Antoine et Colette

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

La Jetée

A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.

It's Still Your Bed

David comes home from college to his family’s farm to find that his parents have hired a young man named Brent, who is also sharing his room. David is still in the closet and wants to come out to his high school friend, but he finds himself drawn to his new roommate and tries to determine if he is also gay.

Lo siento mi amor

A solid middle American couple meet a stranger who will have a big role in history as we know it.

True

While he's receiving an enigmatic phone call from his girlfriend Francine, Thomas remembers the milestones of their relationship, from the very moment they met in a really strange way. A segment of “Paris, je t'aime” (2006).

She Was Here

Promotional short film for Lancia.

No Me Digas Wey

Antinopia

Max suffers from a vision disorder. Guille, a classmate, has everything ready to give him a very special birthday surprise.

Boys on Film 22: Love to Love You

The latest in Peccadillo’s critically acclaimed series – now established as a leading showcase for new and emerging queefilm-makingng talent from around the world – features a fresh and exciting selection of the very best contemporary gay short films. Each self-contained drama in this diverse and thoughtfully curated collection offers fascinating and insightful new perspectives on the gay experience – sensual, affecting, sometimes provocative and always entertaining. The 8 short films are: Have We Met Before? (2019); The Act (2020); First Position. (2019); Winter [Invierno] (2021); The Suit Weareth the Man (2020); Infinite While It Lasts [Infinito Enquanto Dure] (2019); Melon Grab (2017); Thrive (2019).

After (A Love Story)

A married couple survives a traumatic event. But their relationship may not.

Dulce

In the window of the house, where some say the sweetness dwells, is reflected, every night, a delicious story.

ห้องสมุดแห่งรัก

Jim falls in love with Ann who works at a library at first sight. The only obstacle for his love is the library's rule - "Keep Quiet." So he writes down his feeling for her in the books he borrows. Unfortunately, Ann never realizes what he does until one day she accidentally sees his messages but Jim doesn't show up at the library anymore with unknown reasons. How will this love end - in laughter or tears?

如果花会说话

Sometimes, people are unable to confront with their true selves. Girls Who Talk To Flowers is an intense love story between a female racer and a florist. What sparks would they produce?

Just the Two of Us

"Just the Two of Us" provides an inversion of the "murder mystery" genre where the audience knows the murderer from the start. Dramatic irony reveals how flawed the scapegoat is and presents a twisted sense of justice that may or may not be served.

Et gensyn

In this tale of second chances, two ex-lovers run into each other in a restaurant. Both are with new partners. Both are unhappy. Both are still in love with the other. Dormant feelings rush to the surface and the opportunity to rekindle the past presents itself. Will the outcome be different?

Between the Sunset and the Sea

On the beach at sunset a man waits for his one true love. When she arrives, a bittersweet romance ensues.

Miss Man

A man's discovery of his own sexuality against all odds and finding himself in the process.

The One You Never Forget

A 14 year old boy excitedly prepares for his first dance, but when his date arrives he's faced with a split-second decision.

Half Pint

A boy experiences his first crush and heartbreak with a bike-riding ice cream woman.

Pendular

Brazilian short film, directed by Julia Murat.