The Bomb

Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.

Impresiones en la alta atmósfera

Sistiaga painted directly on 70mm film a circular (planetary?) form, around which dance shifting colours in a psychedelic acceleration matched by the soundtrack’s deep-space roar and howl. - Cinema Scope

The Adventures of *

Life drums the playfulness out of a boy as he grows up.

Before Before

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

Twilight

An exploration of the relationship between sound and picture inspired by the two lights (twi-light) found inside film projectors.

13 Years Later

A perfect blending of the art of maths and the maths of art.

Let X Equal X

A sequence of hand-drawn experiments. Constants: visualist, technology, run time. Independent variables: musician, drawing materials, theme. Dependent variables: you tell me!

_ImEdge

A stunning piece of imagined night cartography rendered in an intricately crafted digital filigree.

VIVAldi VVinter

A deep dive into a snowstorm of structural chaos and a blizzard of exploding gestural animation.

Keep on Turning

In Wiertz and Verbeek's kinetic, kaleidoscopic opus Keep on Turning (1974, 3 min, 16mm, sound) cubes convey, rotate and shift in tandem.

La odisea espeleológica de Sócrates

A Marxist-Leninist-Maoist revision of the Allegory of the Cave, filled with talking animals who shall be late and bourgeois queens who would like to see you without a head, exactly as Plato intended.

Fantaisie érotique

Anatomía de una mariposa

A Day In LC

A person living in Liberty City goes to work, have some food & gets back home.

Bøygen

The Boyg is the voice within that whispers go around, preventing you from facing yourself, suffocating progress and initiative. A six minute visual and musical remix of Ibsens Peer Gynt, Norwegian Folklore, Edvard Griegs composition, paralyzing panic attacks and The Great Boyg itself who finds us all.

Sketch Film #3

Sketch Film #3 (Tomonari Nishikawa, 2006, 3 min., super 8, silent, 18/24fps, b&w, USA/Japan) The third film in the series, which starts with a sequence of paired images: a focused image and a blurred image of the same subject, which was caused by a diagonal camera movement. Later, it shows an experiment to produce an apparent depth by rotating an apparent shape. It was edited in camera and hand-processed afterwards.

つみきのいえ

La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his house to stem the flooding waters.

welcome_home.exe

As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.

Thine Own Self

Torn from their home by a hand in the sky, colorful entities seek freedom from a rigid binary in this short experimental animation.

humming, fast and slow

The screen is divided again and again until the picture arranged in ever changing strips bursts into whirring dynamic.