Dworzec

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.

یک آتش

The National Iranian Oil Company (NIOC), formed upon nationalization of the British Anglo-Iranian Oil Company, employed film systematically, producing many films on oil and petrochemical subjects. It also made films depicting Iran's progress and modernization, highlighting the role of the Shah and NIOC in that direction. Under its auspices, Ebrahim Golestan directed A FIRE (1961), a highly visual treatment of a seventy-day oil well fire in the Khuzestan region of southwestern Iran. This film was edited by the Iranian poet Forough Farrokhzad and won two awards at the Venice Film Festival in 1961.

Collapse

From the acclaimed director of American Movie, the documentary follows former Los Angeles police officer turned independent reporter Michael Ruppert. He recounts his career as a radical thinker and spells out his apocalyptic vision of the future, spanning the crises in economics, energy, environment and more.

希望之旅

Railroad of Hope consists of interviews and footage collected over three days by Ning Ying of migrant agricultural workers traveling from Sichuan in China's interior, to the Xinjiang Autonomous Region, China's northwest frontier.[1] Through informal interviews aboard the cramped rail cars, Ning Ying explores the hopes and dreams of the workers, many of whom have never left their homes before.

The Take

In suburban Buenos Aires, thirty unemployed ceramics workers walk into their idle factory, roll out sleeping mats and refuse to leave. All they want is to re-start the silent machines. But this simple act - the take - has the power to turn the globalization debate on its head. Armed only with slingshots and an abiding faith in shop-floor democracy, the workers face off against the bosses, bankers and a whole system that sees their beloved factories as nothing more than scrap metal for sale.

Miners Shot Down

In August 2012, mineworkers in one of South Africa’s biggest platinum mines began a wildcat strike for better wages. Six days later the police used live ammunition to brutally suppress the strike, killing 34 and injuring many more. Using the point of view of the Marikana miners, Miners Shot Down follows the strike from day one, showing the courageous but isolated fight waged by a group of low-paid workers against the combined forces of the mining company Lonmin, the ANC government and their allies in the National Union of Mineworkers.

Nous, ouvriers : «Nos cœurs battent encore » (1983 à nos jours)

Harlan County U.S.A.

This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastovers refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.

Nuuca

In this evocative meditation, a disturbing link is made between the resource extraction industries’ exploitation of the land and violence inflicted on Indigenous women and girls. Or, as one young woman testifies, “Just as the land is being used, these women are being used.”

An Imminent Threat

“An Imminent Threat” follows a fisherman activist, Yngve Larsen, who fights against oil and gas drilling activities in north of Norway. Will Yngve succeed in avoiding the extinction of many species of fish and thus irreversible damage to our planet?

The End of Suburbia: Oil Depletion and the Collapse of the American Dream

Since World War II North Americans have invested much of their newfound wealth in suburbia. It has promised a sense of space, affordability, family life and upward mobility. As the population of suburban sprawl has exploded in the past 50 years Suburbia, and all it promises, has become the American Dream. But as we enter the 21st century, serious questions are beginning to emerge...

Tipping Point: The End of Oil

In an oil-scarce world, we know there are sacrifices to be made in the pursuit of energy. What no one expected was that a tiny Native community, living down the river from Canada's tar sands, would reach out to the world for help — and be heard.

The Hand That Feeds

Behind the scenes of a popular deli on New York's Upper East Side, undocumented immigrant workers face sublegal wages, dangerous machinery, and abusive managers. Mild-mannered sandwich maker Mahoma López has never been interested in politics, but in Jan. 2012, he convinces a small group of his co-workers to fight back. Risking deportation and the loss of livelihood, the workers team up with a diverse crew of innovative young organizers and take the unusual step of forming an independent union, launching themselves on a journey that will test the limits of their resolve. In one rollercoaster year, they must overcome a shocking betrayal and a two month lockout. Lawyers will battle in backroom negotiations, Occupy Wall Street protesters will take over the restaurant, and a picket line will divide the neighborhood. If they can win a contract, it will set a historic precedent for low-wage workers across the country. But whatever happens, Mahoma and his compañeros won't be exploited again.

The Harvest (La Cosecha)

The story of the children who work 12-14 hour days in the fields without the protection of child labor laws. These children are not toiling in the fields in some far away land. They are working in America.

Wiebo's War

Wiebo Ludwig is the leader of a Christian group who brought his family to live in Alberta, Canada, 25 years ago in order live a life according to scripture. They built a small, self-sufficient community in a place that they did not realize was one of the largest undeveloped natural gas fields in North America. Unlike others who lived in the area, Wiebo and his family refused to sell their land and move, and now Wiebo is the prime suspect in a series of pipeline bombings and other acts of sabotage against the local oil industry.

Con Vistas al Mar

After consolidating itself as a tourist destination in the mid-1960s, this small coastal village has become the dormitory town for the workers of a Nuclear Power Plant. With the liberal promise of prosperity and socioeconomic wellfare, many workers left their homes to move to the small city and started working at the new Nuclear Power Plant. The collective unrest and the silence, cut off by the great gusts of wind, articulate the landscape of the village that is now under the aid of the Nuclear Power Plant.

青春（春）

This film was shot between 2014 and 2019 in the town of Zhili, a district of Huzhou City in Zhejiang province, China. Zhili is home to over 18,000 privately-run workshops producing children's clothes, mostly for the domestic market, but some also for export. The workshops employ around 300,000 migrant workers, chiefly from the rural provinces of Yunnan, Guizhou, Anhui, Jiangxi, Henan and Jiangsu.

Oil Springs

The story will mostly take place in the town Oil Springs, Ontario, where the oil industry in North America was born. By making a case study of this town, we can better understand how the industry operates today. The documentary will explore themes of colonialism, climate change and Canadian identity.

Walkout: The School Funding Rebellion

The lowest paid teachers in the nation are in the middle of a statewide walkout in Oklahoma. From start to finish, Walkout follows the teachers as they get organized and demand raises from their state legislature. From crowded classrooms to a packed state capitol, Walkout offers an in-depth, personal look at the latest strike at the heart of a nationwide movement for education funding.

My Father

This short documentary is a tribute to the unknown father. Emerging filmmaker Danic Champoux poses the question "How many men still have to uproot themselves and leave their families to get work?" as he sets out to search for his own father. He wonders about these men who are labourers, itinerants, and mostly nameless, but who are all exemplary providers. But at what cost? This film was produced as part of the Libres Courts collection of first-time documentary shorts.