Toorumi Pojad
In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.
Toorumi Pojad
1989
0
Karel Plicka was also cinematographer of this short movie. Editor in charge was Alexander Hackenschmied. There is an extraordinary emotional charge, every shot is working on its own, such as photographs, paintings and poetic complement intertitles in this short. From the perspective of nature and the perspective is shifting to the people and their habits, work and clothes. Peculiar documentary shots underscore Ruthenians (men, women and children) who are interested in looking into the camera and the curious "eye" showing off their habits.
Toorumi Pojad
1989
0
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5
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1948
0
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0
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0
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0