Mozart and His Music
Mozart's life and music are described against a background of the 18th century and of the European cities which influenced his career. Stresses the classic character of his compositions.
Mozart and His Music
1954
0
Moritats are old folk songs about crimes and are typical of Central Europe. Zela Trovke is a moritat from Slovakia which the Holland Baroque Society has recovered to include in its Barbaric Beauty programme. Maite Larburu, the orchestra’s violinist, unveils the song's hidden secrets.
Mozart's life and music are described against a background of the 18th century and of the European cities which influenced his career. Stresses the classic character of his compositions.
Mozart and His Music
1954
0
When diagnosed with terminal cancer, a world renowned trumpet player uses music to give hope from concert stages to mountain tops, proving art is essential to survival.
Song for Hope
2022
0
Beethoven privat
2020
0
A musical journey in the footsteps of conductor Michel Brun, an atypical character, an atheist, who nevertheless plays sacred music, and who devotes his life to Johann Sebastian Bach. With the musicians of the Ensemble Baroque de Toulouse.
Bach pour tous
2023
8
Ecce Homo Bedřich Smetana
2004
0
Emmy Award winning documentary, directed by Peter Rosen, about the Eighth Van Cliburn International Piano Competition in 1989, featuring interviews with the contestants and jurists, and footage from rehearsals and performances, including by competition winner Alexei Sultanov.
Eighth Van Cliburn International Piano Competition: Here to Make Music
1989
8
Anna Netrebko und Rolando Villazón singen "La Traviata"
2020
0
Documentary on conductor Herbert van Karajan, focusing on his early adoption of audio and video recording technology and his impetus to make use of it to preserve his musical legacy for future generations.
Filmstar Karajan
2008
0
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Lecture 5 picks up at the early twentieth century with an oncoming crisis in Western Music. As these lectures have traced the gradual increase and oversaturation of ambiguity, Bernstein now designates a point in history that took ambiguity too far.
The Unanswered Question V : The Twentieth Century Crisis
1976
9
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: This lecture takes its name from a line in John Keats' poem, "On the Grasshopper and Cricket". Bernstein does not discuss Keats' poem directly in this chapter, but he provides his own definition of the poetry of earth, which is tonality. Tonality is the poetry of earth because of the phonological universals discussed in lecture 1. This lecture discusses predominantly Stravinsky, whom Bernstein considers the poet of earth.
The Unanswered Question VI : The Poetry of Earth
1976
9
A documentary that explores the challenges that a life in music can bring.
What Difference Does It Make?
2014
5
John Eliot Gardiner goes in search of Bach the man and the musician. The famous portrait of Bach portrays a grumpy 62-year-old man in a wig and formal coat, yet his greatest works were composed 20 years earlier in an almost unrivalled blaze of creativity. We reveal a complex and passionate artist; a warm and convivial family man at the same time a rebellious spirit struggling with the hierarchies of state and church who wrote timeless music that is today known world-wide. Gardiner undertakes a 'Bach Tour' of Germany, and sifts the relatively few clues we have - some newly-found. Most of all, he uses the music to reveal the real Bach.
Bach: A Passionate Life
2013
7
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Syntax refers to the study of the structural organization of a sentence, or as Bernstein summarizes, "the actual structures that arise from that phonological stuff."
The Unanswered Question II : Musical Syntax
1976
9
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Bernstein provides two distinct meanings of the term ambiguity. The first is "doubtful or uncertain" and the second, "capable of being understood in two or more possible senses"
The Unanswered Question IV : The Delights and Dangers of Ambiguity
1976
9
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Phonology is the linguistic study of sounds, or phonemes. Bernstein's application of this term to music results in what he calls "musical phonology".
The Unanswered Question I : Musical Phonology
1976
9
Ludwig van Beethoven
1954
0
Known for his mournful "Adagio for Strings," Samuel Barber was never quite fashionable. This acclaimed film is a probing exploration of his music and melancholia. Performance, oral history, musicology, and biography combine to explore the life and music of one of America’s greatest composers. Features Thomas Hampson, Leonard Slatkin, Marin Alsop and many more of the world's leading experts on Barber's music, with tributes from composers Leonard Bernstein, Aaron Copland, Virgil Thomson and William Schuman. The film was broadcast on PBS, and screened at nine film festivals internationally, with three best-of awards. It was named a Recording of the Year 2017 by MusicWeb International.
Samuel Barber: Absolute Beauty
2017
10
A documentary on one of the world’s most exciting string quartets – the Quatuor Ébène – draws viewers into the musicians’ struggle with interpretational details, with colleague-friends – and with themselves.
4
2015
5
In the spotlight of global media coverage, the first transgender woman ever to perform as Don Giovanni in a professional opera, makes her historic debut in one of the reddest states in the U.S.
The Sound of Identity
2020
7
Although he is unanimously credited with having democratised opera, making it accessible to the greatest number, focus is rarely put on the strategy he devised and implemented in order to carry out his actions, nor what his actions reveal of the man and artist, and of the resulting metamorphosis from opera singer to pop artist. Through this angle, this film sets out to pay tribute to the man who summed up his credo, obsession and life’s work, in the following way: “They led the public to believe that classical music belonged to a restricted elite. I was the way to prove to the world that was wrong.
Pavarotti, chanteur populaire
2017
8