Barakat!

Set amidst the civil war of Algeria in the 1990s, Enough! is the story of two women. Emel is a Westerner whose husband, a journalist, is missing - perhaps kidnapped or even killed for articles he's written.

Barrières

Tahar, son of a wealthy family, is trying to preserve his privileged status despite the social changes brought about by the revolution. Tinted with historical symbolism, the film tells of the disaggregation of a feudal family when the father died.

The Gods Must Be Crazy

A Coca-Cola bottle dropped from an airplane raises havoc among a normally peaceful tribe of African bushmen who believe it to be a utensil of the gods.

龍兄虎弟

Jackie Chan stars as Asian Hawk, an Indiana Jones-style adventurer looking to make a fortune in exotic antiquities. After Hawk discovers a mysterious sword in Africa, a band of Satan-worshipping monks kidnap his ex-girlfriend Lorelei, demanding the sword as ransom as well as other pieces of the legendary Armour of God - a magical outfit dating back to the Crusades.

Piedone l'africano

Inspector Rizzo in Napoli gets a message from a policeman from South Africa who wants to meet him. Immediately before this meeting the South African policeman is killed. Dying he shows Rizzo a picture of his young son Bodo. Rizzo travels to Johannesburg to find out what the policeman was working on and to find Bodo.

Den muso

A young mute woman is raped and becomes pregnant, with disastrous consequences within her family. The film also sketches the social/economic situation in urban Mali in the 1970s, particularly in relation to the treatment of women.

تاجوج

Beginning of the 20th century in the east of Sudan. Tajouj is the beautiful cousin of a young tribesman who falls in love with her and proclaims his love out loud in a song. However, the traditions of his tribe forbid such love, and his uncle refuses his request to marry Tajouj. But after the young man leaves the village and declares his remorse, the marriage is finally allowed after all. In the meantime, however, another man has expressed interest in Tajouj. A story full of jealousy ensues, which ends in tragedy.

Ah Faham - الفحام

Film describes the miserable existence of a charcoal-burner who is barely able to feed his family. His search for work in town ends in failure and he is forced to return to his village.

Le pèlerin de Camp Nou

Majid fights his own coach for Faiza's heart and the dream of playing international football.

The Illustrated Man

A man who has a body almost completely covered in tattoos is searching for the woman who cursed him with the "skin illustrations". Each tattoo reveals a bizarre story, which is experienced by staring at the scene depicted. When the illustrated man meets a fellow tramp on the road a strange voyage begins.

A Son of the Sahara

As a boy, Raoul is reared by an Arab tribe in Algerian Sahara. Years later, as a refined Europeanized gentleman, he falls in love with Barbara, an officer's daughter, who rejects him when she discovers his background. Affecting a raid, he captures her and then secretly buys her at a slave auction. When she is rescued by French troops, however, his ancestry is established and they find happiness together.

L'Absence

Les Apprentis Sorciers

60 years ago, in the Algerian desert, an atomic bomb, equivalent to three or even four times Hiroshima, exploded. Named the “Blue Gerboise”, it was the first atomic bomb tested by France, and of hitherto unrivaled power. This 70 kiloton plutonium bomb was launched in the early morning, in the Reggane region, in southern Algeria, during the French colonial era. If this test allowed France to become the 4th nuclear power in the world, it had catastrophic repercussions. France had, at the time, certified that the radiation was well below the standard safety threshold. However, in 2013, declassified files revealed that the level of radioactivity had been much higher than announced, and had been recorded from West Africa to the south of Spain.

Gravity

Asked by his girlfriend about the essence of his love for her, a young man remembers a dream he once had about the African jungle, in which the forces of nature seemed to lead a life of their own.

الرفض (Al-Raft)

In 1971, the Algerian government nationalized hydrocarbons. The consequences of this decision on the community of Algerians in France are numerous. The Galti family is prey to these economic problems. The father, Khaled, former member of the F.L.N. in France, does not escape the sentence. Sharazade, his wife and comrade in combat, finds herself torn between her role as wife, mother and nostalgia for a country and a bygone past. As for his son Karim, a victim of socio-cultural division, all he has left is refusal.

The Hill

North Africa, World War II. British soldiers on the brink of collapse push beyond endurance to struggle up a brutal incline. It's not a military objective. It's The Hill, a manmade instrument of torture, a tower of sand seared by a white-hot sun. And the troops' tormentors are not the enemy, but their own comrades-at-arms.

Les Hors-La-Loi

In prison in colonial Algeria, shortly after the end of the Second World War, three indigenous cellmates make out. Once free, they attack the authority represented by the triad of the boss, the gendarme and the administrator. “Living the colonial condition,” confided Tewfik Farès, “is something! It’s not sociologically or historically speaking. It’s life. And I think that’s all there in it. [...] For a hundred and thirty years, we wait. We hold back. We push back. We hope. At the same time, on different occasions, there are skirmishes, unrest.

L'Aube des Damnés

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.

Pépé le Moko

Pépé le Moko, one of France's most wanted criminals, hides out in the Casbah section of Algiers. He knows police will be waiting for him if he tries to leave the city. When Pépé meets Gaby, a gorgeous woman from Paris who is lost in the Casbah, he falls for her.

Tarzan the Ape Man

The Tarzan story from Jane's point of view. Jane Parker visits her father in Africa where she joins him on an expedition. A couple of brief encounters with Tarzan establish a (sexual) bond between her and Tarzan. When the expedition is captured by savages, Tarzan comes to the rescue