Trash Talking
A showcase of Paper Rad's individual and group creations in the form of Trash Talking, a show for kids with bizarre characters trying to find their place in the world.
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Trash Talking
2006
0
Revolution N. 9
Duration: 0 h 12 m | 2003
An experimental short film from Mi-sen Wu.
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2006
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Openland
Openland is an art film guided by issues surrounding micro states and its derivative definitions. Through intertwining interviews, meta-narratives, and digital landscapes, Openland unfurls a dialogue between consciousness, individuality and collectivity.
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2009
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ああ！私の母
Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This piece was selected for the Oberhausen International Film Festival. In 1969, there were, of course, no video cameras like ones we see now, and color TVs were only found at broadcast television studios. I had just been employed at the TBS (Tokyo Broadcasting System), and I often snuck into the studios after hours to experiment with the equipment. Oh! My Mother was made using the feedback effect, which is produced by infinitely expanding the image by looping the video."
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ああ！私の母
1969
0
橋の下から
In this tape, Ko Nakajima and Video Earth Tokyo interview a homeless man. The subject is initially angry and frustrated, but gradually opens up and shares stories about his life. Under A Bridge was later broadcast on cable television.
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橋の下から
1974
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おんなの作品
In Idemitsu's seminal women's liberationist video, the image of a tampon swirling in a toilet bowl slowly appears, as the artist speaks about the troubling roles, responsibilities and expectations of women in a clinical tone. Minimal in composition, What a Woman Made is a candid critique of the treatment of women in Japanese society.
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おんなの作品
1973
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Selva. Un portrait de Parvaneh Navaï
Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest ("selva"). The camera amplifies and expands her presence, transforming the forest into an imaginary space. The camera becomes a painter's brush.
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Selva. Un portrait de Parvaneh Navaï
1982
10
Chutes, desert, Syn
In "Falling. Desert. Syn" there is the body of repetition—not of tautology but of smooth resurrection; a body dying and being resurrected in a dance without suffering. A body of the desert, which is not deserted, but instead possessed by a force of attraction towards the sky, a force as strong as the one towards the earth. A body for the stars, the same one which plunges into the underworlds.
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Chutes, desert, Syn
1985
6
Biotaxia
A successful actress with three children takes an artist lover to fill a void in her life. This avant garde feature illustrates the alienation of an individual who is lonely despite the wealth and fame her career has brought to her. Jose Maria Nunes wrote the screenplay which relies heavily on verbiage and philosophical symbolism.
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Biotaxia
1968
5
The Medium Is the Medium
Produced by WGBH-TV in Boston, the Medium Is the Medium is one of the earliest and most prescient examples of the collaboration between public television and the emerging field of video art in the U.S. WGBH commissioned artists — Allan Kaprow, Nam June Paik, Otto Piene, James Seawright, Thomas Tadlock and Aldo Tambellini — to create original works for broadcast television. Their works explored the parameters of the new medium, from image processing and interactivity to video dance and sculpture.
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The Medium Is the Medium
1968
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37-73
As powerful and complex as is AKRAN, 37-73 is more taut, richer in associative meaning .... 37-73 is about dreams, about memory and its associations with nightmare and magic.
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37-73
1974
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Ludwig van
An odyssey through Beethoven’s lasting presence and influence in our modern world – viewed through the eyes of the composer himself.
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Ludwig van
1970
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Urgent ou à quoi bon exécuter des projets puisque le projet est en lui-même une jouissance suffisante
Gérard Courant applies the Lettrist editing techniques of Isidore Isou to footage of late 70's pop culture. Courant posits that his cinema offers an aggressive détournement to the French mainstream, reifying a Duchampian view of film: "I believe in impossible movies and works without meaning... I believe in the anti-movie. I believe in the non-movie. I believe in Urgent... My first full length movie that is so anti-everything that I sometimes wonder if it really does exist!"
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Urgent ou à quoi bon exécuter des projets puisque le projet est en lui-même une jouissance suffisante
1977
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Footsy
Filmed on Super-8, Footsy is César Velasco Broca's first short, in which he explores the fetishistic obsessions of a socially repressed man.
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Footsy
1996
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Der Milchshorf: La Costra Láctea
Velasco Broca directed "La Costra Láctea" in 2002, as the result of an institutional assignment to develop a sexual education video for teenagers. The film, mixing fokloric Spain with fetishism and aliens, was ultimately not approved as educational material and ended up being broadcast in TVE's La 2, in the show Versión Española, with Bigas Luna's feature "Bilbao".
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Der Milchshorf: La Costra Láctea
2002
4
Avant Pétalos Grillados
The story tells of an extraterrestrial invasion in which the aliens kidnap bodybuilders for reasons that escape our understanding.
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Avant Pétalos Grillados
2006
3
Hokus Fokus
A filmmaker gets lost in a world of his own creation, literally. He is plotted against by his outer demons, searches for his lost sex scene and contends with several other versions of himself. A joyful rule-breaking carnival ride through a filmmaker's dreamland.
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Hokus Fokus
2004
0
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Nocturna Artificialia
1979
5
The Cabinet of Jan Švankmajer
In Prague, a professorial puppet, with metal pincers for hands and an open book for a hat, takes a boy as a pupil. First, the professor empties fluff and toys from the child's head, leaving him without the top of his head for most of the film. The professor then teaches the lad about illusions and perspectives, the pursuit of an object through exploring a bank of drawers, divining an object, and the migration of forms. The child then brings out a box with a tarantula in it: the professor puts his "hands" into the box and describes what he feels. The boy receives a final lesson about animation and film making; then the professor gives him a brain and his own open-book hat.
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The Cabinet of Jan Švankmajer
1984
6
This Unnameable Little Broom
Stop-motion animated short film in which a puppet on a trike captures a puppet bird-man.
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This Unnameable Little Broom
1985
6
Street of Crocodiles
A puppet, newly released from his strings, explores the sinister room in which he finds himself.
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Street of Crocodiles
1986
6