Midsommarvaka

Midsummer celebration with dance and courtship in the idyllic Swedish landscape.

Ghost Light by John Neumeier

The Hamburg Ballet was one of the first ballet companies internationally to return to its studios after the first lockdown. The ballet Ghost Light by John Neumeier deals with isolation and the feelings and fantasies an empty stage may evoke. Developed in fragments using small groups of dancers and under the constraints imposed by Covid-19, the choreography reflects situations, fears, relationships, memories, and emotions experienced during the pandemic.

Cant Cant

An anthropomorphic creature has trouble sleeping.

Dancing the Nutcracker: Inside the Royal Ballet

This Christmas, step into the magical world of The Nutcracker. For the first time in many years, the Royal Ballet has given full access behind the scenes for a landmark 90-minute documentary as they prepare for this season's yuletide production.

23 Seconds to Eternity

Journey through the music videos and short films from Jimmy Cauty and Bill Drummond in their various guises as The JAMs, The KLF and The Timelords, one of the most successful and subversively creative electronic bands of the early 90s.

National Theatre Live: Fela!

A provocative and wholly unique hybrid of dance, theatre and music, FELA! explores the world of Afrobeat legend Fela Anikulapo-Kuti. Winner of three 2010 Tony Awards including Best Choreography (Bill T. Jones). Featuring many of Fela Kuti’s most captivating songs and Bill T. Jones’ visionary staging, FELA! – an original new creation – comes via Broadway to London and the National Theatre. FELA! explores the extravagant, decadent and rebellious world of Fela Anikulapo-Kuti. Using his pioneering music (a blend of jazz, funk and African rhythm and harmonies), FELA! reveals Kuti’s controversial life as an artist and political activist.

턴: 더 스트릿

A story of a dance crew and their long-suffering wanderings to bring together their dreams, after a long audition process.

Tibet - Widerstand des Geistes

কেওয়াজ

The word kewaaj (কেওয়াজ) is colloquially used to explain chaos, noisiness or annoyance. "Kewaaj" is an audiovisual attempt to give you a glimpse into how the people of Dhaka function in one of the most unliveable cities, according to the Global Liveability Index. Dhaka is fast, dense, intense. Yet the people try to find their peace in it.

Locked Off

Rave Culture is one of Britain’s great cultural exports, but after its first wave in the late eighties and early nineties, it was soon forced into the underground by stringent new laws and superclubs. But forward 25 years into in the midst of a nationwide purge on the nation’s nightlife, where nearly half of all British clubs have shut down in the last decade, and a new kind of scene has emerged. Clive Martin investigates this 21st century version of Rave, where young people break into disused spaces with the help of bolt-cutters and complicated squatting laws, to suck on balloons and go hard into the early morning. But with the police using increasingly extreme tactics to clamp down on these parties, and more than one fatality causing nationwide media panic, can the scene survive?

Flamenco

The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba.

2020 Vision

A short film written by Hussain Manawer about 2020 and mental health.

Aliens from Spaceship Earth

While the aliens in this film may seem to be quite human, one must realize that we're dealing with close encounters of the fourth kind. An inner space journey triggered by the drug culture and rebellion of the 1960s, and the non-violent search for self that continues among people in today's culture. Could this be due to some influence from a higher spiritual consciousness? The world's alien leaders are well represented in this film: Baba Muktananda, Swami Satchidananda, A. C. Bhaktivedanta, Guru Maharaj Ji, Yoga Bhahan, Sri Sathya, Sai Baba, Maharishi Mahesh Yogi, Father Yod, Baba Ram Das, and well-known personalities who present their views on seeking their own terrestrial individuality.

Children of the Cult

An international investigation into the Rajneesh movement. One of the world's biggest and most successful cults, it had communes in more than 30 countries in the 70s and 80s and was portrayed in the Netflix series Wild Wild Country' But until now, a central truth about the organization has remained hidden.

But Beautiful

In his new film, Erwin Wagenhofer is looking for the good and beautiful in this world.

Center Stage

A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.

Turtle Dreams

Turtle Dreams, produced for WGBH-TV, originally aired September 2, 1983. Shot by Ping Chong. Composed by Meredith Monk, performed by her and her Vocal Ensemble.

Oczy diabła

Exploring the underground world of trafficking, where children are used for prostitution and organ harvesting. Patryk Vega interviews a mother who intends on selling her unborn child to traffickers.

We Are Perfume: World Tour 3rd Document

Documentary following Japanese girl group Perfume on their 2014 world tour. Featuring live performances and behind-the-scenes footage, the film also includes in-depth interviews with members of the band as they perform in front of sell-out crowds across the world.

Good Stock On The Dimension Floor: An Opera

A collectively made filmic opera in 35 parts. The Black and predominantly queer art collective, an evolving line up of poets and artists from across the world, abstracts and reimagines opera in any traditional conception. Set to hip-hop, blues, noise, R&B and electronica, the piece uses the voice (chanting, singing, screaming; written by poet and activist Dawn Lundy Martin) as its primary tool, verbalising centuries of alienation, vulnerability and protest in the global African diaspora through its disruptive libretto.