500 años después

A short city symphony evocation of present day Mexico City five hundred years after the invasion of the Spanish and the fall of the Aztec city of Tenochtitlan.

The Other Side of Carnival

The Other Side of Carnival (2010) is a 45-minute award-winning documentary that explores Carnival's social and economic impact on Trinidad & Tobago. With more than 60 interviews from professors, medical staff, police officers, government officials, students, tourists, every day locals and more, The Other Side of Carnival is able to highlight that while Carnival is an exciting occasion, it is a festival that creates turmoil, which is not widely visible...or is it just simply ignored? Known as "The Greatest Show on Earth", this documentary captures the roots of Carnival and how far some go to keep the original idea alive, and how others attempt to integrate change. Consummating over two years of research and interviews and with the coordination of a multi-national crew (Trinidad & Tobago, US and UK), The Other Side of Carnival does not pass judgment on Carnival in Trinidad & Tobago, but aims to bring an awareness of the type of influence that Carnival has on the population.

Si jamais tu pars

This short film recreates the experience of Sylvie, a battered woman who seeks shelter in a Montréal transition house. Faced with the threat of violence, loneliness, the lack of financial resources or information about services, the victim is often understandably reluctant to seek help. Emphasizing the importance for women of speaking out, the film also points out the role of the transition house in putting victims of abuse in touch with appropriate legal and social services.

Utopia of Death

This short film focuses on the mysterious and legendary Seri Indians who live in a utopian colony off the west coast of Mexico.

Le Lotus dans tous ses états

Parque Lenin

Antoin, Yesuán and Karla share a common memory of their last moment together in the amusement park Parque Lenin. When they lost their mother, four years ago, their paths changed radically. Antoin moved to France to pursuit his dream of becoming a professional opera singer, meanwhile Yesuán and Karla stayed in Cuba, trying to consolidate their new family roles.

Depeche Mode: 1989–90 “If You Wanna Use Guitars, Use Guitars…”

"If You Wanna Use Guitars, Use Guitars…" - A 32-minute short film, entitled Depeche Mode 1989–90 (If You Wanna Use Guitars, Use Guitars), featured interviews with the band, Daniel Miller, Flood, François Kevorkian (who mixed the album), Anton Corbijn (who directed the music videos and did the album's photography/cover), and others. It also includes news footage from the infamous "riot" in Los Angeles, which gave the band media publicity the day before Violator came out.

You Got to Move

A documentary that follows people from communities in the Southern United States in their various processes of becoming involved in social change, with special emphasis on the work the

The Ties That Bind

The Ties That Bind is an experimental documentary about the filmmaker's mother, who was born and lived in southern Germany from 1920-1950. Through a mixture of personal anecdote and social history, she describes the rise of Nazism, the war years, and the Allied occupation, during which she met her future husband, an American soldier. The Ties That Bind breaks with the usual format of war documentaries, thus allowing a different portrait of the individual to emerge, while it reflects on the current political situation in America and the filmmaker's activities in relation to those issues.

Dykes, Camera, Action!

The film examines the ways that women directors have contributed to this genre and emphasizes the role that the media play in representation of sexuality and gender, underscoring the power that film has to shape our perceptions of one another. Visually, this documentary comes to life on screen through compelling and intimate original interviews, intercut with emotionally-charged archival footage, photographs, ephemera, inspired music, and film clips.

Wild Women: Gentle Beasts

Animal tamers from various continents shine in the spotlight and struggle for their existence behind the scenes. Between toiling and smiling, the female circus artists disclose their passion for their 'wild' animals and extraordinary profession: a daily life full of dedication and discipline in the midst of mortal danger.

Life After Manson

Life After Manson is an intimate portrait of one of the world's most infamous crimes and notorious killers. An exclusive interview with Manson Family member Patricia Krenwinkel reveals an unlikely relationship with charismatic Charles Manson that led her to cross every line of moral consciousness, culminating in the brutal murders she committed to win approval of the man she loved. Life After Manson offers a provocative character study that exposes a broken woman struggling with her past, her arduous effort to evaluate the cost of her choices, and the possibility of self-forgiveness. Can society offer her the same, and even identify with a woman who took life only to lose her own in a desperate effort to find love?

Plaisir d'amour en Iran

An Iranian man and a French woman stroll around the city of Isfahan, Iran and find that their love is mirrored perfectly in the architecture and mosaics of the city's mosques.

Nobody's Girls: Five Women of the West

Real stories of five women of the Old West....

The Carbon Rush

Around the world, multinationals are taking advantage of carbon credits to allow them to burn their waste. Beneath the system’s environment-friendly veneer, entire ecosystems are under siege, human populations are in economic crisis, and greenhouse gases keep spewing into the atmosphere. Three years after making MYTHS FOR PROFIT, activist filmmaker Amy Miller follows up with this ambitious documentary (filmed on four continents) – a bold, highly intelligent work on the dark underbelly of green business. Even while working on a grand scale, she creates intimate portraits of numerous communities, never forgetting that global issues always affect individual lives. An essential appeal to conscience.

Through the Night

When one’s sole focus is to provide for their children, the stakes are extremely high. The need for multiple jobs to make ends meet has become a common reality for many families in this country, which leads to a very important question: who looks after the children while their parents work? Through the Night examines the economic and emotional toll affecting some American families, told through the lens of a 24-hour daycare center in Westchester, New York. At the center of it all is Nunu, the primary caregiver and a hero to many families in need of a safe space to bring their children.

Big Time

As “Girls Just Want to Have Fun” dominates the pop charts, Maya writes in her diary everything that rocks her teenage world, from the assassination of Indira Gandhi and her parents’ divorce, to the latest pimple that made its appearance. But suddenly not much else seems to matter when a new girl arrives at school. A delightful and intimate exploration of youthful obsession, budding sexuality and what it means to be a teenager, which all too often sucks, big time.

A Toca do Lobo

Every family has its secrets, the family of Portuguese filmmaker Mourão included. As the granddaughter of the well-known writer Tomaz de Figueiredo, she picks apart several of them in an intimate yet universally meaningful way. As such, her film also becomes a portrait of dictatorship and resistance and of the urge to create art.

Get the Picture

Meet John G Morris, 95, a legend of photojournalism, whose unerring eye for the best shot has moved and changed the world. Morris, former Picture Editor of Life Magazine & New York Times was instrumental in the early years of Magnum with his friends and peers Robert Capa & Henri Cartier Bresson. This film covers serious subjects; the coverage of conflict through photojournalism, a sensitive view of humanity and a search for peace in the world.

Антон тут рядом

How is it possible to feel someone elses pain? The hero of this film is an autistic boy. His life is divided between an apartment with peeling walls on the outskirts of a large city, and a mental hospital. Anton comes into the frame when he is on the point of becoming a patient at a residential neuropsychiatric institution, a place where people with the sort of diagnosis that he has do not live long. The author, the camera, the hero. The distance between them shrinks with every passing minute, and the author has to enter the shot and become a character in the story. However, it is not a story about how one person helped another, but about how one person recognized herself in another. About how there is Another who lives in each of us and must be destroyed every day inside of us in order to survive.