一米民主

One Meter of Democracy (2010) challenged the endurance of viewers, as well as the courage of the artist. In a quasi-democratic process, He Yunchang invited approximately 20 friends to vote in a secret ballot on whether he should have a surgeon cut a one metre incision the length of his body, from collar bone to knee, without anaesthesia. The vote was carried by a narrow majority, with several abstaining. The performance was documented in video and photographs that reveal the emotional cost of witnessing this gruelling event. This work, sometimes also known as ‘Asking the Tiger for its Skin’ was also staged on a symbolic date: 10 October 2010 was the 99th anniversary of the Wuchang uprising and the Xinhai Revolution which led to the fall of the Qing Dynasty and the establishment of the Republic of China. The final image shows the group with sombre, shocked faces.

Basquiat: Rage to Riches

This film tells Jean-Michel's story through exclusive interviews with his two sisters Lisane and Jeanine, who have never before agreed to be interviewed for a TV documentary. With striking candour, Basquiat's art dealers - including Larry Gagosian, Mary Boone and Bruno Bischofberger - as well as his most intimate friends, lovers and fellow artists, expose the cash, the drugs and the pernicious racism which Basquiat confronted on a daily basis. As historical tableaux, visual diaries of defiance or surfaces covered with hidden meanings, Basquiat's art remains the beating heart of this story.

Le grand film ordinaire

The Ordinary Grand Film is the result of love at first sight with The Ordinary Grand Circus. With film and equipment borrowed from left and right, with the free complicity of all those who appear in the credits, they went on weekends to film a few moments of their tour.

Les statues meurent aussi

Short documentary commissioned by the magazine Présence Africaine. From the question "Why is the African in the anthropology museum while Greek or Egyptian art are in the Louvre?", the directors expose and criticize the lack of consideration for African art. The film was censored in France for eight years because of its anti-colonial perspective.

Burning Man: Beyond Black Rock

BURNING MAN: BEYOND BLACK ROCK goes behind the scenes of a social revolution to explore the philosophy that fuels it, the social contract that drives it, and the transcendent experience that makes it a worldwide cultural force. Granted unprecedented access to the inner workings of the Burning Man organization, the filmmakers spent 18 months with the founders, organizers, artists and participants to document the full complexity and diversity of the Burning Man community. But, true to its title, the film goes beyond the city they raise in the desert - revealing the Burning Man's plans to bring its unique culture to the rest of the world. BEYOND BLACK ROCK tells, for the first time ever, the real story of Burning Man - from the inside out.

石头英国漫游记

The Rock Touring Around Great Britain is a performance piece by Chinese artist He Yunchang that involved a walking circumambulation of Great Britain from September 23, 2006 to June 14, 2007. Starting from the hamlet of Rock, Northumberland, the artist walked to the nearby town of Boulmer where he selected a rock which he then carried counterclockwise until he returned it to the precise location from which it was taken. As the artist commented, the work was primarily "an attempt to represent the iron will of an individual and the living conditions of his being with simple and pure methods."

Richard Hugo: Kicking the Loose Gravel Home

Filmed on location in Montana and Washington State, this 1976 biography of poet and teacher Richard Hugo features readings of some of his most famous poems as well as interviews with his family and friends.

Kehinde Wiley: An Economy of Grace

Known for his vibrant reinterpretations of classical portraits featuring African-American men, New York-based painter Kehinde Wiley has turned the practice of portraiture on its head and in the process has taken the art world by storm.

Kentridge and Dumas in Conversation

William Kentridge and Marlene Dumas – two of the most celebrated names in international contemporary art – come face to face in a series of frank, witty and intense discussions about their work and practice. The film follows them from the gentle ambience of a dinner conversation, to their studios – where we are given insight into the way that each artist works – to some of their finished works and installations. What emerges is how very differently these two highly successful South African artists approach image making. Dumas’ method is deeply intuitive – she often works on the floor as though embracing her paintings, pouring and dabbing paint to produce her remarkable portraits. Kentridge is intensely systematic, alternating gestural mark making with the repetitive action of drawing-filming-erasing for his animated films.

