The Mentors: Kings of Sleaze Rockumentary
2017
6
Anne Bean, John McKeon, Stuart Brisley, Rita Donagh, Jamie Reid and Jimmy Boyle are interviewed about their artistic practice and the legacy of Surrealism on their work.
The Mentors: Kings of Sleaze Rockumentary
2017
6
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Las Hurdes
1933
7
Anônimo e incomum
1990
6
Indie rock icons the Archers of Loaf reunited in 2011, and during the course of their reunion tour played two legendary concerts at Cat’s Cradle in Chapel Hill, NC. Combining in-your-face concert footage along with rare interviews of the band, this film by director Gorman Bechard documents those concerts, and captures the excitement and explosive energy of what its like to see this extraordinary band perform live.
What Did You Expect: The Archers of Loaf Live at Cat's Cradle
2012
0
A documentary about the history and reformation of Toronto punk band Death from Above 1979.
Life After Death from Above 1979
2014
8
Leftovers
2017
0
Vacanze nel deserto
1971
0
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
60 Sekundit Üksindust Aastal Null
2011
3
"The majority of my 8-mm works were made for the three-minute "Personal Focus" film special put on in Fukuoka. This film is an animation of photographs I had taken on a regular basis as a sort of diary, and was made to have a rough feel to it." - Takashi Ito
写真記
1986
4
Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.
Art as a Weapon
2014
6
Drawing on VHS tapes of a programme hosted by her mother on Bulgaria’s national television, the filmmaker gives a pop-style and in-depth chronicle of the gentle – even “over-gentle” – 1989 revolution.
Chaque mur est une porte
2017
5
Fresh Fruit for Rotting Eyeballs features a brief history of the Dead Kennedys' early years up to their first UK tour, never before seen live performances, interviews with Klaus Fluoride and East Bay Ray, comments by music journalists, and insights from the key people involved with the recording of the DK's first album. Jello Biafra's 1979 run for mayor is also highlighted.
Dead Kennedys: Fresh Fruit for Rotting Eyeballs
2005
5
A "best of" compilation of live clips of various ASSJACK shows taped live at Alley Katz in Richmond, VA from 2003 - 2006 and clips of 1 show from May 2005 at Bluecats in Knoxville, TN. Special cameos by Dancing Outlaw Jesco White, Randy Blythe from Lamb of God and Chris Arp from Psyopus.
Assjack: Gates of Hell
2006
3
Members of pioneering New Wave band Devo and golfing legend Chi Chi Rodríguez recall how their paths crossed when Devo used an image of Chi Chi for their debut album.
Chi Chi & Devo
2019
0
Thanks to his myriad film roles, Lon Chaney is known as “the man of a thousand faces,” and you could say that the early horror era never beheld a figure more intriguing. Yet because of his numerous transformations, his face never became as iconic as that of, say, Boris Karloff. Accompanied by a soundtrack from Bernhard Lang, this “re-imagination of shots” taken from Chaney´s forty-six surviving films offers a beguiling excursion into the history of film. The director reveals surprising associations, while highlighting the enduring magic of works which are now more or less forgotten.
A Messenger from the Shadows (Notes on Film 06 A/Monologue 01)
2013
0
YO SOY
0
1989, New York City's Alphabet City and East Village. A year after the Tompkins Square Park Riot, squatters and their community allies try to stop the demolition of their building after an arson. Police forces occupy the neighborhood while the demolition continues. A portrait of an East Village that is no more. An homage to the voices and sounds of a neighborhood before its gentrification.
How to Squash a Squat
1989
0
The life and work of painter Mário Cesariny de Vasconcelos (1923-2006), one of the most important artists of the portuguese surrealist movement, both in literature and the visual arts. Includes statements from the artist, his friends, and scholars of his artistic oeuvre. A documentary originally exhibited on the day of his death at the age of 83.
Ama Como a Estrada Começa
2006
0
The title comes from Sergei Yesenin's last poem before comiting suicide. Using Virginia Woolf's last letters as a base, this film is meditation on the power of the word and its undertsanding and the the last moments before saying "goodbye".
Adios amigo mío, sin gestos, sin palabras
2015
0
The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.
The Decline of Western Civilization
1981
7