Enemy Image

An examination of the how television news in the US has covered war from Vietnam to the present day

Justice Redefined: Ukraine's Frontline Journalists

How do you cover a war in your own country? We spent two years with journalists from Ukraine's public broadcaster and saw how Russia's invasion transformed their profession and changed their beliefs. Broadcast on 5/4/2024

Je ne suis pas une salope, je suis une journaliste

More than twenty sports journalists – working mainly on television (BeIN Sports, RMC Sport, France Télévisions, Canal+, TF1) but not only (L'Équipe, Radio France) – testify to the anger, despondency and helplessness they felt when they had to endure the “Yucky jokes”, the « culture de boy’s club » and degrading insults on social networks, while at the same time the presence of women in these programs and in the press has increased. Without forgetting the misogynistic comments, the heaps of small sentences on the physique or the competence, the sexual innuendos… until the moral or sexual harassment.

Don't Be a Sucker!

Propaganda short film depicting the rise of Nazism in Germany and how political propaganda is similarly used in the United States. The film was made to make the case for the desegregation of the United States armed forces.

No End in Sight

Chronological look at the fiasco in Iraq, especially decisions made in the spring of 2003 - and the backgrounds of those making decisions - immediately following the overthrow of Saddam: no occupation plan, an inadequate team to run the country, insufficient troops to keep order, and three edicts from the White House announced by Bremmer when he took over.

The Killing of a Journalist

A young investigative journalist and his fiancée are brutally murdered in their home in Slovakia. Their deaths inspire the biggest protests in Slovakia since the fall of communism. The story takes an unexpected turn when a source leaks the secret murder case file to the murdered journalist’s colleagues. It includes the computers and encrypted communications of the assassination’s alleged mastermind, a businessman closely connected to the country’s ruling party. Trawling these encrypted messages, journalists discover that their country has been captured by corrupt oligarchs, judges and law enforcement officials. A reckoning awaits.

Standard Operating Procedure

Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.

C'est dur d'être aimé par des cons

The murder of Dutch filmmaker Theo van Gogh by an Islamic extremist in 2004, followed by the publishing of twelve satirical cartoons depicting the prophet Mohammed that was commissioned for the Danish newspaper Jyllands-Posten, provides the incendiary framework for Daniel Leconte's provocative documentary, It's Hard Being Loved by Jerks.

Steel Town

Documentary examining the steel industry in Youngstown, Ohio during World War II. Focuses on steel production, including the smelting process, slagging and the blast furnace. Workers reflect upon their lives and the importance of their jobs. Emphasizes the importance of teamwork in the mills and on the plant's labor relations committee to help win the war. Preserved by the Academy Film Archive in 2012.

The Longest Month

Four hard-hitting stores, from the deadliest period in U.S. Army Aviation, since Vietnam. Actual footage from the events, and interviews from the Soldiers, who were there - bring these intense and touching stories of courage and sacrifice to life.

Camilo - Der lange Weg zum Ungehorsam

The award-winning filmmaker Peter Lilienthal is dedicated to this extremely poignant documentary of U.S. military policy and the living conditions of former resistance fighters in Latin America.

Battle Front in Britain

From growing potatoes in Green Park, London, to transforming rabbit crates into seed boxes – just a couple of the many ingenious ways of supporting the war effort which are covered in this film from the Ministry of Information.

Control Room

A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.

Saddam: America's Best Enemy

Documents a 40-year relationship between Saddam Hussein and the U.S., through accounts given by those who were witness to and participants in those years of violence. It is about a man and a superpower who used each other, in a marriage of convenience between strange bed-fellows. Includes selected archival footage of Saddam's beginnings, filmed to immortalise his exploits, at 20 years of age, in 1959. Includes also images from the film, Saddam Hussein, le maître de Baghdad, directed by Michel Vuillermet (Zarafa Films)

Istra

Yugoslav Partisan propaganda film about the liberation of Istria at the end of the World War II.

Istina o Puli

Yugoslav Partisan propaganda film about the post-World War II events in Pula.

Dělníci bulváru

This documentary study of the mechanisms that turn the gears of the tabloids is conducted by the unique figure Pavel Novotný. This editor-in-chief of one of the most widely read Czech media outlets of the time, providing news from the world of show business and human misfortune, gets straight to the point. Readership is a fetish, an absolute alibi for all invasions of privacy and every transgression of good ethics. Seen up close, the whole cluster of disreputable reports looks like a staged tableau. Before the eager eyes of an anxious public, celebrities willingly or unwillingly perform acts that the scrutiny of the all-powerful tabloid workers attributes racy significance to.

Nana

Las Hurdes

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

Dworzec

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.