movie
ضربه های باد
2023
8
Notes on Film 01 Else
Duration: 0 h 6 m | 2002
Similar Movies:
遙かなる憧れギロチン恋の旅
A filmmaker recalls his youth in the town of Onomichi. In the present, he shoots a film in Onomichi alongside his cast, crew and family.
movie
遙かなる憧れギロチン恋の旅
1968
6
Cremaster 2
CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.
movie
Cremaster 2
1999
6
Cremaster 3
CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...
movie
Cremaster 3
2002
6
Cremaster 4
CREMASTER 4 (1994) adheres most closely to the project's biological model. This penultimate episode describes the system's onward rush toward descension despite its resistance to division. The logo for this chapter is the Manx triskelion - three identical armored legs revolving around a central axis. Set on the Isle of Man, the film absorbs the island's folklore ...
movie
Cremaster 4
1995
6
Glen or Glenda
A psychiatrist tells two stories: one of a trans woman, the other of a pseudohermaphrodite.
movie
Glen or Glenda
1953
4
Adios amigo mío, sin gestos, sin palabras
The title comes from Sergei Yesenin's last poem before comiting suicide. Using Virginia Woolf's last letters as a base, this film is meditation on the power of the word and its undertsanding and the the last moments before saying "goodbye".
movie
Adios amigo mío, sin gestos, sin palabras
2015
0
A Messenger from the Shadows (Notes on Film 06 A/Monologue 01)
Thanks to his myriad film roles, Lon Chaney is known as “the man of a thousand faces,” and you could say that the early horror era never beheld a figure more intriguing. Yet because of his numerous transformations, his face never became as iconic as that of, say, Boris Karloff. Accompanied by a soundtrack from Bernhard Lang, this “re-imagination of shots” taken from Chaney´s forty-six surviving films offers a beguiling excursion into the history of film. The director reveals surprising associations, while highlighting the enduring magic of works which are now more or less forgotten.
movie
A Messenger from the Shadows (Notes on Film 06 A/Monologue 01)
2013
0
Triptih o materiji i smrti
A young woman, injured and alone, desperately seeks refuge in an empty house before finding an abandoned train car. Haunted by surreal visions, she repeatedly collapses. At dawn, her motionless form draws the curiosity of local children, leaving her fate uncertain.
movie
Triptih o materiji i smrti
1960
5
movie
A Caverna
2015
0
The Cook, the Thief, His Wife & Her Lover
The wife of an abusive criminal finds solace in the arms of a kind regular guest in her husband's restaurant.
movie
The Cook, the Thief, His Wife & Her Lover
1989
7
The Baby of Mâcon
Set halfway through the 17th century, a church play is performed for the benefit of the young aristocrat Cosimo. In the play, a grotesque old woman gives birth to a beautiful baby boy. The child's older sister is quick to exploit the situation, selling blessings from the baby, and even claiming she's the true mother by virgin birth. However, when she attempts to seduce the bishop's son, the Church exacts a terrible revenge.
movie
The Baby of Mâcon
1993
6
La montaña sagrada
The Alchemist assembles together a group of people from all walks of life to represent the planets in the solar system. The occult adept's intention is to put his recruits through strange mystical rites and divest them of their worldly baggage before embarking on a trip to Lotus Island. There they ascend the Holy Mountain to displace the immortal gods who secretly rule the universe.
movie
La montaña sagrada
1973
7
Lonesome Cowboys
Five lonesome cowboys get all hot and bothered at home on the range after confronting Ramona Alvarez and her nurse.
movie
Lonesome Cowboys
1968
5
I...
By painting and scratching directly on celluloid strips and then duplicating each image for two or more frames, Brakhage produced a flickering cycle of abstract shapes that bespeak the restlessness of his own character and sensibility; the titles of the segments (which Brakhage also intended to function as freestanding films) further emphasize his rejection of collective thinking in favor of personal vision. I..., proposes an unstable image of the self with its centerless collisions of diverse imagery. Small black shapes are superimposed over diffuse colors, and each moment seems to consume and obliterate the last in an emotionally charged rush that suggests a consciousness terrified of stasis and perpetually seeking renewal.
movie
I...
1995
4
A ridosso dei ruderi, i Trionfi
History as immersion and dispersion in the fragments of the past, a visionary journey accompanied by the voice of Patty Pravo. Presented at the Taormina Festival '97.
movie
A ridosso dei ruderi, i Trionfi
1997
1
welcome_home.exe
As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.
movie
welcome_home.exe
2021
10
movie
ami. exe
2017
4
Die Schleuse
Sky and walls, a liana of water pipes, dilapidated backyards, cracks in walls, cracked walls full of lost, enigmatic children's signs, rusty railway station grounds, deserts, within them the figures, not conformed to the environment in their sightlessness and obsessive deformation to themselves. clinging to legalities of mechanisms that had become senseless and fused with them, that had perhaps once served them, hovering as if in a dream of condensed emptiness, without moving from the spot, they stumbled and rolled with the machines through sun-hardened, burnt-down landscapes, deflected only by objects, by congealed meteorites.
movie
Die Schleuse
1962
0
movie
Maine Man
2024
5