Die Mutigen 56 - Deutschlands längster Streik

Emma Freese is desperate when her husband Alfred falls ill at the Howaldtswerke in Kiel. How is the family supposed to get by without their wages? The war has scarred this generation, but now things are supposed to be looking up. The workers want their fair share and are fighting for an income that also gives them room to live. In October 1956, 34,000 metalworkers in the shipyards and factories of Schleswig-Holstein walk off the job to fight for justice and their dignity. This strike is still regarded as the toughest and longest in Germany. Employers and politicians stand in the strikers' way.

רצח בקולנוע צפון

A young Holocaust survivor who descends into crime; an Italian-Jewish engineer who wants to see a movie; a German Christian who forgives her husband’s murderer because of her Buddhist faith; and a Jewish woman who carries on an affair with a Nazi and exposes members of the resistance so that she and her children may survive: their fates intersect when two bullets are fired into a queue of people waiting to see “A Man Escaped” at Tel Aviv’s Cinema North in 1957.

Working for the Enemy

Sean McAllister's bleak, extraordinarily intimate film offers an insight into the lives of 35 year old Kevin, who hasn't worked in 18 years, and his 19 year old girlfriend Robbie, who earns 70 pounds a week as a seamstress.

Nicaragua Part 1: Voyages

Composed of stills by renowned Magnum photographer Susan Meiselas taken in 1978 and 1979 during the overthrow of the fifty-year dictatorship of the Somoza family. Written in the form of a letter from Meiselas to Karlin, it is a ruminative and often profound exploration of the ethics of witnessing, the responsibilities of war photography and the politics of the still image.

Nicaragua Part 2: The Making of a Nation

Shot in 1983–84 and focusing on the work of the Historical Institute, this film witnesses how Nicaraguans are recovering their history, the memory of Sandino’s struggle, to transform their sense of identity.

Nicaragua Part 3: In Their Time

Through the eyes of journalists and photographers working at Barricada, the official publication of the FSLN, the film observes the problems of putting socialism into practice, with reports on the war, the economy, the prison system and the political process leading up to the 1984 elections.

Scenes For A Revolution

The film is about aftermaths and reckonings. Revisiting material for his earlier 4-part series, Karlin returns to Nicaragua to examine the history of the Sandinista government, consider its achievements, and assess the prospects for democracy following its defeat in the general election of 1990.

Balaton retró

Scenes from holiday life at Lake Balaton in Hungary during the communism.

Frontline: The Hugo Chavez Show

Frontline examines Venezuelan president Hugo Chávez chronicling his rise to power and offering insights into his personality, policies and his shrewd use of the media.

Stolen Education

"Stolen Education" documents the untold story of Mexican-American school children who challenged discrimination in Texas schools in the 1950s and changed the face of education in the Southwest.

Kuubalainen serenadi

Finnish documentary about Cuba.

Manouchian et ceux de l'Affiche rouge

The Hidden Agenda for World Government

From an archived interview originally recorded in 1982, this 1990 production reveals the findings of chief congressional investigator, Director of Research, Norman Dodd, and exposes the scope and purpose of various organizations in the findings of the 1953 Reece Special Committee on Tax Exempt Foundations.

Lenin kam nur bis Lüdenscheid - Meine kleine deutsche Revolution

Les deniers du culte

A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.

The Russian Cracker

Russia is grappling with a critical issue: they have become the country with the most at large serial killers in the world particularly concentrated in Rostov, the same city that witnessed Andrei Chikatilo's infamous killing spree. In response, law enforcement has turned to Dr. Alexander Bukhanovsky, a prominent psychiatrist and criminal profiler, who is implementing radical measures to understand the root causes of this phenomenon and develop effective solutions. Within Dr. Bukhanovsky's clinic, we encounter three of his young patients: Edward and Igor, whose families express deep concerns about their disturbing fantasies, and 'Mischa', who has perpetrated acts of torture and sexual assault. Dr. Bukhanovsky's approach is groundbreaking, offering treatment to potential serial offenders. However, critics argue that by keeping individuals like 'Mischa' anonymous, he may inadvertently shield them from public awareness and accountability, prompting debate over the ethics of his methods.

Fahrenheit 9/11

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

I Am Not Your Negro

Working from the text of James Baldwin’s unfinished final novel, director Raoul Peck creates a meditation on what it means to be Black in the United States.

The Grand Design

A lecture by G. Edward Griffin, given in the late '60s, exposes the hidden plan that shapes U.S. foreign policy and that the ultimate objective of that policy is the same then as it is now — disarmament and world government.

Inside Prora

On the island of Rügen in the Baltic Sea lies one of the most megalomaniac projects built by the Nazis. The ‘Monster by the Sea’, a colossus of brickwork that stretches for kilometres, intended as a futurist holiday resort for the inhabitants of the Third Reich. A paragon of ‘guilty architecture’. Later occupied by the communist regime, it has since the fall of the Wall fallen victim to property developers who have found it a tough nut to crack. Nico Weber’s Inside Prora uncovers the storied history of a project that symbolises the utopian intentions of modernism and the emergence of mass tourism.