La Sortie de l'usine Lumière à Lyon

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Cesta za snem a bezvědomím

AHORA SI LLEGO!

The first Road Movie feature film made by the Italian artist Sanzi together with the Cuban Balboa is inspired by friendship, the island and the motorbike. The two artists used, for the first time in Cuba, the form of the Road Movie--the cinematic genre the plot of which is developed during a trip.

Oil in the Blood

Lifelong biker Gareth Maxwell Roberts explores the contemporary custom motorcycle culture.

Monaco, le Grand Prix à tout prix

¿Qué pasó con Yugoslavia?. El engaño de nuestra vida

After forty years of fighting Moscow, Washington won the Cold War, and NATO found a way to expand eastward; however, there was one loose end to the problem: Yugoslavia was not a satellite of the USSR…

The Long Road Through Balkan History

Bosnian Croat writer Miljenko Jergović and Serbian writer Marko Vidojković replace one another by the steering wheel of Yugo, a symbol of their common past while driving on the Brotherhood and Unity Highway that stretched across five of six republics of Yugoslavia.

Jugoslavija: Kako je ideologija pokretala naše kolektivno telo

A research-based essay film, but also a very personal perspective on the history of socialist Yugoslavia, its dramatic end, and its recent transformation into a few democratic nation states.

나는 트럭이다

Worldy renowned for his masterpiece The Housemaid (1960), Kim Ki-young debuts with his first short film I Am a Truck (1953), which was sponsored by UN and made a year after the armistice of the Korean War. This film is a fascinating glimpse into the mind of a soon-to-be powerful auteur and influential filmmaker in the post-war Korean cinema, if not the whole history of Korean cinema.

David Beckham: Into the Unknown

This documentary chronicles David Beckham and his friends' unforgettable journey deep into the heart of the Amazon rainforest in Brazil. Travelling by motorbike and boat, and guided by locals, he visits far-flung communities and tribes that live in this remote landscape.

Gloria

Dusty, a Baltimore motorcycle builder, finalizes his shovelhead chopper named Gloria.

Crusty Demons 16: Outback Attack

The Crusty boys are back at it. Showcasing the best of the best from this fertile island. Witness the do or die attitude that catapulted these extraordinary Aussies onto the worldwide stage!

Údolím Neretvy

It shows the Neretva river from its source to the shores of the Adriatic Sea. The document also captures the original four-hundred-year-old bridge in Mostar.

Butter 2: Four Wheel Flavored

Jump into the world of ‘Big Air’ All-Terrain Vehicle (ATV) riding with Derek Guetter as he tours the country with his Live Show and Butter film crew discovering epic locations and talented riders that live life on 4-wheels.

Phillips Bicycles - Publicity Films for West Africa

From the West Midlands to West Africa: tour the Phillips bicycle plant in Smethwick and see the products in action overseas.

Walter Röhrl - Genie am Lenkrad

Megacities

Megacities is a documentary about the slums of five different metropolitan cities.

Arhitekt Jože Plečnik: 1872-1957

Plečnik in photographs, Plečnik's house, Trnovo bridge, Trnovo port, Ljubljana castle, shoemaking bridge, triple bridge, market, lock, church of St. Jožef, church in Šiška, Church of Cyril and Methodius in Bežigrad, football stadion, baptistery of the church in Črnuče, church at Barje, NUK, Roman wall, Križanke, Vegova, Peglezen, Tivoli, Chamber of Crafts, mutual insurance company, Žale.

Russian Close-Up

Albert Maysles' visual diary of the faces and places encountered along a cross country motorscooter ride through the Soviet Union in the late 1950s.

Mama je ena sama

Tatjana in Motherland is a partly animated documentary essay about Slovenia and its men. It is a “documentary-tale” of how Slovenian society has been disintegrating in an invisible way. The story will unveil a Slovenian Oedipus archetype of the possessive martyr mother type and her relationship with her son, in which she through emotional manipulation, by constantly creating feelings of guilt, burdens her son to such a degree, that he remains dependent on her for the rest of his life. In order to put this relationship to its best use, all Slovenian governing structures have elevated mother figure on the level of a saint and have assigned to it the cultish role. The result of the Slovenian maternal cult is a typical Slovene male, who is pathologically obsessed with his mother.