The Killing Fields

New York Times reporter Sydney Schanberg is on assignment covering the Cambodian Civil War, with the help of local interpreter Dith Pran and American photojournalist Al Rockoff. When the U.S. Army pulls out amid escalating violence, Schanberg makes exit arrangements for Pran and his family. Pran, however, tells Schanberg he intends to stay in Cambodia to help cover the unfolding story — a decision he may regret as the Khmer Rouge rebels move in.

Hotel Rwanda

Inspired by true events, this film takes place in Rwanda in the 1990s when more than a million Tutsis were killed in a genocide that went mostly unnoticed by the rest of the world. Hotel owner Paul Rusesabagina houses over a thousand refuges in his hotel in attempt to save their lives.

Mangi Meli Remains

In Old Moshi, Tanzania, a head is missing : the skull of Chief Meli, who fought the German colonial occupation of his territory and was executed in response to his resistance in 1900. This animated film, based on archival sources and oral accounts provided by Chief Meli's grandson, sheds light on the racist roots of physical anthropology and ethnological museums.

120

During the Sarikamis Battle, the Ottoman army runs out of ammunition and appeals to the people of Van for help, who happen to have supplies. However, the First World War is on and all men are fighting at four corners of the empire and therefore can not respond to to the appeal. The young children of Van want to do something...

Demirkırat: Şef

The multi-party democratic regime that we take for granted in Turkey today is actually the product of 23 years of struggle and search. From the establishment of the Republic until 1946, three attempts were made to transition from a single party to a multi-party. The first of these was in 1924. Progressive Republican Party came up against the Republican People's Party that ruled the country. However, this period, when a new republic was built in pain, did not allow an oppositional voice to survive. The Progressive Party was closed after six months. Some of the rulers were imprisoned. Some of them were sentenced on death rows in the case of the assassination of Atatürk.The second attempt was made six months later, in 1930, with the Free Party. But the Free Party survived only 97 days.Finally, after another 16 years, the Democrat Party came in 1946 and the one-party regime became history for Turkey, never to return.

12 Eylül: Darbe Günlüğü

Turkish democracy got over May 27 and March 12 and set off again, but the storm did not subside, and the mutual reckoning was not over. On the contrary, new fronts were opened in the country and blood began to flow like a gutter. Finally, on September 12, there was a knock on the door again. Those who came that day changed everything, everything. Nothing will ever be the same again

Demirkırat: Dövüş

It's easy to say... After 23 years of single-party rule, Turkey decided to try democracy once again in 1946. In every attempt up to that time, the regime had been turned upside down and given up in a short time. Now a new one was coming. Would he be able to reach the multi-party regime that has been pursued since Atatürk this time? The calendar of democracy began to run on the morning of Monday, January 7, 1946. That day was a turning point in Turkish political history. The Republic of Turkey woke up with a single party in the morning, it was now multi-party...

Atatürk - Father of the Turks

In the documentary, the life of Mustafa Kemal Atatürk, the last period of the Ottoman Empire, the War of Independence and the developments in the first years of the Republic of Turkey are told in parallel. The documentary prepared by Michael Adams consists of recordings made by the BBC in 1970 in Çanakkale, Samsun, Amasya, Sivas and Ankara, as well as historical footage.

The Stateless Diplomat: Diana Apcar's Heroic Life

Diana Apcar, a 19th century Armenian writer living in Japan, becomes the de facto ambassador of a lost nation.

Kurdistan, la guerre des filles

As the forces of ISIS and Assad tear through villages and society in Syria and Northern Iraq, a group of brave and idealistic women are taking up arms against them—and winning inspiring victories. Members of “The Free Women’s Party” come from Paris, Turkish Kurdistan, and other parts of the world. Their dream: To create a Democratic Syria, and a society based on gender equality. Guns in hand, these women are carrying on a movement with roots that run 40 years deep in the Kurdish Workers’ Party (PKK) in Turkey. GIRL’S WAR honors the legacy of Sakine Cansiz, co-founder of the PKK who was assassinated in Paris in 2013, and reflects on the sacrifices made by all of the women in the movement, who have endured jail, rape, war, and persecution in their quest to liberate their lives and sisters from male dominance. With scenes of solidarity, strength, and love amongst these brave women soldiers, GIRL'S WAR is a surprising story of Middle Eastern feminism on the front lines.

