Lost and Found

Lost and Found provides an in-depth focus into the Myanmar military’s campaign of ethnic cleansing and violence perpetrated against the Rohingya, and one man’s life mission to reunite separated Rohingya children with their parents.

Sum 41: Don't Try This at Home

The making-of documentary of the fifth studio album by Canadian punk band Sum 41, "Screaming Bloody Murder".

Hedda Hopper's Hollywood No. 2

Hedda Hopper plays hostess at a party for her (grown) son William (DeWolfe Jr.). Hopper, attends the dedication of the Motion Picture Relief Fund's country home and goes to the Mocambo. There is also a sequence dedicated to the Milwaukee, Wisconsin world premiere of the first short in this series attended by more that a few film stars.

Filme para Poeta Cego

Glauco Mattoso, a blind sadomasochistic poet, agrees to participate in a documentary about his own life, but the conditions he imposes raise difficulties to the work of the young director.

Bliss

The first film made by Markopoulos after moving to Europe, Bliss was shot over the course of two days using only available light to create a lyrical study of the interior of the Church of St. John on the island of Hydra.

Mi perro muerto

Photo poetry of Bunchanawingʉmʉ Jesús Camilo Niño Izquierdo' piece of lost feelings in the Arhuaco Indigenous Reservation, northern Colombia.

Ted Williams

Born in 1918 in San Diego, Williams was a latchkey child from a broken home, raised by a mother more dedicated to the Salvation Army than to her two sons, and by a father who spent more time away from home than in it. Williams found salvation by doing the one thing he loved most: hitting baseballs. In his rookie season with the Red Sox, where he would spend his entire career as a player, Williams batted .327, socked 31 homers and led the league with 145 RBI. Over the next 21 years, despite losing five seasons of his prime to active service as a U.S. Marine Corps pilot, Williams hit 521 home runs, twice captured the Triple Crown, and became the oldest man ever to win a batting title. He finished his career with a .344 lifetime batting average, was the last man to hit over .400 in a full season, batting .406 in 1941, and was a first-ballot inductee into the Baseball Hall of Fame.

If You're Not in the Obit, Eat Breakfast

Irrepressible writer-comedian Carl Reiner, who shows no signs of slowing down at 94, tracks down celebrated nonagenarians, and a few others over 100, to show how the twilight years can truly be the happiest and most rewarding. Among those who share their insights into what it takes to be vital and productive in older age are Mel Brooks, Dick Van Dyke, Kirk Douglas, Norman Lear, Betty White and Tony Bennett.

Ithuteng (Never Stop Learning)

Tells the stories of four students who are turning their lives around at the Ithuteng Trust School.

Return to Crystal Lake: Making 'Friday the 13th'

L'arrivée d'un train à La Ciotat

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Altas Cidades de Ossadas

Karlon, born in Pedreira dos Húngaros (a slum in the outskirts of Lisbon) and a pioneer of Cape Verdean creole rap, runs away from the housing project to which he had been relocated.

Wir Weltmeister – ein Fußballmärchen

Donner, Blitz und Regen

Short film about light and weather phenomena

The Long Shadow of Dirty Harry

An in-depth look at Dirty Harry (1971), featuring interviews with such film artists as Michael Madsen, 'Hal Holbrook', John Milius, 'Shane Black' and John Badham.

Gratinirani mozak Pupilije Ferkeverk

Plotless and wordless, beautifully edited shots of young (often naked or semi-naked) people in various positions, illustrating different emotions, actions and situations, underlined by rock music.

Las Hurdes

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Les enfants du silence

This film looks at the world of children with hearing loss and the importance of early diagnosis. With its straightforward, rigorous cinematic style and intimate approach to the subject, the film focuses on the human rather than the technical side of the problem of hearing impairment.

カンパイ！日本酒に恋した女たち

Sake is a traditional alcoholic beverage from Japan and is otherwise known as rice wine. Women were prohibited from entering the many large and small sake breweries dotting Japan for centuries. However, times have changed and women are present on the sake scene today. In several cases, they are integral to the Japanese brewery business. The documentary depicts women who are not only enthusiasts, but also leaving their marks on the evolution of this Japanese mainstay.

Inside Red China

October 1st, 1957. Dusk descends on Tiananmen Square, Peking. Fireworks crackle light across the night sky, above a city alive with National Day festivities and celebrations. Two intrepid New Zealand film-makers - Rudall and Ramai Te Miha Hayward - are there, documenting the life and times of communist China. The distinction of being the first English speaking foreigners to film unfettered in communist China was significant. The invitation to visit China was facilitated through the New Zealand China Friendship Society. They filmed in Canton, Shanghai, Peking (Beijing) and Wuhan. It was a small window of opportunity for Westerners to gaze on a country that was largely a mystery to the outside world since 1949. The unfortunate irony was that two of the documentaries; “Wonders of China”, and “Inside Red China”, were considered to be communist propaganda, and were not distributed outside of New Zealand.