Sin libertad: 20 años después

Islam Unveiled

Challenging the Western view that Islam inherently represses women’s rights, journalist Samira Ahmed travels across the world examining Islamic customs as they relate to women. In this two-part series, Ahmed explores whether current Islamic customs such as polygamy, honor killings, and requiring women to wear the hijāb (veil) are actually rooted in the Quran.

Zero Impunity

An artistic hybrid documentary, ZERO IMPUNITY is the centerpiece of an ambitious global transmedia project. ZERO IMPUNITY sheds a powerful spotlight on the seemingly total Impunity for the use of sexual violence in armed conflicts worldwide. ZERO IMPUNITY is an important and necessary eye opening Scream, raising awareness and outrage.

Crimes of Honour

Throughout the Islamic world, each year hundreds of women are shot, stabbed, strangled or burned to death by male relatives because they are thought to have “dishonoured” their families. They may have lost their virginity, refused an arranged marriage or left an abusive husband. Even if a woman is raped or merely the victim of gossip, she must pay the price. Crimes of Honour documents the terrible reality of femicide – the belief that a girl’s body is the property of the family, and any suggestion of sexual impropriety must be cleansed with her blood. We meet women in hiding from their families, a brother who describes his reasons for killing the sister he loved, and a handful of women who have committed themselves to the protection of young women in danger of losing their lives.

Crimes Without Honour

Every winter in a cemetery near Stockholm, activists gather to keep the memory of Fadime Sahindal alive. A Kurdish immigrant to Sweden who was murdered by her father in 2002, Fadime has become an international symbol of the debate over cultural traditions that accept the use of violence to control women's behaviour. In Crimes Without Honour, four extraordinary activists risk everything to publicly challenge these traditions and tell their own stories of physical and emotional violence. While they practice different faiths, hail from different parts of the world and have immigrated to different countries, all make it crystal clear that the justification for these crimes is an entrenched family power structure of male supremacy—one that crosses borders, cultures and religions. Raymonde Provencher has crafted a vital addition to a growing body of films about crimes related to patriarchal traditions of family honour.

Crossing Over

Immigrants from around the world enter Los Angeles every day, with hopeful visions of a better life, but little notion of what that life may cost. Their desperate scenarios test the humanity of immigration enforcement officers. In Crossing Over, writer-director Wayne Kramer explores the allure of the American dream, and the reality that immigrants find – and create -- in 21st century L.A.

பரியேறும் பெருமாள்

A law student from a lower caste begins a friendship with his classmate, a girl who belongs to a higher caste, and the men in her family start giving him trouble over this.

Haram

Omar is a mid-level gangster in Oslo. A family secret is revealed when his "dead" sister isn't dead at all. Omar is ordered to find her. Joining him is his cousin and fellow gangster Khuram, and together they face an unknown Norway where his sister Amina has lead a secret and quite successful life.

धड़क

Madhukar and Parthavi fall head over heels in love with each other, but the fact that they belong to different castes of society, becomes an obstacle in their romance. The lovers dare to go against societal norms and battle all odds for the sake of love.

Mr. Wu

When Mandarin Wu's unmarried daughter becomes pregnant by a young Englishman, he seeks vengeance.

धड़क २

The film explores barriers of class and status stitched in the minds of societies, underscoring a narrative of love that can never be fulfilled. Or can it?

Kaderimiz

After losing his wife and son in a traffic accident, Kemal finds himself in trouble. Murat, Kemal's police officer friend, tries to help Kemal stay out of trouble.

கொட்டுக்காளி

A family decides to visit their clan God to cure their daughter, believed to be possessed but in fact is in love with a man from a different caste. The journey accompanied by her betrothed, unveils tensions between tradition and personal freedom, exposing her silent rebellion.

तलवार

A hardened cop deals with three conflicting perspectives involving a brutal double murder. The case is complicated as the prime suspects are the parents who supposedly killed their teenage daughter.

Nur eine Frau

Hatun Aynur Sürücü, a German woman of Kurdish origin, was shot dead by her brothers at a bus stop in 2005. The story of a woman who fought for her freedom and independence despite her family's objections, and whose life ended in a horrific murder.

Mega Lightning 2

The mega lightning storm brings out the worst in people, and the latest storm finds a whole new set of victims during a home invasion gone wrong.

Skuzz

A rugged stranger, at a crossroads in his life, checks into an unassuming bed and breakfast hotel in a seaside town. Although initially disturbed by the peculiar mannerisms of its owner, the theatrical and mischievous Mr. Sands, he decides to spend the night. That night, a strange shape-shifting creature, known as The Manitou, creeps towards the strangers room, before transporting him to a parallel dimension.

Dilek Taşı

Şerif Ağa wants to marry the girl, who works with her, to a rich man. Zeynep resists but when she hears that the young man he loves will be killed, she has to accept it.

Oru Rathri Oru Pakal

Daytime. A pair of lovers enter a house deserted by a flood. She has run away from home. He is not in a condition to start a life with her. The wind blows heavy in the fields of long grass.

كل هذا الحب

Nassif al-Leithi is a very loyal merchant for business colleague Hussein Zahran. Hussein Zahran was surprised by the betrayal of his wife and killed her. Nassif al-Leithi promises that his son Hussein will take care of his son Kamal while he is in prison. He dies in prison. Kamal grows up and works in the company of his father's friend Nasif. One of his sons, but the good treatment changed abruptly when Nasif noticed that his young daughter Wafa was fully impressed, refusing to share their marriage