يوميات سماء

The Diary of a Sky unfolds an atmospheric symphony of violence over Beirut, revealing the haunting fusion of incessant Israeli military flights and the hum of generators during blackouts. This 45-minute video essay plunges viewers into a chilling chronicle of daily life transformed by the weaponization of the air, where the terror of repeated incursions becomes a disconcertingly banal backdrop.

Історія рук

The film is a study of nature and significance of the hands in cinema. Besides review of movements and actions, which creates an independent story, it reveals interactions and interdependence of cinematic traditions of various authors, countries and periods

Vahşetin Yeni Düzeni

Alinur, a student filmmaker, tries to make a film about the apocalypse for his capstone project. The movie itself happens to be about a mercenary named M who inadvertently causes an apocalypse. As he tries to “create” the destruction of this supposed apocalypse through utilizing technical gimmicks that he has enforced onto the production of the film, this supposed effort also creeps in as a force that starts to “destroy” him, piece by piece. The outcome of it tests the sincerity of not only the film itself but also of the performative efforts that Alinur has made as a filmmaker—even this test might not be as sincere as it seems.

Rytmus

An experimental film from Jirí Lehovec, mixing the sound process with animated rhythms.

オロ

A 6-year-old Tibetan boy leaves his family and flees to a refugee camp in northern India.

Complainant

There is nothing left to do but complain.

Lovu zdar!

This documentary essay introduces a peculiar trio of men united by their passion for hunting. Each of them conceives of hunting in his own way, luring the viewer to an exotic safari, to an antlered trophy collection or to a sitting in the woods.

Hiato

Stream of consciousness awakened by the shots of an inauspicious summer.

Out of the Law

Beyond all human restraint lies one's lugubrious layers of paint.

HoLy Cycles

Steadily reading while/becomes treading into murky waters.

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Anônimo e incomum

1/57: Versuch mit synthetischem Ton

Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)

Finds Itself in Corners

Lines align during acclimated apexes, shadowy vertices, and bright burrows.

Swimming, Dancing

Swimming, Dancing examines audiovisual representations of the Yangtze (1934–present), from silent film to video art to the contemporary vlog. Inspired by the city symphonies of the 1920s, Swimming, Dancing pieces together a “river symphony”, evoking the images, sounds and contradictions that make up the river’s turbulent history.

Marcia su Roma

The fascinating story of the rise to power of dictator Benito Mussolini (1883-1945) in Italy in 1922 and how fascism marked the fate of the entire world in the dark years to come.

Joseph Cornell: Worlds in a Box

This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.

Bear

Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.

Ponedjeljak ili utorak

A divorced journalist Marko Požgaj starts his working day by taking his son to the school. During the day many thoughts and images pass through his mind - the memories of childhood, ex-wife, current girlfriend, but mostly his father who died in a war.

Kaja, ubit ću te!

An experimental film about a peaceful and carefree life in a small Dalmatian town, which turns into bloodshed and horror on the eve of the Italian occupation of the country.