In den dierentuin van Antwerpen

The Antwerp Zoo covers a fair extent of ground, and was already in 1910 generally considered as an important one. A large number of views of birds and animals were taken and hand coloured. In those days, the monkey house was in for much attention. People found that the various comic incidents added a touch of whimsicality.

Laurel & Hardy - Die komische Liebesgeschichte von Dick und Doof

The lives of Stan Laurel (1890-1965) and Oliver Hardy (1892-1957), on the screen and behind the curtain. The joy and the sadness, the success and the failure. The story of one of the best comic duos of all time: a lesson on how to make people laugh.

How Animated Cartoons Are Made

Wallace Carlson walks viewers through the production of an animated short at Bray Studios.

R. F. Outcault Making a Sketch of Buster and Tige

Buster Brown creater R.F. Outcault sketches his creation. Part of the Buster Brown series for Edison film studio.

Od 3 do 22

A movie follows a regular working day of a woman who works in a factory. She wakes up at 3am and goes to sleep at 10pm.

One Second in Montreal

A silent succession of black-and-white photographs of the city of Montreal.

Choice Bouquets

A display of flower bouquets, rotating to show the Kinemacolour process.

Choosing the Wallpaper

A woman is shown various wallpaper samples, in a short displaying the Kinemacolour process

Path of the Panther

“These animals are like ghosts,” says Carlton Ward Jr.—National Geographic explorer, photographer, and 8th generation Floridian—at the beginning of this captivating film that endeavors to keep the Florida Panther from becoming just that: a ghost. As the last big cat surviving in the eastern United States and the state animal of Florida, the panther is an icon of Florida’s ever-diminishing wild places, as revealed in the film’s sumptuous images. Leading a team that includes cowboys, wildlife biologists, photographers/videographers, and a lot of folks who simply care about the future of Florida’s fragile ecology, Ward treks repeatedly into the Everglades and expanses of South Florida to seek, record, and save these ghosts.

Nanook of the North

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Finlandia

A documentary from Erkki Karu, one of the earliest pioneers of Finnish cinema: This government-produced propaganda film introduces the nature, sports, military, agriculture and capital of Finland.

The Dawn of Sound: How Movies Learned to Talk

Film historians, and survivors from the nearly 30-year struggle to bring sound to motion pictures take the audience from the early failed attempts by scientists and inventors, to the triumph of the talkies.

La Gigue

"La Gigue" (Gaumont #590) is part of the "Miss Lina Esbrard. Danseuse cosmopolite et serpentine" series of 4 films, and should not be confused with "Danse excentrique" (Gaumont #587), "Danse serpentine" (Gaumont #588, the only extant film in the series), or "Danse fantaisiste" (Gaumont #589).

Danse fantaisiste

"Danse fantaisiste" (Gaumont #589) is part of the "Miss Lina Esbrard. Danseuse cosmopolite et serpentine" series of 4 films, and should not be confused with "Danse excentrique" (Gaumont #587), "Danse serpentine" (Gaumont #588, the only extant film in the series), or "La Gigue" (Gaumont #590).

Danse serpentine

"Danse serpentine" (Gaumont #588) is part of the "Miss Lina Esbrard. Danseuse cosmopolite et serpentine" series of 4 films, and should not be confused with "Danse excentrique" (Gaumont #587), "Danse fantaisiste" (Gaumont #589) or "La Gigue" (Gaumont #590).

L'arrivée d'un train à La Ciotat

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Berlin, die Symphonie der Großstadt

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

Plant of Ford Motor Company - Antwerp

Short documentary on the Antwerp Ford Motor Company plant.

Un día por Málaga

Clouds

Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.