Hard Problems

Hard Problems is about the extraordinary gifted students who represented the United States in 2006 at the world's toughest math competition: The International Mathematical Olympiad (IMO). It is the story of six American high school students who competed with 500 others from 90 countries in Ljublijana, Slovenia. The film shows the dedication and perseverance of these remarkably talented students, the rigorous preparation they undertake, and the joy they get out of solving challenging math problems. It captures the spirit that infuses the mathematical quest at the highest level.

Waldick, Sempre no Meu Coração

The documentary narrates the trajectory of Waldick Soriano, from the time he was a gold miner to his consecration as one of the icons of Brazilian music.

The Road Movie

Anything can happen on Russian roads and is precisely shot by the dashboard camera. Super-objective video registration grows into the strong image of Russian national character – with its permanent awaiting for the miracle and habitual approach to real dramas. A forest on fire as a symbol of Russian hell, a military tank at a car wash and car chase in the vicinity of Kremlin shot with a dashboard cam at the same time when Boris Nemtsov, the leader of political opposition, was shot dead near Kremlin. Dashboard cam depicts life in it’s purity as an unbiased observer.

Barbarossa: Hitler Turns East

Hitler's invasion of Russia was one of the landmark events of World War II. This documentary reveals the lead-up to the offensive, its impact on the war and the brinksmanship that resulted from the battle for Moscow. Rare footage from both German and Russian archives and detailed maps illustrate the conflict, while award-winning historian and author John Erickson provides insight into the pivotal maneuvers on the eastern front.

La clé de la chambre à lessive

The key to the communal laundry room in the block of flats on the Rue de Genève 85 in Lausanne serves a much greater function than merely unlocking the door. This encounter between a symbol of typical Swiss mentality with a penchant for order and the tenants who have been housed here by the city’s social services department is not something to be taken for granted. Although the laundry room is normally located in the cellar, the tenants in this building share a tiny laundry room off the entrance hall because the cellar is reserved for prostitution. To maintain order and cleanliness, the landlord hires Claudina, a new “laundry woman”.

Wake Me When the War Is Over

During the latter days of WWII an American Lieutenant accidentally falls out of an airplane into German territory. He is taken in by a Baroness who becomes smitten with him and doesn't want him to leave, so she doesn't tell him that the war has ended...for five years!

D'un film à l'autre

On April 13, 2011, Les Films 13 production company turned 50. How can one celebrate an anniversary of this sort ? By simply making "another" film that would sum up all the earlier ones. D'un film à l'autre is hence a kind of anthology of the films produced Les Films 13 since the 1960s (short and feature films written and directed for the main part by Claude Lelouch), a best-of of half a century of cinema, going from Le Propre de l'homme to What Love May Bring. A biography in images of a filmmaker as admired as he is criticized. In reality, D'un film à l'autre is more than a series of film excerpts, interviews, and making-of documents (some of which possess an undeniable historical value, like that from A Man and A Woman, or the final performances of Patrick Dewaere).

Ver a Hilda Vera

A living room, two video cameras, an armchair, two televisions and a mirror: domestic daily life in which colleagues, family and friends come together to decipher the life, personality and artistic trajectory of one of the most important actresses of Venezuelan Cinema: Hilda Vera

Unrest

When Harvard PhD student Jennifer Brea is struck down at 28 by a fever that leaves her bedridden, doctors tell her it’s "all in her head." Determined to live, she sets out on a virtual journey to document her story—and four other families' stories—fighting a disease medicine forgot.

Color Adjustment

From Amos 'n' Andy to Nat King Cole, from Roots to The Cosby Show, black people have played many roles on primetime television. Brilliantly weaving clips from classic TV shows with commentary from TV producers, black actors and scholars, Marlon Riggs blends humor, insight, and thoughtful analysis to explore the evolution of black/white relations as reflected by America's favorite addiction.

Filmage: The Story of Descendents/All

Long before Green Day and Blink 182 inflicted punk-rock's puncture wound on the map of mainstream music, the Descendents were at home concocting the perfect mix of pop, angst, love, and coffee. FILMAGE: The Story of DESCENDENTS/ALL follows drummer/square-peg Bill Stevenson and his 'caffeinated retardedness' as he pushes his rotating door of bandmates to 'achieve ALL,' his philosophy of going for greatness at all costs. Stevenson is a force to be reckoned with--not even grapefruit-sized brain tumors can keep him down.

Bio.

MTV’s Behind WWF Tough Enough

They were Tough Enough. Are you? Too much is never enough. So take an inside, uncensored look at the blood, sweat, and fears of those who laid it all on the mat for a chance to win a WWF contract. From the audition tapes of those who never had a chance, to the bumps, bruises, and battles of those who did, you'll see what was really going on in and out of the ring. Plus, hear the advice, the stories, and the painful truth from all your favorite WWF superstars?, including Stone Cold Steve Austin?, Mick Foley?, Triple H? and more, and ask yourself: "Would I be tough enough to win wrestling's ultimate prize?"

Indyfans

Amid the release of the fourth Indiana Jones movie, filmmaker Brandon Kleyla chronicles the fanaticism of the whip-carrying admirers and interviews various filmmakers, archaeologists and writers about the Indy franchise. Viewers learn why archaeologist Indiana Jones and his many adventures have spawned die-hard, convention-going fans for more than two decades.

Still Alive: Film o Krzysztofie Kieślowskim

Maria Zmarz-Koczanowicz directed this insightful TV documentary (2005) tracing the Polish filmmaker's career. Former classmates reminisce about Kieslowski's happy beginnings at the Lodz film school and how his dissatisfaction with some of his early documentaries prompted the dramatic work and stylistic experimentation that led to his monumental series of films The Decalogue (1989). Wim Wenders, Agnieszka Holland, and Juliette Binoche are among the many admirers weighing in on his hard-driving work methods and preoccupation with the ephemeral. In Polish, French, and German with subtitles.

Blood Lines: Dracula - The Man. The Myth. The Movies.

Short documentary on the making of Francis Ford Coppola's "Dracula" (1992).

A Life's Work

What’s it like to dedicate your life to work that won’t be completed in your lifetime? Fifteen years ago, filmmaker David Licata focused on four projects and the people behind them in an effort to answer this universal question.

الحال

A portrait of the groundbreaking Moroccan band Nass El Ghiwane, documenting a series of electrifying live performances in Tunisia, Morocco, and France; on the streets of Casablanca; and in intimate conversations. Storytellers through song and traditional instruments, and with connections to political theatre, the band became a local phenomenon and an international sensation, thanks to their rebellious lyrics and sublime, fully acoustic sound, which draws on Berber rhythms, Malhun sung poetry, and Gnawa dances.

Lennon or McCartney

550 artists were interviewed over ten years. At some point during those interviews, they were asked a question and told to answer with one word only. Some stuck to one, some said more, some answered quickly, some thought it through, and some didn't answer at all. That question… Lennon or McCartney?

Toni Segarra: un tipo que escribe anuncios

Advertising surrounds us. It is part of our lives, our memory and our culture: it is a pure reflection of our society. However, those who think and create ads are unknown people. Playing with the mechanisms of publicity as a narrative resource, we enter this medium through Spain's best creative director: Toni Segarra.