Michaël Gregorio - En ConcertS

Two for Tonight

A songwriter has to come up with a full-length theatrical piece within a few days.

Show Boat

This film sticks very closely to the Edna Ferber novel, rather than the musical based on the novel. There are only two major changes from Ferber's book : *Julie in this version is a white woman, not a racially mixed one; therefore she and her husband are not unlawfully married. * Ravenal returns at the end, instead of dying as in the novel

Guys and Dolls

A new adaptation of the classic musical about a pair of big city gamblers place a bet on whether one guy can convince a wholesome, pious woman to join him on a weekend island rendezvous.

Remains to Be Seen

A singer and her apartment manager get mixed up in a creepy Park Avenue murder and find themselves facing danger at every turn.

The Rat Pack - Live From Las Vegas

This is the live stage show filmed at the Strand Theater in London West End, recreating one of those, now famous, evenings in the Copa Room at the Sands Hotel, Las Vegas. The show features over 25 songs. You'll be transported back to a chic era of glamour, indulgence, excess and all that was good and 'bad' about the Rat Pack.

Julius a Ethel

Rhythm Inn

A bandleader, desperate to get his band's instruments out of hock, promises the pawnshop clerk--an aspiring songwriter--that he'll let the band's female singer do the clerk's songs at a local club if he will let the band "borrow" their instruments at night. The clerk's girlfriend, however, thinks that the band singer is after more than her boyfriend's songs.

跨鳳乘龍

During the Warring States Period, Nung-yuk, the Princess of Qin, denounces the mundane world and dreams of marrying an immortal. This extends to her criteria for choosing a husband: excelling in flute playing. Once, she is captivated by the tune 'Three Melodies of Rainbow Dress' and mistakes the qin player Siu Sze for a fairy. Yuk then persuades Sze to sit the national exam for a better future. Sze's music attracts hundred of birds. Yuk returns to the palace pleading with her father Esquire Muk to agree to their marriage. Despite the Empress Dowager's opposition, Yuk leads a secluded life with Siu afar; a noble breed thus living a hard life. The King lets her go, only granting an annual visit. A year later, Yuk and her husband returns for a visit. The Queen still wants to break them up. Later, Jin State sends people to discover the whereabouts of their Princes. Siu is in fact the Prince of Jin. With Muk’s blessings, Siu marries Yuk in Jin, a marriage which brings peace to both states.

Finally Home

Raised in the South African township of Zamelda, Johannes 'JoJo' Radebe faced prejudice as a young boy who was captivated by dance – and Barbies… rather than football and rugby, as was the norm among his peers. With the support of his mother, sister, and a dance coach who spotted his gift, he became a champion ballroom dancer and popular celebrity. Having been one of the professional dancers on the South African Strictly Come Dancing, he has appeared on the British version of the show since 2018.

Driving Miss Daisy

The story of an old Jewish widow named Daisy Werthan and her relationship with her black chauffeur, Hoke. From an initial mere work relationship grew in 25 years a strong friendship between the two very different characters, in a time when those types of relationships were shunned.

Cradle Of Filth : PanDaemonAeon

Undisputed masters of black metal Cradle of Filth bring their extreme vision to the screen on this home-video release. Cradle of Filth: PanDaemonAeon features the group's first music video, for the song "From the Cradle to Enslave" presented in its original uncut version as well as a documentary on the making of the clip and the chaos that is Cradle of Filth's existence.

Dead Kennedys: DMPO's on Broadway

This 58 minute DVD video is one of the Dead Kennedy's last ever live concerts, captured on film just months before their breakup in 1984. This 14-song performance at San Francisco's On Broadway catches Jello and company at the height of their punk powers.

Dead Kennedys: The Early Years Live

An overview of the early years--late 1970s, early 1980s--of San Francisco punk band Dead Kennedys, with clips from some of their live concerts and footage of landmark San Francisco locations of the punk music scene. Jello Biafra and The Dead Kennedys show why they're the kings of satire in 9 live early performances.

Monster in a Box

Monologuist Spalding Gray talks about the great difficulties he experienced while attempting to write his first novel, a nearly 2,000-page autobiographical tome concerning the death of his mother. Among his many asides, Gray discusses his problems in dealing with the Hollywood film industry, recounts the trips he took around the world in order to avoid dealing with his writer's block and describes his ambivalence about acting as stage manager for a Broadway production of "Our Town."

आशिकी

Rahul and Anu Verghese meet on the same day, while both are held by the police on charges of creating a disturbance, and running away respectively. They meet again, and love happens. Rahul helps Anu to be independent, and seek a job. Then Anu is discovered by a talent agent to be a model, which she accepts. Rahul wants to marry Anu, but first must establish himself.

The Boys in the Band

A witty, perceptive and devastating look at the personal agendas and suppressed revelations swirling among a group of gay men in Manhattan. Harold is celebrating a birthday, and his friend Michael has drafted some other friends to help commemorate the event. As the evening progresses, the alcohol flows, the knives come out, and Michael's demand that the group participate in a devious telephone game, unleashing dormant and unspoken emotions.

Instrument

The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.

Mame

The madcap life of eccentric Mame Dennis and her bohemian, intellectual arty clique is disrupted when her deceased brother's 10-year-old son Patrick is entrusted to her care. Rather than bow to convention, Mame introduces the boy to her free-wheeling lifestyle, instilling in him her favorite credo, "Life is a banquet, and most poor sons of bitches are starving to death."

The Pirate

A girl is engaged to the local richman, but meanwhile she has dreams about the legendary pirate Macoco. A traveling singer falls in love with her and to impress her he poses as the pirate.