Cambio de sentido

Marginal

Bill Cunningham New York

Doubling as a cartography of the ever-changing city, Bill Cunningham New York portrays the secluded pioneer of street fashion with grace and heart.

Bikes vs Cars

Bikes vs Cars depicts a global crisis that we all deep down know we need to talk about: Climate, earth's resources, cities where the entire surface is consumed by the car. An ever-growing, dirty, noisy traffic chaos. The bike is a great tool for change, but the powerful interests who gain from the private car invest billions each year on lobbying and advertising to protect their business. In the film we meet activists and thinkers who are fighting for better cities, who refuse to stop riding despite the increasing number killed in traffic.

Études des mouvements à Paris

A study of traffic movement in Paris.

Cairo Drive

A documentary that explores the life of one of the world's most populated cities from its streets. Shot in 2009-2012 (before and during the Egyptian revolution, and ending with the most recent presidential elections), the film explores the country's collective identity, inherent struggles, and the sentiments that lead through the historic changes taking place in Egypt today. For his third documentary, Egyptian/ American filmmaker Sherief Elkatsha rides through the congested streets alongside a diverse cast of characters-from taxi drivers to ambulances, from traffic cops to private citizens-capturing the unspoken codes of conduct, frustrations, humor, fatalism, and life-or-death decisions of driving in a city where the only rule is: there are no rules.

From One Second to the Next

Stories of serious traffic accidents caused by texting and driving are told by the perpetrators and surviving victims.

Traffic with the Devil

This "Theater of Life" series short looks at traffic problems in Los Angeles, California, as described and experienced by Sgt. Charles Reineke, a traffic enforcement officer with the Los Angeles Police Department.

Næste Gang er det dig

The cause of the traffic accident should not be sought at the time of the accident itself, but long before. The motorist who has been drinking a little. The cyclist who is busy and the motorcyclist who drives correctly but still falls victim to an accident due to the ruthlessness of others.

メイプルタウンの交通安全

Animals of Maple Town teach you about traffic safety and how to properly follow traffic laws and rules.

Trucker

Loner Diane Ford is a truck driver with an 11-year-old son, Peter, whom she never sees, and that's fine with her. But, when Peter's father, Len, falls ill, he asks Diane to take care of their son for a while. Eventually, Diane reluctantly agrees, but she quickly realizes that caring for a child interferes with her independent lifestyle - and Peter isn't all that thrilled with the arrangement, either.

Alabang Girls

Four city boys rich in experience but undeniably penniless, meet rich and pretty girls from an up scale suburb. With nothing but sense of humor and confidence, they try their luck to get the hearts of these Alabang Girls.

Pie in the Sky

A young man obsessed with traffic patterns attempts to reunite with his first love.

The BQE

The BQE is a mixed-media artistic exploration of the Brooklyn-Queens Expressway of New York City by Sufjan Stevens. A cinematic suite inspired by the Brooklyn-Queens Expressway and the Hula-Hoop, and commissioned by Brooklyn Academy of Music, it was originally performed in the Howard Gilman Opera House in celebration of the 25th anniversary Next Wave Festival in October of 2007.

Vertical White

With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical White is part of a trio of video works that are a series of dream-like moving pictures.

Vertical Red

With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical Red is part of a trio of video works that are a series of dream-like moving pictures.

Vertical Wide

With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical Wide is part of a trio of video works that are a series of dream-like moving pictures.

Cassia Bis

The Loneliest Stoplight

The life and times of a neglected stoplight.

Yes & No

A comedic look at adhering to driving rules.