Lino Tagliapietra: The Making of a Maestro

Lino Tagliapietra, considered by most as the greatest glassblower in history, is a mentor, motivator, and visionary. Bridging the divide between Italian and American glassblowing, Lino's career has transcended continents and inspired a new generation of glassblowers. Now 85, Lino continues to push the boundaries of the medium, testing the limits to see what both the material and the man can do.

Kandinsky

Colour, form, area - this is the formula of the greatest pioneer of abstract painting. Kandinsky came to art late in life, but his impact through Der Blaue Reiter (The Blue Rider) and Bauhaus paved the way for modern art. In 1913, he created one of the first abstract pictures, the theoretical basis of which was inspired by his essay Uber das Geistige in der Kunst (On the Spiritual in Art). Accompanied by Mussorgsky's Pictures From An Exhibition Labarthe goes on a sensual journey which makes the soul resound with colours and forms. "A picture has to resound and must be bathed in an inner glow." Kandinsky

Visages, villages

Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.

White Walls Say Nothing

Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have faced brutal oppression and economic disaster. Throughout all this, successive generations of activists and artists have taken to the streets of this city to express themselves through art. This has given the walls a powerful and symbolic role: they have become the city’s voice. This tradition of expression in public space, of art and activism interweaving, has made the streets of Buenos Aires into a riot of colour and communication, giving the world a lesson in how to make resistance beautiful.

Quando i tedeschi non sapevano nuotare

Art City 1 Making It in Manhattan

Unlike any art movie you've ever seen, Making it in Manhattan is informed 'entertainment' about the people who make contemporary art. Artists, collectors, and dealers bring to life the art capital of the world, New York, as it plunges into the 21st Century. Presenting a cross-section of artists, the film discusses inspiration, aesthetics, and the meaning of success. With Louise Bourgeois, Brice Marden, Chuck Close, Neil Jenney, Elizabeth Murray, Ashley Bickerton, Gary Simmons, Ursula von Rydingsvard, Rirkrit Tiravanija, St. Clair Cemin, Ivan Karp, Jay Gorney, Matthew Marks, Jerry Saltz, Herb & Dorothy Vogel, and others. From abstraction to figuration, from installation to conceptual art, from the privacy of the doctor's office to the posh gallery opening, Making it in Manhattan captures the reality of a special world. Music by Tom Waits, Don Braden Ryuichi Sakamoto, George van Eps, Piero Umiliani with Chet Baker.

Mystery of the Nile

Filmed in IMAX, a team of explorers led by Pasquale Scaturro and Gordon Brown face seemingly insurmountable challenges as they make their way along all 3,260 miles of the world's longest and deadliest river to become the first in history to complete a full descent of the Blue Nile from source to sea.

The Story Won't Die

THE STORY WON’T DIE, from Award-winning filmmaker David Henry Gerson, is an inspiring, timely look at a young generation of Syrian artists who use their work to protest and process what is currently the world’s largest and longest ongoing displacement of people since WWII. The film is produced by Sundance Award-winner Odessa Rae (Navalny). Rapper Abu Hajar, together with other creative personalities of the Syrian uprising, a post-Rock musician (Anas Maghrebi), members of the first all-female Syrian rock band (Bahila Hijazi + Lynn Mayya), break-dancer (Bboy Shadow), choreographer (Medhat Aldaabal), and visual artists (Tammam Azzam, Omar Imam + Diala Brisly), use their art to rise in revolution and endure in exile in this new documentary reflecting on a battle for peace, justice and freedom of expression. It is an uplifting and humanizing look at what it means to be a refugee in today’s world and offers inspiring and hopeful vantages on a creative response to the chaos of war.

River Story

Set in Nagaland, the film hopes to find resonance in other geo-political locations of the world where people living on the margins are challenged by the seemingly inevitable phenomenon of modernization. The film follows Zarenthung, a first generation fisherman as he navigates his new profession as the reality around him is changing.

Ashes and Snow

Ashes and Snow, a film by Gregory Colbert, uses both still and movie cameras to explore extraordinary interactions between humans and animals. The 60-minute feature is a poetic narrative rather than a documentary. It aims to lift the natural and artificial barriers between humans and other species, dissolving the distance that exists between them.

Bomb It

Through interviews and guerilla footage of graffiti writers in action on five continents, the documentary tells the story of graffiti from its origins in prehistoric cave paintings thru its notorious explosion in New York City during the 70’s and 80’s, then follows the flames as they paint the globe.