worst financial news since 1929, Damien Hirst sold over £60 million of his art, in an auction at Sotheby’s that would total £111 million over two days. It was the peak of the contemporary art bubble, the greatest rise in the financial value of art in the history of the world. One art critic and film-maker was banned by Sotheby’s and Hirst from attending this historic auction: Ben Lewis.

Confessions of a Male Stripper

Male stripping is booming in the UK. Every weekend in most major cities, women are paying to see men get naked. The Dreamboys is the biggest male stripping agency of them all and ex-stripper David Richards is in charge. He claims to know what women want, and is prepared to do whatever it takes to give it to them. David is on the search for some 'fresh meat' to join his London troupe and meets the men that come forward to auditions. Who are they, why are they doing it and what impact is it having on their lives? Like never before, this First Cut film lifts the lid on this exotic world of sex, fantasy and temptation and shines a light on the private lives of the men whose job it is to bare all. First Cut is the critically acclaimed, eclectic documentary strand that showcases distinctive new films by up and coming directors.

Bananaland: Blood, Bullets & Poison

For consumers, bananas are a delicious and nutritious start to the day, a healthy snack and a fixture in our fruit bowls. For millions of residents in the banana lands, the production of bananas means social upheaval, violence and pesticide poisoning. Banana Land explores the origins of these disparate realities, and opens the conversation on how workers, producers and consumers can address this disconnect.

La Société du spectacle

Guy Debord's analysis of a consumer society.

Praying for Armageddon

While much of the world struggles to keep the planet going, a frighteningly large group of American fundamentalist Christians are working to promote the apocalypse. The evangelical movement is convinced that they will be saved when Jesus appears in the state of Israel on horseback and, with a sword raised to heaven, kills the infidels so that the blood reaches the horses’ bridles. Natural fires, corona, wars and crises are evidence that the time is nigh. But for the prophecies to be realized, the state of Israel has to grow stronger, so they provide huge financial support and are so far inside the White House that they help influence US foreign policy.

After Work

Kuwait’s constitution says that every person has the right to a job, so in some places 20 people are employed for one person’s job. In South Korea, they work so much that a policy has been introduced to turn off computers at the end of the day so that employees can’t work any more. In the US, they give up over 500 million holiday hours each year, while Amazon’s drivers are trying to form a union. Meanwhile, robots are poised to take over most jobs and put the rest of us out of work. Work is so crucial to our identity and what we spend our waking hours on that it is barely noticed anymore. A lot has happened since a group of Puritan priests invented the concept of work ethic in the 1600s, and in the 21st century the very concept of work is in many ways disintegrating. A perfect situation for a filmmaker like Swedish mastermind Erik Gandini, who travels the world to explore what the concept of work means today – if it means anything at all.

Exergo

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

13 seconds

In November 2017, a devastating earthquake hit western Iran. It took only 13 seconds to lose everything. This is a fleeting observation of the days after the disaster.

Advertising at the Edge of the Apocalypse

In this highly anticipated sequel to his groundbreaking, ADVERTISING AND THE END OF THE WORLD, media scholar Sut Jhally explores the devastating personal and environmental fallout from advertising, commercial culture, and rampant American consumerism. Ranging from the emergence of the modern advertising industry in the early 20th century to the full-scale commercialization of the culture today, Jhally identifies one consistent message running throughout all of advertising: the idea that corporate brands and consumer goods are the keys to human happiness. He then shows how this powerful narrative, backed by billions of dollars a year and propagated by the best creative minds, has blinded us to the catastrophic costs of ever-accelerating rates of consumption.

Uncounted

UNCOUNTED exposes how the election fraud that altered the outcome of the 2004 election led to even greater fraud in 2006 and now looms as an unbridled threat to the outcome of the 2008 election. The controversial film examines in factual, logical, and yet startling terms how easy it is to change election outcomes and undermine election integrity across the U.S. Beyond increasing the public's awareness, UNCOUNTED inspires greater citizen involvement in fixing a broken electoral system.

Brazen Hussies

Reveals a revolutionary chapter in Australian history, the Women’s Liberation Movement (1965 -1975). Interweaves fresh archival footage, personal photographs, memorabilia, and personal accounts from activists all around Australia to show how a daring and diverse group of women joined forces to defy the status quo, demand equality, and create profound social change. These women defined one of the greatest social movements of the 20th century, sometimes at great personal cost.

Las Hurdes

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

Bowling for Columbine

This is not a film about gun control. It is a film about the fearful heart and soul of the United States, and the 280 million Americans lucky enough to have the right to a constitutionally protected Uzi. From a look at the Columbine High School security camera tapes to the home of Oscar-winning NRA President Charlton Heston, from a young man who makes homemade napalm with The Anarchist's Cookbook to the murder of a six-year-old girl by another six-year-old. Bowling for Columbine is a journey through the US, through our past, hoping to discover why our pursuit of happiness is so riddled with violence.

Tarnation

Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.

Am Kölnberg

The tower block area "Am Kölnberg" has a bad reputation. People who - for any number of reasons - ended up on the edge of society, live here alongside refugee families and immigrants from all over the world. Unemployment, drug abuse and prostitution are part of everyday life for many of them. The film accompanies 4 people over a period of two years and portrays their life at "Kölnberg" with ups and downs. One thing they all have in common: The dream of leading a fulfilled life, far away from "Kölnberg".

The Rise and Fall of American Business Culture

This documentary from 1987 looks at the serious malaise that plagued the US manufacturing sector at the time. No longer competitive in the world market, and forced to buy more than it could sell, the US nevertheless continued to bask in the glow of past glory rather than face its immediate predicament. Meanwhile, Japan and other Pacific Rim countries were gaining economic ground, perhaps permanently. This film was part one of the series, Reckoning: The Political Economy of Canada.