Le Salaire de la peur

In a run-down South American town, four men are paid to drive trucks loaded with nitroglycerin into the jungle through to the oil field. Friendships are tested and rivalries develop as they embark upon the perilous journey.

Show Boat

This film sticks very closely to the Edna Ferber novel, rather than the musical based on the novel. There are only two major changes from Ferber's book : *Julie in this version is a white woman, not a racially mixed one; therefore she and her husband are not unlawfully married. * Ravenal returns at the end, instead of dying as in the novel

Branagh Theatre Live: Romeo and Juliet

Live theatre presentation of Shakespeare's classic play about two teenagers from warring families whose love affair ends in tragedy.

Captain Hurricane

Zenas Brewster is a seafaring man with a bad reputation. Notorious for his tempestuous nature, Brewster has earned the nickname of "Captain Hurricane." Brewster is smitten with neighbor Abbie Howland, but she doesn't like his temperament. After a period of retirement, a bad investment puts Brewster back at work on the sea. And when fire overtakes his ship, Hurricane proves heroic, selflessly rescuing his crew from a grisly and deadly fate.

ainda amigos

Mefistofele

The season kicks off with Boitos resplendent retelling of Goethes Faust, a monumental work of 'choral grandeur and melodic richness' (The New York Times) in one of the most impressive productions ever seen at the War Memorial Opera House. The cast includes Ramón Vargas, a tenor 'in ravishing voice' (Financial Times), as the philosopher who sells his soul to the Devil; the 'luminous, compelling' Patricia Racette (Washington Post) as the woman he desires; and, in the vividly menacing title role, the 'seductively malevolent' bass-baritone Ildar Abdrazakov, a 'fullbodied bass-baritone' renowned for his 'wonderfully evil portrayals' (The New York Times).

Customers 2

Over a year after their meetcute in a grocery store, Mark and Delaney prepare to spend a couple weeks at Delaney's parents place, but Delaney must attend an art exhibition first.

Noite de Sexta, Manhã de sábado

Friday Night Saturday Morning is a small-scale romantic love story, shot with a digital camera in black & white and in a documentary style. We follow the conversation between two lovers, each on a different side of the world; he is in Recife, she is in Kiev. On one side is dark, on the other light, but both experience the same emotions and hence feel nearness and contact.

Mozart: Le Nozze di Figaro

Le Nozze di Figaro New Production Teatro Real in co-production with Bilbao’s ABAO and Las Palmas Teatro Pérez Galdós. From the opening notes of the overture to the final curtain, Emilio Sagi’s classic, triumphant production brings to life all the elegant wit and theatricality of Mozart’s comic masterpiece Le nozze di Figaro. Leading baritone Ludovic Tézier shines as the lustful Count Almaviva who attempts to obtain the favors of Figaro’s bride-to-be, Susanna (Isabel Rey), while Luca Pisaroni gives a feisty performance as Figaro. Conductor Jesús López Cobos masterfully captures the enchanting score. A witty yet profound tale of love, betrayal, and forgiveness.

Dóberman

One lazy afternoon in the outskirts of the city, two women's worlds colide when they turn a casual chit-chat into a battlefield, unable to prevent the inevitable: a domestic tragedy. Based on the director's play of the same name, performed by the same actresses.

Amra Ekta Cinema Banabo

A story of love, dreams, politics, revolution, and the aftermath of a civil war in Bangladesh.

Bound by Lies

When Detecive Max Garrett is assigned to protect the sultry photographer Laura Cross from a ruthless killer, he has no idea what he's in for. The more involved Garrett gets in the case, the more attracted he is to Cross, but as they get closer, so does the killer.

Al di là delle nuvole

Four tales, each centered on a woman, journey inward to explore the enigmatic reality of their lives, connecting through a single narrative thread.

Der Fuehrer's Face

A marching band of Germans, Italians, and Japanese march through the streets of swastika-motif Nutziland, serenading "Der Fuehrer's Face." Donald Duck, not living in the region by choice, struggles to make do with disgusting Nazi food rations and then with his day of toil at a Nazi artillery factory. After a nervous breakdown, Donald awakens to find that his experience was in fact a nightmare.

Sweet Bird of Youth

Gigolo and drifter Chance Wayne returns to his home town as the companion of a faded movie star, Alexandra Del Lago, whom he hopes to use to help him break into the movies. Chance runs into trouble when he finds his ex-girlfriend, the daughter of the local politician Tom "Boss" Finley, who more or less forced him to leave his daughter and the town many years ago.

Oleanna

Carol, a college student, comes to John's office, her professor, to discuss the grade she has received for one of her papers.

The Metropolitan Opera: Idomeneo

Mozart’s early masterpiece returned to the Met for the first time in more than a decade with Music Director Emeritus James Levine, who led the work’s company premiere in 1982, again on the podium. Tenor Matthew Polenzani brings both steely resolve and compassionate warmth to the title king of Crete, who is faced with an impossible decision. With her rich mezzo-soprano, Alice Coote sings the trouser role of Idomeneo’s son Idamante, who loves the Trojan princess Ilia, sung with delicate lyricism by Nadine Sierra. Elza van den Heever gives a thrillingly unhinged portrayal of the jealous Elettra. Jean Pierre-Ponnelle’s timeless production blends the grandeur of ancient myth with the elegance of Enlightenment ideals.

The Metropolitan Opera: Eugene Onegin

Tchaikovsky’s setting of Pushkin’s timeless verse novel is presented on the Met stage in Deborah Warner’s moving production, starring Anna Netrebko as Tatiana and Mariusz Kwiecien and Peter Mattei sharing the title role. Alexey Dolgov sings the role of Lenski, and Robin Ticciati conducts.

Der Rosenkavalier

In his new production, Robert Carsen places the action at the end of the Habsburg Empire, underscoring the opera’s subtext of class and conflict against a rich backdrop of gilt and red damask

Grand Hotel

Guests at a posh Berlin hotel struggle through worry, scandal, and heartache.