A Normal Life. Chronicle of a Sumo Wrestler

The diary of Takuya Ogushi, a 18 years old Japanese, who begins his new life as a sumo wrestler.

The World of Buckminster Fuller

Architect, engineer, geometrician, cartographer, philosopher, futurist, inventor of the famous geodesic dome and one of the most brilliant thinkers of his time. Fuller was renowned for his comprehensive perspective on the world's problems. For more than five decades he developed pioneering solutions reflecting his commitment to the potential of innovative design to create technology that does "more with less" and thereby improve human lives. He spent much of his life traveling the world lecturing and discussing his ideas with thousands of audiences. Now more relevant than ever, this film captures Fuller's ideas and thinking told in his own words.

Nordmennenes Egen Historie - Tyskerne Kommer

Nordmennenes Egen Historie - Opplevelser fra sørlandet

Nordmennenes Egen Historie - Den Norske Mann

Otaku

A documentary that explores the life styles of various otakus in Japan. Various interviews are given to selected otakus who express how interesting it is to be an otaku as oppose to not being one at all. Along with various shots of various Japanese city landscapes and the inside of an average otaku home from rooms filled with videos, models, and the latest in technology.

100 Yen: The Japanese Arcade Experience

Imagine a world where video games reign supreme. Five story buildings filled with arcade cabinets, old and new, inundate the streets. Welcome to downtown Tokyo, Japan. A place where the arcades of the 80s and 90s not only still exist, but thrive and have evolved into an elaborate, unmatchable gaming experience. 100 Yen is a historical documentary about the evolution of arcades and the culture surrounding it - from the birth of arcades to the game centers that still thrive today. With a predominant focus on the three major arcade genres, Shooting games, Fighting games and Rhythm games, 100 Yen explores the culture and evolution of arcades through the past and present. Featuring interviews with industry professionals, game programmers and designers, casual gamers and gaming icons from Japan, Canada, and the USA.

The Good Fight: The Abraham Lincoln Brigade in the Spanish Civil War

This documentary examines the experiences of the Abraham Lincoln Brigade, using interviews with survivors more than 50 years later. First, the film sets the context with the rise of Fascism. Then, in 1936, Spain's military revolts against the elected government, and the U.S. and Europe agree not to intervene. In response, volunteers snuck past border guards into Spain to fight with the Republicans. The men and women veterans describe the perils of reaching Spain, limited training, responsibilities of command thrust on the very young, deprivations of a soldier's life, lack of matériel, horrible rates of casualties, and ultimate vindication at the end of World War II.

Natan

Natan tells the remarkable story of Bernard Natan, a Romanian immigrant who came to Paris in 1905 and was involved almost immediately with French cinema. He took control of the Pathe film group in the late 1920s and went on to produce epic films such as Les Miserables. But Natan has become largely written out of French film history for various different reasons. Little attention is paid to him centres on his alleged career as a pioneer and performer in early gay and BDSM porn? The story is an excellent one, suffice to say that his ethnicity and subsequent rumours plagued Natan almost from the start of his career. His ‘comeuppance’ for his alleged transgressions is at the heart of this devastating documentary.

Black Indians: An American Story

James Earl Jones narrates this examination of the historical relationship between American Indians and African-Americans, who often merged their cultures to work and live together while mainstream white society shunned them. Through illuminating anecdotes and interviews, descendants of fused black and Indian families discuss the complications of their mixed heritage and how their culture was largely erased on official documents.

Klunkerz

Long before the mountain bike entered our global consciousness, the cycling enthusiasts of Northern California's Marin County rode modified pre-WWII bicycles down the slopes of Mount Tamalpais. They developed their bikes through rigorous field-testing, often risking life and limb to do so. Some of these cyclists were Category-1 road racers looking for a new way to train during the off-season. Others were simply fun-loving hippies looking for a new way to commune with nature. Their early bikes were scavenged from dumpsters and junkyards. It was from these humble beginnings that a multi-billion dollar industry, a form of recreation for the masses, and an Olympic event, were born. These hefty steeds were affectionately known as Klunkerz.

