Maria Bethânia: Música é Perfume

Brazilian singer Maria Bethania has a 40-year singing career. A documentary shows her concerts and famous family.

We Feed the World

A documentary that exposes the shocking truths behind industrial food production and food wastage, focusing on fishing, livestock and crop farming. A must-see for anyone interested in the true cost of the food on their plate.

Você Também Pode Dar um Presunto Legal

Amid the civil-military dictatorship implanted with the 1964 coup, Sergio Muniz had the idea of making a documentary about the action of the Death Squad. At the time, the press still had some freedom to disseminate the work of these death squads formed by police officers of various ranks, and that he acted on the outskirts of cities like Sao Paulo and Rio de Janeiro. The victims of police repression (as today) were men, poor and black, and this condition is supposed criminals.

A Farra do Circo

This documentary highlights the evolution of Brazil's Circo Voador venue from homespun artists' performance space to national cultural institution.

O Rap Pelo Rap

To do this documentary, the director Pedro Henrique Fávero featured 42 characters - among MCs, DJs and producers - to make a detailed map of its kind in the country. Without mincing words, they speak openly here about 8 topics proposed by the film and try to understand Hip Hop in Brazil. The result is a collection of stories from a lot of fighting, where there are many eternal start-end-start, overcoming the difficulties of being understood and feeling of belonging to a group and many clichés.

Hércules 56

Documentary featuring contemporary interviews with 5 of the revolutionary activists who kidnapped US ambassador Charles Embrick in August 1969 in Rio de Janeiro and some of the political prisoners who were freed from prison in exchange of the ambassador's liberty and flown out of Brazil to Mexico in an army cargo airplane "Hércules 56".

GIG - A Uberização do Trabalho

The work mediated by digital apps and platforms is growing worldwide. But the advance of the “gig economy”, called in Brazil “uberization”, has aroused debates about the precariousness and intensification of work.

Multi Story

On the edge of Dundee a 17-story tower block awaits demolition, the last of its kind on the once sprawling Ardler housing estate. Its residents are either gone or going. We undertake a journey, moving steadily upwards, exploring the space, drifting through deserted corridors and rooms. The memories of former residents accompany the voyage.

Il Fattore umano

Feeling unfair about the power's portrayal of all its opponents, at the dawn of the '68 protests a young man decided to become a photographer to set things right. "Taking a good picture is a great act of faith". Tano D'Amico thus began a journey that would lead him to be at the forefront of the social battles of the 1970s: the birth of new movements, "the appearance on the threshold of history of a people who had never entered history", the hopes, illusions and betrayals. Tano still continues to photograph workers, the homeless, migrants, the last people and all those who take protest to the streets.

Que Esse Grito Não Seja em Vão!

Benzeduras

Plano B

Retour à Reims [Fragments]

An intimate and political history of the French working class from the early 1950s to the present day.

Nada a ver

MUNZIGER

Cycling down the streets of São Paulo's West Zone, Munziger blindly follows his instincts.

Match 64: The Maracanã

A documentary following the day life of fans in Brazil on July 13, 2014: the day when Germany and Argentina met up in the finals of FIFA World Cup.

Atordoado, Eu Permaneço Atento

Journalist Dermi Azevedo has never stopped fighting for human rights and now, three decades after the end of the military dictatorship in Brazil, he's witnessing the return of those same practices.

Yndio do Brasil

Yndio do Brasil is a collage of hundreds of Brazilian films and films from other countries - features, newsreels and documentaries - that show how the film industry has seen and heard Brazilian indigenous peoples since they were filmed in 1912 for the first time: idealised and prejudiced, religious and militaristic, cruel and magic.

Harlan County U.S.A.

This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastovers refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.

À Saint-Henri le cinq septembre

This short film is a series of vignettes of life in Saint-Henri, a Montreal working-class district, on the first day of school. From dawn to midnight, we take in the neighbourhood’s pulse: a mother fussing over children, a father's enforced idleness, teenage boys clowning, young lovers dallying - the unposed quality of daily life.