Gallipoli

Two Australian sprinters face the brutal realities of war when they are sent to fight in the Gallipoli campaign in the Ottoman Empire during World War I.

The Kolaborator

During the conflict in the former Yugoslavia many soldiers were convinced to kill fellow citizens including friends and relatives in the name of patriotism. The Kolaborator follows the story of Goran, 24, a promising young soccer player who is forced to become a soldier. Goran goes from being a talented athlete to an executioner virtually overnight. Following orders, Goran lines up civilians, shoots them and drags them into mass graves. Justifying his role as a protector of his people, Goran becomes increasingly detached from the task until his soccer coach and life-long friend, Asim, is led in front of him. As a familiar face stands defeated before him, Goran must reconsider his actions and choose between his own life and that of his dear friend.

Karaoğlan: Bir Ecevit Belgeseli

La masseria delle allodole

The Lark Farm is set in a small Turkish town in 1915. It deals with the genocide of Armenians, looking closely at the fortunes, or rather, misfortunes of one wealthy Armenian family.

Jiyana Rewsenbireki Kurd: Casimê Celîl

Casimê Celîl was born into a Yezidi Kurdish family in 1908, in a village called Kızılkule, located in Digor, Kars. The village and family life, which he longed to remember throughout his life, ends with the massacre they endured in 1918. During his long road to Erivan, Armenia, he lost all his family members. Left all alone, Casim was placed into an orphanage and was forced to change his name. To remember who he was and where he came from, every morning he repeated the mantra “Navê min Casim e, Ez kurê Celîlim, Ez ji gundê Qizilquleyê Dîgorê me, Ez Kurdim, Kurdê Êzîdî me”, which translates to: “My name is Casim, I am the son of Celîl, I come from the village of Kızılkule in Digor, I am a Kurd, and I am Yezidi”. He clings to every piece of his culture he can find, reads, and saves whatever Kurdish literature or art he comes across. As the year’s pass, Casim finds himself with an impressive collection of Kurdish culture and history.

Nothing to be Afraid of

Ever since the war in Nagorno-Karabakh, the still disputed territory is contaminated by landmines. This documentary follows five female de-miners on their risky job.

Ocalan et la question kurde

Kurdistan, partitioned between Iran, Iraq, Turkey and Syria, could play a major role in a torn Middle East. But who are the Kurds? What influence do they have? Who exactly is Abdullah Öcalan, the leader of the Kurdistan Workers' Party? An enlightening investigation by Luis Miranda.

In the Shadow of the Reich: Nazi Medicine

Examines the step-by-step process that led German medical professionals down an unethical road to genocide.

Garod

Garod means longing in Armenian. Longing for a land that lost its people. Longing for the homeland. Longing for a time that is eternally lost. “Garod” is a story of longing. It is about the lives and the musical stories of two Armenian musicians - a father and his son, Onnik Dinkjian and Ara Dinkjian. It tells the story of the remaking of a musical tradition and life in diaspora, passes through different geographies and countries following the traces of a musical tradition. In this documentary, Garod means not only longing for loss but also remaking of a musical tradition and the life itself.

Özallı Yıllar: 24 Ocak

While we were wandering through the pages of our democracy history, we saw right-left fights and experienced revolutions. Blood was shed, scaffolds were set up, but they could never change the country's path. When we came to the 1980s, a person came out and shook the system to its roots and changed the world of people. According to some, this was a great revolution, according to others, it was the wear and tear of some values. Regardless, this person left his mark on a period of Turkey.