De Madrid a la Luna

De tijd

The point of departure for this film is the 1981 composition De Tijd by Dutch composer Louis Andriessen. Van der Keuken leaves the music undisturbed as an autonomous soundtrack and has the images engage in a sort of battle with it. These images are associations, fragments of events, scenes and situations. The film is preceded by a text by Bert Schierbeek.

Mermaids

In this tribute to the eternal allure of an ancient myth, colourful fins and swimming pools fill the lives of five modern-day women who strive to embody the mysterious siren as part of a growing “mermaiding” subculture.

Last Days of Solitary

In 2011, Maine State Prison launched a pioneering reform program to scale back its use of solitary confinement. Bafta and Emmy-winning film-maker Dan Edge and his co-director Lauren Mucciolo were given unprecedented access to the solitary unit - and filmed there for more than three years. The result is an extraordinary and harrowing portrait of life in solitary - and a unique document of a radical and risky experiment to reform a prison. The US is the world leader in solitary confinement. More than 80,000 American prisoners live in isolation, some have been there for years, even decades. Solitary is proven to cause mental illness, it is expensive, and it is condemned by many as torture. And yet for decades, it has been one of the central planks of the American criminal justice system.

The Genius of Leonardo Da Vinci

Janina Ramirez explores the BBC archives to create a TV history of Leonardo Da Vinci, discovering what lies beneath the Mona Lisa and even how he acquired his anatomical knowledge.

The Common Touch

The Common Touch tells the story of Jake Bailey, viral sensation and student of Christchurch Boys High School, who was told one week before his graduation speech about his diagnosis of life-threatening cancer.

Gateways to the Mind

The film presents how the human body recognizes and becomes aware of its surroundings. The various information pathways to the brain such as sight, sound, smell, taste and touch are explored in a accurate but simple manner via human impression and cartoon characters!

Hugo Pratt, trait pour trait

Several key words emerge from Hugo Pratt's work, inseparable from his life: travel, adventure, erudition, esotericism, mystery, poetry, melancholy... and of course, Corto Maltese, his hero and alter ego, who established him as one of the greatest names in comic books. Born in Italy in 1927 and dying in Switzerland sixty-eight years later, Hugo Pratt, born without an H and with only one T, grew up in the shadow of a fascist father who took him at a very young age to Ethiopia, which was occupied by Mussolini's forces. The teenager developed a fascination for the wide-open spaces of Africa, soon followed by an irresistible attraction to the Indian world. This was the starting point for a life of travel, success, conquests, rare failures, and marked by his veneration for the American cartoonist Milton Caniff, his absolute master.

Extranjeros de sí mismos

After Hours

Documentary short showcasing the genius of jazz greats Coleman Hawkins, Roy Eldridge, Cozy Cole, and Milt Hinton, among others.

Five Came Back

The extraordinary story of how Hollywood changed World War II – and how World War II changed Hollywood, through the interwoven experiences of five legendary filmmakers who went to war to serve their country and bring the truth to the American people: John Ford, William Wyler, John Huston, Frank Capra, and George Stevens. Based on Mark Harris’ best-selling book, “Five Came Back: A Story of Hollywood and the Second World War.”

Frontline: The Age of AIDS

After a quarter-century of political denial and social stigma, of stunning scientific breakthroughs, bitter policy battles and inadequate prevention campaigns, HIV/AIDS continues to spread rapidly throughout much of the world. Through interviews with AIDS researchers, world leaders, activists, and patients, FRONTLINE investigates the science, politics, and human cost of this fateful disease and asks: What are the lessons of the past, and what can be done to stop AIDS?

Otar Iosseliani, le merle siffleur

Georgian director Otar Iosseliani prepares his film Jardins en Automne. Nothing is conventional in the filmmaker's system: Julie Bertuccelli portrays the gestation and production of a film that seems to follow the freest and most unpredictable poetic intuitions of its creator. The constant and hilarious arguments with the producer, Martine Marignac, a Michel Piccoli transformed into an old woman, and the director's peculiar filming system, in which he signals his actors to start with a whistle, paint a picture of one of the most unclassifiable cinematic experiences in contemporary cinema.

Visconti: La verdad del melodrama

Rif 1921, una historia olvidada

Manuel Horrillo has visited for 7 years the fields where the clashes between the Spanish troops and the rebels of the protectorate took place during the so-called Rif War, a forgotten war of the Spanish collective imaginary.

Dresdner Filmschätze - Teil 4 | Die 90er bis 2000er Jahre

Projektionen der Sehnsucht

Architects Herzog and deMeuron: The Alchemy of Building & The Tate Modern

Visiting examples of Herzog and de Meurons ground-breaking style, this film reflects their capacity to astonish and explore the way in which they transform what might otherwise be ordinary through new treatments and techniques.

Inside Piano

The fifth project of the Living Architectures series, Inside Piano is composed of three films on three symbolic buildings of Renzo Piano's career. A visit throughout the prototype-building of the Centre Pompidou. An immersion in the soundproof world of a submarine floating in the depths of the Parisian underground. A journey aboard a luminous magic carpet of a highly sophisticated architectural machine. A humorous, caustic and quirky point of view.

Odložen Let

Nemanja Jović, an autistic boy works in a cafe which employs people with development disabilities. We see his everyday life, at home at Pančevo, and as well as his workplace in Belgrade. It opens up a dialogue about a theme which is rarely explored in Serbian society.