Das radikal Böse

Das radikal Böse is a German-Austrian documentary that attempted to explore psychological processes and individual decision latitude "normal young men" in the German Einsatzgruppen of the Security Police and SD, which in 1941 during the Second World War as part of the Holocaust two million Jewish civilians shot dead in Eastern Europe.

Begrijpt u nu waarom ik huil?

The work of Leiden professor Bastiaans on dealing with the trauma of war victims attracts the attention of filmmaker Louis van Gasteren. He decides to make a film about the psychotherapeutic treatment with LSD of a former concentration camp prisoner in the clinic of Bastiaans. Patient Joop is arrested in September 1941 and begins a long hellish journey through various camps, until he is liberated by the Russians. When he returns to his wife, he has become a completely different man. Joop suffers from nightmares and is incapable of normal human contact. With two cameras, Van Gasteren records approximately six and a half hours of the first treatment that Joop undergoes with Bastiaans (four more will follow later). Special attention is paid to details: Joop's hands, the sweat on his forehead, a tear running slowly down his cheek. Van Gasteren reduces the recordings to more than an hour.

Brigadistas

Will of the Warrior

Behind-the-scenes documentary focusing on Marcus Luttrell, the lone survivor of a four-man Navy Seal team ambushed by the Taliban in 2005.

US Weapons Against Iraq

Detailing the US giving weapons to both Iraq and Iran during the Iraq Iran war.

Syndrome K

Syndrome K is the true story about a highly contagious, highly fictitious disease created by three Roman Catholic doctors during the holocaust to hide Jews in a Vatican-affiliated hospital.

The World's Biggest Bomb Revealed

National Geographic 2011 Documentary on the World's Biggest Bomb (UK).

The Enclave

Commissioned for the Irish representation at the 55th Venice Biennale in 2013, The Enclave is an immersive, six-screen video art installation by Irish contemporary artist Richard Mosse. Partly inspired by Joseph Conrad’s modernist literary masterpiece Heart of Darkness, the visceral and moving work was filmed in the Democratic Republic of Congo using 16mm colour infra-red film, which captures otherwise invisible parts of the spectrum. The resulting imagery in Mosse’s work is hallucinatory and dream-like with the usual greens of jungle and forest replaced by shimmering violet. The Enclave depicts a complicated, strife-ridden place in a way that reflects its complexity, using a strategy of beauty and transfixion to combat the wider invisibility of a conflict that has claimed so many.

Fahrenheit 9/11

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

People of Russia

This FitzPatrick Miniature visits the Union of Soviet Socialist Republics (USSR), the largest geographically unbroken political unit in the world, covering one-sixth of the world's land mass.

Nuit et Brouillard

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Khawla's Goal

Wilczy szaniec

Im Rücken der Geschichte - Die verlorenen Dörfer von Masuren

In September of 2017 German writer and director Daniel Raboldt accompanied a group of German and Polish scientists and students into the woods of Masuria, Poland. The expedition aimed to find traces of the so-called "lost villages", left by the Masurians around 1945 by the end of the Second World War. Today only some of the old graveyards can be found deep in the woods of the beautiful Masurian landscape. The documentary "In the back of history - The lost villages of Masuria" shows the students at their work in the historic archives and in the woods. How conclusive can this kind of historic research be? How much can we really learn by looking through old files or other sources? And what can we learn from the vanishing of the Masurians? Do we face similar problems today? The film dives deep into themes like the rise of nationalism and identity and uncovers the tragic end of a population that was asked one simple question in the early 20th century: Stay or Leave?

Moto Is Missing

Featurette about the demise, during the early 1940s, of the once-popular Mr. Moto B-films series that starred Peter Lorre.

Duutsers

How was the Second World War experienced in Rouveen, Overijssel? This Orthodox Christian village near Staphorst was self-sufficient during the war. And largely isolated from the outside world. The last eyewitnesses of the war, the children of that time, are now all very old. In the Duutsers, residents of the Overijssel village of Rouveen talk movingly openly about their war memories to fellow villager and filmmaker Geertjan Lassche. Their stories are interspersed with historical video fragments and photos from the past. This is how an honest child's view of growing up in a rural village unfolds. How did the war come to the village? Who is that stranger in the village in front of them, that German? And in what those of other strangers? When does unrest arise, and unrest in fear of hatred? What about the Jewish labor camps in the village and how did they view the Canadian liberators?

Enemy Image

An examination of the how television news in the US has covered war from Vietnam to the present day

Scharfschütze in der Geländeausbildung: Meister der Tarnung und Täuschung

German training film from World War II.

Karl Merkatz - Vom Tischler zum echten Wiener

Documentary about the life and works of legendary Austrian actor Karl Merkatz.

We Are Not Princesses

We Are Not Princesses is a documentary film about the incredible strength and spirit of four Syrian women living as refugees in Beirut as they come together to tell their stories of love, loss, pain and hope through the ancient Greek play, Antigone.