River in Castle

The "River" is symbolized emotion and the "Castle" is symbolized crisis, distinction and liberation. When the film liberates its original contact by physically weaving it and printing through dense chemistry, the malted lights speaks this transformation.

Anna, la bonne

An experimental movie based on a poem of the French writer and director Jean Cocteau about a servant who fantasises about killing the lady of the house.

Knockdown

A woman's waiting for a man who will never return, another one boxing proudly the vacuum, a singer without orchestra, a conductor lonely. Lonely characters united by a fable, a naked young man lost in the woods, chasing or fleeing something.

Paisaje-Distancia: Campo de fútbol

Study of the relationship between observer and landscape in the contemplative experience. The view building the landscape from the necessary distance. The delimitation of its borders against the total continuum of nature. The observer immersed in the path of his gaze across the landscape. Resting the gaze in the details that make the globallity. The view selecting the space included as a landscape.

Paisaje-Distancia: Casa

Study of the relationship between observer and landscape in the contemplative experience. The view building the landscape from the necessary distance. The delimitation of its borders against the total continuum of nature. The observer immersed in the path of his gaze across the landscape. Resting the gaze in the details that make the globallity. The view selecting the space included as a landscape.

Paisaje-Distancia: Encuentro entre hombres

We approach to invisible details for our eyes, figures disappearing as we move away from them, diluted in space. Parts that are integrated into the whole landscape. The remoteness as disappearance. The human figure betrays us here negligible small in the vastness of the territory, the voracity of the active vacuum that surrounds him. Images captured in the Atlas region in Morocco.

Paisaje-Distancia: Pescaderos en el mismo mar

We approach to invisible details for our eyes, figures disappearing as we move away from them, diluted in space. Parts that are integrated into the whole landscape. The remoteness as disappearance. The human figure betrays us here negligible small in the vastness of the territory, the voracity of the active vacuum that surrounds him. Images captured in the Atlas region in Morocco.

Rey

In the nineteenth century, a French adventurer sets off to establish a kingdom in the inhospitable South of Chile, uniting the feared Mapuche under him. The response of the Chilean army is devastating.

Vidas como la tuya

Four stories with the intention to make the people reflect on their actions, decisions, and how they affect others around them.

La recompensa

A young woman flees just before her wedding day and disappears to avoid facing the consequences of her actions.

Las infieles

A drama showing infidelity from the unique perspective of women. The one who was betrayed, the one who does it for fun, the obsessed, and the one on the verge of committing an infidelity, all presented without judgment about what is right and what is wrong.

El corillo

Human needs are explored in a group of adolescents who find themselves in a tutorial room in preparation for the university's entrance exam. This film aims for youths to reflect on their way of thinking and acting.

Noche de jevas

The Autumn of the Ceibo Tree

The Ceibo tree, which had played an essential role in Mayan culture, is the protagonist of Alejandro Mouján's short film from 2016, in which the director observes the passing of time, this transitory state that is so precious, and yet goes almost unnoticed. The Ceibo tree, a beautiful natural creation, becomes a symbol, a mirror of ourselves.

Más allá del límite

The story of Andrés, a heavyweight boxer preparing for a big match. It turns out, Andrés has a medical problem, which could kill him if he continues boxing. Mariano, his manager, refuses to tell him about his condition and lets Andrés continue his training.

Shoot Me

The Iranian filmmaker Narges Kalhor, daughter of a former advisor of Ahmadinejad's, has been living in exile in Germany for four years. When she hears that the fellow Iranian rapper Shahin Najafi, who is also living in exile in Germany, faces death threats and has to hide because of one of his songs, she doesn't hesitate and has to find him. On her search she encounters fear everywhere. Narges Kalhor has to face her inconvenient memories of suppression, hatred and anger for her past in Iran.

La imagen arde

Lois Patiño dissects the movement of a fire, analyses its fleeting ephemeral forms, and transforms them with sound to enrich the meaning of the images. The Image Burns begins as a reflection on our perception and becomes an intense interaction between the parts, between the images and the spectator. We look at the fire and the fire looks back at us.

Ken Burns Says "Jazz" 3 Billion Times (actually 2.97 bn) in Under 3.5 Minutes

Ken Burns Says "Jazz" 3 Billion Times (actually 2.97 bn) in Under 3.5 Minutes

Razor Blades

In Razor Blades, Paul SHARITS consciously challenges our eyes, ears and minds to withstand a barrage of high powered and often contradictory stimuli. In a careful juxtaposition and fusion of these elements on different parts of our being, usually occurring simultaneously, we feel at times hypnotised and re-educated by some potent and mysterious force.

Freedom & Independence

Against the backdrop of an unfathomable megalopolis, in a story that follows the associative qualities of a dream logic, the protagonists quote from concepts of neo-liberal elitism, and a mix of religious delusions and hallucinations of the apocalypse. The film begins in a sacral space, where Randi, a figure that references Ayn Rand, transforms a parapsychological medium into two digital clouds and sends them on a journey through a megalopolis in full growth. There they materialize as two bodies, which go by the names of Mr. Freedom and Ms. Independence.