Carefree

Dr. Tony Flagg's friend Steven has problems in the relationship with his fiancée Amanda, so he persuades her to visit Tony. After some minor misunderstandings, she falls in love with him. When he tries to use hypnosis to strengthen her feelings for Steven, things get complicated.

Buck Privates

Petty con artists Slicker Smith and Herbie Brown mistakenly join the Army evading the cops. The cop chasing them winds up as their drill instructor. A rich young man and his former working class chauffeur are not only in the same unit, they're vying for a pretty girl who seems attracted to both.

One Night in the Tropics

Jim "Lucky" Moore, an insurance salesman, comes up with a novel policy for his friend, Steve: a 'love insurance policy', that will pay out $1-million if Steve does not marry his fiancée, Cynthia. The upcoming marriage is jeopardized by Steve's ex-girlfriend, Mickey, and Cynthia's disapproving Aunt Kitty. The policy is underwritten by a nightclub owner, Roscoe, who sends two enforcers - Abbott and Costello - to ensure that the wedding occurs as planned.

امتثال

Emtithal runs away from home after suffering from her stepfather's control, and works as a dancer in a nightclub. She gets close to the nightclub's thug and seduces him, becoming the queen of Emad El-Din Street. But when he discovers that she is having an affair with another young man named Naji and is pregnant with his child out of wedlock, he decides to take revenge on her.

Cosi Fan Tutte

An excellent performance of this delightful opera. The principals are superb, especially the sisters. Bruscantini as Don Alfonso is past his prime, but he knows and understands the role inside out, so one does not even notice his vocal limitations. Araiza is in top form as Ferrando, and Morris makes virile Guglielmo. The only disappointment is Battle as Despina. Unlike her partners, she does not have feel for the Mozart ensemble, and her vocal mannerisms are totally unbecoming. How the producers allowed that to happen is a mystery. Muti's conducting is terrific, much better than on his La Scala video, where he is uninvolved.

Otello

This was Domingo's last set of performances as Otello in La Scala. In spite of his relatively advanced age, he is still in excellent form, both vocally and in terms of stage presence. Nucci is also his usual self, delivering a performance of very high standard. Barbara Frittoli is an excellent Desdemona, in good voice and gives a very moving performance. Muti conducts with great emotion and tight accuracy, conveying the full orchestral drama of the score.

Jailhouse Rock

After serving time for manslaughter, young Vince Everett becomes a teenage rock star.

Cosi Fan Tutte

Officers Ferrando and Guglielmo are certain that their lovers Dorabella and Fiordiligi are faithful to them, but the cynical Don Alfonso challenges them to a bet that the women will be unfaithful given the chance. The officers thus pretend to go off to war, and return in disguise as Albanian strangers, to woo Dorabella and Fiordiligi incognito. The ladies are initially frosty, but soon warm to their new suitors, spurred on by their maid Despina. Performed at the La Scala Theatre in Milan.

Die Zauberflöte aus der Semperoper Dresden

Wozzeck

Franz Woyzeck, a lowly soldier stationed in a mid-nineteenth century provincial German town, is the father of an illegitimate child by his mistress Marie.

Brutalism

Beneath towering Brutalist architecture, a man is driven to do what must be done.

The Ghosts of Versailles

What happened to Figaro and his friends after the events told in Rossini’s and Mozart’s operas? One possible sequel is told in John Corigliano’s “grand opera buffa” The Ghosts of Versailles—an uproariously funny and deeply moving work inspired by Beaumarchais’s third Figaro play, La Mère Coupable, and commissioned by the Met to celebrate its 100th anniversary. This telecast captures its world premiere run, conducted by James Levine. Håkan Hagegård is Beaumarchais, Figaro’s creator, who is deeply in love with Marie Antoinette (Teresa Stratas in a heart-searing performance) and determined to rewrite history and save her from the guillotine. A young Renée Fleming, at the beginning of her international career, sings the unfaithful Rosina. Gino Quilico is the wily Figaro who tries to take matters in his own hands, and Marilyn Horne stops the show as the exotic entertainer Samira.

Poulenc: La Voix Humaine / Bartók: Le Château de Barbe-Bleue

Running through Bartók’s disenchanted tale, whose haunting music was initially condemned as unplayable, and the expression of despair in Poulenc’s monologue, the director Krzysztof Warlikowski perceives a shared dramatic thread, a shared feminine consciousness and a shared sense of imprisonment and suffocation: for the woman who penetrates the confines of Bluebeard’s castle and Elle, the woman who clings to a telephone conversation with a man as the only thing worth living for, are condemned to share the same fate. And this man she speaks to, does he really exist? Unless the director has interpreted Cocteau’s words to the letter and the telephone has become a “terrifying weapon that leaves no trace, makes no noise”…

1984

Inspired by one of the twentieth century's greatest novels, composer Lorin Maazel evokes Orwell's totalitarian nightmare, where "Big Brother" is always watching, and those guilty of "thoughtcrime" are condemned to face their worst fears in the infamous "Room 101". Filmed during world premiere performances of Robert Lepage's spectacular and psychologically gripping Royal Opera production and conducted by the composer, an international cast brings George Orwell's dark vision to shattering operatic life.

Aria

Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound, and is an interpretation of the particular aria.

ليالى الأنس

A couple has twins, but disagreements arise between them, making it impossible for them to continue their married life. They separate with an agreement that each of them will take care of one of their children. The child, whose name is Abdul Hamid, is raised by the husband and grows up to be virtuous and have good morals, unlike his brother Abdul Aziz, who is raised in a bad way by his mother. They come together to love the same girl.

The Metropolitan Opera - Puccini: Manon Lescaut

Kristine Opolais is the young woman whose conflicting desires for love and luxury lead to her tragic end, and Roberto Alagna plays the man who falls for her in Puccini’s early hit. Richard Eyre’s elegant production, which sets the action in 1940s occupied France, was one of the highlights of the Met’s 2015–16 season. Massimo Cavalletti as Manon’s brother and Brindley Sherratt as her aging admirer co-star, and Principal Conductor Fabio Luisi is on the podium.

John Adams: Nixon in China

John Adams’s groundbreaking work vividly brings to life US President Nixon’s 1972 visit to the People’s Republic of China. Peter Sellars’s Metropolitan Opera production, based on his 1987 world-premiere staging, features choreography by Mark Morris and stars James Maddalena as Nixon, Robert Brubaker as Chairman Mao, Janis Kelly as First Lady Pat Nixon, Russell Braun as Chinese Premier Chou En-lai, and Kathleen Kim as Chiang Ch’ing, Mao’s wife. From the pomp of the public displays to the intimacy of the protagonists most private moments, Adams, Sellars and librettist Alice Goodman reveal the real characters behind the headlines in this landmark American opera.

Second Chorus

Danny O'Neill and Hank Taylor are rival trumpeters with the Perennials, a college band, and both men are still attending college by failing their exams seven years in a row. In the midst of a performance, Danny spies Ellen Miller who ends up being made band manager. Both men compete for her affections while trying to get the other one fired.

Orfeo Ed Euridice

Performed live at the Royal Opera House, Covent Garden, Gluck's opera in three acts is conducted by Hartmut Haenchen. Performers include Jochen Kowalski, Gillian Webster and Jeremy Budd, alongside the Royal Opera Chorus and Orchestra. When Orpheus mourns for his late wife Eurydice, the god Cupid offers him the chance to descend into the underworld and lead her back to the land of the living, on the condition that he does not look at her face. He sets out on his journey, but his path to the Elysian Fields is blocked by the fierce Furies.