Ballerina

Ballerina is a 2006 documentary film that follows the training sessions, rehearsals, and everyday lives of five Russian ballerinas at different stages in their career.

Margot

A biographical look at the career of the acclaimed Margot Fonteyn. As a little girl called Peggy Hookham growing up in Shanghai, she told her mother she would one day become the greatest dancer in the world. Still performing at the age of 67 despite being almost unable to walk, hers is a story of courage and tenacity, of unbelievable devotion to her art and to those whom she loved. Those who ultimately left her penniless and alone, to be buried in a pauper’s grave.

Ballets Russes

For many, modern ballet began with the Ballet Russe of Monte Carlo, originally made up of Russian exiles from the Russian Revolution. This film tells the story of this landmark company with its stars and production as well as its power games, rivalries and tribulations that marked its turbulent history.

William Shatner's Gonzo Ballet

On a cold night in Milwaukee high art meets pop culture as award winning choreographer Margo Sappington (OH! CALCUTTA!, BILLBOARDS) premieres her latest ballet, "Common People", set to the music of William Shatner and Ben Folds from their album, Has Been. GONZO BALLET explores the genesis of this unique artistic collaboration by fusing the music, poetry, and dance of "Common People" with interviews of the creators, dancers, and audience members.

Darcey Bussell: My Life on the BBC

The former principal ballerina tells her story, with historic performances from the BBC archives and candid interviews from throughout her career. Showing how she grew up in front of the camera and mastered television.

A Portrait of Giselle

A Portrait of Giselle is a documentary film featuring Patricia McBride and Anton Dolin along with famous ballerinas who danced the role of Giselle in the past.

The King Who Invented Ballet

September 2015 marks the 300th anniversary of the death of King Louis XIV of France and this documentary looks at how Louis XIV not only had a personal passion and talent for dance, but supported and promoted key innovations, like the invention of dance notation and the founding of the world's first ballet school, that would lay the foundations for classical ballet to develop.

Secundaria

Ballet in Cuba is a national institution, revered by all. It is also a way to climb out of poverty and achieve a better life. Yet for one young ballerina, even that isn't enough.

The Children of Theatre Street

A documentary on the Kirov School of Ballet in Russia, narrated by Princess Grace of Monaco.

Amy Muller

Vaudeville dancer Amy Muller performs a portion of her stage routine, which features dancing on her toes. She dances on one toe for part of the performance. Later, she also twirls and does cartwheels.

Relève

In early 2013, it was announced that choreographer and dancer Benjamin Millepied, known as the man behind the ballet of Black Swan, would take over as director of the Paris Opera Ballet. Reset finds Millepied on the eve of his first gala with the Opera, designing and refining his inaugural choreography for the esteemed institution. As a film, Reset possesses of the same artistic assuredness as its subject as he blocks out the preliminary steps for his choreography. It explores various concepts of space simultaneously: the digital space, the space of the opera house (each scene opens with a declaration of which studio it’s in) and the space of the stage, the distance from stage right to stage left. It’s a portrait of a watershed moment for one of the ballet's oldest institutions and one of its brightest new stars, both on the cusp of great transition.

Pas de Deux

A joyful Pas de Deux, performed by Clara Rasmussen and Margrethe Andersen. Clara Rasmussen/Wieth/Pontoppidan (1883-1975) was to become one of the most famous actresses of Danish silent cinema; one of her most notable performances is in Dreyer’s 'Leaves from Satan’s Book' (1921), in which she plays Siri in the last of the four sections. (Stumfilm.DK)

O Cysne

Dancer Vera Grabinska performs choreography by Pierre Michailowsky for the piece "Le Cygne", by Saint-Saëns, next to the artificial fountain on the grounds of the International Sample Fair in Rio de Janeiro. The dance movements alternate with images of swans in the water.

Dance for All

Воспоминания о Нижинском

A valuable testimony that approaches the essence of Nijinsky who did not leave a video. Boris Kochno, who was at the center of Russian ballet, vividly tells how Nijinsky, who had fallen ill, witnessed his newly choreographed self-made work. Nijinsky's successor machine is a rare record of transferring Nijinsky's appearance in the popular work "Afternoon of a Faun" to two great dancers, Grigorowich and Wasiriev, who carry Bolshoi ballet on their backs.

Vlucht Dans Leef

Stories about young Ukrainian dancers and their hasty flight to the Netherlands. You see their new life as refugees. The former conservatory in The Hague is a shelter for them where they collect their lives and find refuge in their profession: dance. The formation of a new ballet company, The United Ukrainian Ballet, is an important foothold in winning back their lives. They find comfort in each other and close friendships develop. In addition, there is the great love for ballet, for the dancers the best way to express themselves.

Men at the Barre - Inside the Royal Ballet

Is there still a stigma for boys who want to enter ballet? Film-maker Richard Macer investigates the reality of being a male dancer today at the Royal Ballet.

Rhythm is it!

RHYTHM IS IT! records the first big educational project of the Berlin Philharmonic Orchestra under Sir Simon Rattle. The orchestra ventured out of the ivory tower of high culture into boroughs of low life for the sake of 250 youngsters. They had been strangers to classical music, but after arduous but thrilling preparation they danced to Stravinsky's 'Le Sacre du Printemps' ('The Rite of Spring'). Recorded with a breathtaking fidelity of sound, this film from Thomas Grube and Enrique Sánchez Lansch documents the stages of the Sacre project and offers deep insights into the rehearsals of the Berlin Philharmonic Orchestra.

Not Bad at All

Every weekend for six years, Jessica takes a bus from NYC, where she lives and works as a set decorator, to Boston, her hometown, where she cares for her dad, Aloysius, who is 87 and has advanced Alzheimer's disease.

Ella

Ella Havelka made history in 2013 by becoming the first Indigenous dancer at the 50-year-old Australian Ballet. In this engaging, MIFF Premiere Fund-supported world premiere, Ella – a descendant of the Wiradjuri people – charts her inspiring journey from growing up in modest circumstances as the only child of a single mother in rural Australia to gaining entry to National Ballet School, then spending formative years with the acclaimed Bangarra Dance Theatre before accepting the invitation of The Australian Ballet's artistic director David McAllister to join one of the world's foremost ballet companies.