Hipnotismo ao Domicílio

Sleepwalking and supernatural adventures, inspired by American farces.

1/57: Versuch mit synthetischem Ton

Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)

Bambi Meets Godzilla

Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.

Žijeme v Praze

A 13-minute documentary film depicting life in Prague.

The Pawnshop

A pawnbroker's assistant deals with his grumpy boss, his annoying co-worker and some eccentric customers as he flirts with the pawnbroker's daughter, until a perfidious crook with bad intentions arrives at the pawnshop.

The Count

A tailor's apprentice burns Count Broko's clothes while ironing them and the tailor fires him. Later, the tailor discovers a note explaining that the count cannot attend a dance party, so he dresses as such to take his place; but the apprentice has also gone to the mansion where the party is celebrated and bumps into the tailor in disguise…

L'arbitro

An Italian referee demoted and exiled to the remote island of Sardinia finds out what it takes to handle a real match

Film belge

Scene 23, Slow pan The wind whistles over the dykes of the Willebroek Canal. Armand sighs. The viewer should feel goose bumps under their thick sweater. Make it clear that at this moment, Armand is craving a cup of Borain coffee. Scene 456, Armand's farm Armand puts down his coffee cup. Through the window, he sees a beautiful Romanian refugee with AIDS playing the cello in the beet field. Behind Armand, his wife, a former RTBF announcer, commits suicide by hitting herself with hot potatoes. Scene 2,347, sublime landscape of Flanders Armand can't take it anymore: will he choose the position of deputy for the Vlaamse Blok or that of puppeteer subsidized by the CUCF? No one can say.

On demande une brute

A tall, shy and reserved young actor accidentally signs himself up for a wrestling match.

La Guerre des Romands

Film-Tract n° 1968

In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min

Clouds

Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.

Harold & Kumar Go to Amsterdam

This 12 minute short was released as part of the Choose Your Own Adventure option on the H&K Guantanamo Bay DVD. The blurb is: "Ever wonder what would have happened if Harold & Kumar had not been sent to Guantanamo and simply made it to Amsterdam? Here's a little something director Jon Hurwitz shot guerrilla-style all over Amsterdam in 3 days."

L'arrivée d'un train à La Ciotat

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Dworzec

Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.

Vive la vie de garçon

A housewife tires of her husband's annoying behavior and returns to her mother. At first, the husband is quite pleased to have the house all to himself. But he quickly discovers that even the most basic domestic chores can be fraught with difficulty.

Elmer Elephant

Little Elmer Elephant has a crush on Tillie Tiger and his affection is reciprocated. Trouble is, the pint-sized pachyderm is beset by bullies who ridicule his trunk and make his life miserable. Then a conflagration breaks out at Tillie's tree house.

Home, Away

Alex is a huge Manchester United fan who's preparing for a Manchester versus Liverpool game. He has a satellite dish installed to be able to watch the game on TV. His young neighbour Kenny is a Liverpool fan who also hopes he'll be able to watch the game. Yet Alex rejects his request...

Por Dúvida das Vias

A Journalism intern makes her first report in a public office, getting lost in the bureaucratic intricacies.

The Man We Want to Hang

"The Man We Want to Hang" is a 12-minute short, consisting of Anger filming borrowed paintings done by legendary and controversial occultist Aleister Crowley.