The Epic That Never Was

The story of the aborted 1937 filming of "I, Claudius", starring Charles Laughton, with all of its surviving footage.

Jo, el desconegut

Arnau is a seventeen year old with a totally carefree life. In high school, falls in love with Olga. From there his life changes. To make merit with Olga, pointing to all those involved in activities, including going to care for elders at the weekend that the association is voluntary Olga. This is how he meets Ramon, a man of a past that has a confusing libertarian principle Alzeheimer.

Farewell

Recently widowed from a man 50 years her senior and bored to tears with covering ladies fashion, Lady Grace leaped at the chance to be the only woman onboard one of the media sensations of the decade. At journey's end she returned to America a star, thanks to her good looks and gutsy charm. But her reports on the ship's travels for the front pages of the Hearst press empire only told part of the story. In her diary she recorded a far more intimate journey-her struggle to get over her secret affair with shipmate, mentor, and married man Karl von Wiegand. Combining spectacular archival footage of the journey across New York, Siberia, Tokyo, and the Pacific with narration drawn from Drummond's articles and her private journals, this sweeping black and white documentary stands as a vision of technological marvels and global hope in that narrow window between world wars when everything seemed possible except true love.

Byzance

Byzance uses a text by Stefan Zweig to describe the Ottoman conquest of the city in 1453. Before he turned to feature filmmaking in 1968 with Naked Childhood, Pialat worked on a series of short films, many of them financed by French television. Byzance is one of Pialat’s six Turkish shorts.

Istanbul

All of Pialat's Turkish films are uniquely interested in the country — especially Istanbul — as it was, not just as it is at the precise moment that Pialat is filming it. History informs these films in a big way, with the voiceover narration (which incorporates excerpts from various authors) introducing tension between the images of the modern-day city and the descriptions of incidents from its long and rich history. Istanbul is probably the most conventional documentary of Pialat's Turkish series, providing a general profile of the titular city, its different neighborhoods, and the different cultures and ways of living that coexist within its sprawling borders. As the other films in the series also suggest, Pialat sees Turkey, and Istanbul in particular, as a junction point between Europe and the East, between the old and the new, between history and modernity.

Maître Galip

Maître Galip is the most poetic and powerful of Pialat's Turkish Chronicles, using the poems of Nazim Hikmet to accompany a series of evocative images of ordinary working class people in Istanbul. This was the film that Pialat himself claimed was the most complete realization of what he was aiming for with his Turkish documentaries. It's not difficult to see why this was his favorite: here he abandons the historical commentary and documentary observation of the other shorts in favor of an emotional emphasis on the lives of the poor and the unemployed.

La corne d'or

La Corne d'or is mostly concerned with religious ritual, examining the mosque (and former cathedral) discussed in Byzance. As a contrast against Istanbul's status as a center of historical religious conflict, Pialat — drawing here on texts by the French poet Gérard de Nerval — also describes the city as a place of strange ethnic and religious harmony, with representatives of various cultures and religions living in close contact. He emphasizes the city's hybrid culture, its blend of Southern European and Arab influences, reflected in both its people and its very construction.

Pehlivan

Pehlivan focuses on a three-day wrestling competition, an ancient tradition that dates back over a thousand years to the time of the Ottoman Empire, originating in the games the soldiers would play to entertain themselves in between battles. Maybe that's why there's more than a hint of homoeroticism in the way the wrestlers oil themselves up with grease, making sure to cover every inch of their bodies so that their opponents will be unable to get a grip. Pialat's closeups emphasize the men's muscular bodies jammed together and sliding off one another, posed in intimate, twisted arrangements, struggling desperately for a grip on each other's bodies. Arms are jammed down pants, one of the only places there's some potential for a handhold, and the whole thing is very suggestive and sensual, a form of intimate male contact that's sanctioned as a show of strength and masculinity.

Bosphore

Short doc by Maurice Pialat. The first film in the series set at Turkey, Bosphore, is also the only one that was shot in color.