Mob Stories

They're the real 'goodfellas': 'Joe Dogs' Iannuzzi, Tommy DelGiorno, 'Big Dom' Lofaro. For the first time on television, Mafia turncoats give personal accounts of life inside the Mob. In this shocking documentary, five high-ranking informants tell tales of murder, brutality, greed and vanity--and why they broke the Sicilian code of honor. The first generation of the American Mafia stood on the foundation of loyalty and a code of silence. The second and third generations traded their Sicilian traditions for government protection and instant personal gain. MOB STORIES presents five chilling narratives from five members of the underworld, most of whom are overwhelmed with fear and paranoia with the exception of “Fat Jackie”, a loyal lifelong mobster. Father and son team, Alan and Marc Levin, direct and produce an honest and personal portrayal of the demise of the Mafia.

The History of Metal and Horror

A documentary that explores the history of heavy metal music, horror films, and how the two genres have merged together over time.

Triste Trópico

In this "fake documentary", a doctor returns to Brazil after his studies in Paris. Setting out to practice Medicine, he becomes an indigenous messiah and, in time, a cannibal.

Les deniers du culte

A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.

¡Zarpazos! Un viaje por el spanish horror

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

Monaco, Italia. Storie di arrivi in Germania

Synonymous With

A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.

Valentino: The Last Emperor

Film which travels inside the singular world of one of Italy's most famous fashion designers, Valentino Garavani, documenting the colourful and dramatic closing act of his celebrated career and capturing the end of an era in global fashion. However, at the heart of the film is a love story - the unique relationship between Valentino and his business partner and companion of 50 years, Giancarlo Giammetti. Capturing intimate moments in the lives of two of Italy's richest and most famous men, the film lifts the curtain on the final act of a nearly 50-year reign at the top of the glamorous and fiercely competitive world of fashion. (Storyville)

Hooray for Horrorwood

Forrest J. Ackerman styles himself as the number-one fan of science fiction and horror movies, and he has the collection to back it up: more than 350,000 books, publicity stills, lobby cards, props, posters and paintings related to his obsession.

Paradise Lost: The Child Murders at Robin Hood Hills

A horrific triple child murder leads to an indictment and trial of three nonconformist boys based on questionable evidence.

Spookers

Documentary from Kiwi filmmaker Florian Habicht on the most successful haunted attraction in the Southern Hemisphere, Auckland’s Spookers.

You're So Cool, Brewster! The Story of Fright Night

An extensive look at the making of Fright Night (1985) and Fright Night Part 2 (1988) featuring exclusive interviews with cast and crew members, rare photographs, behind-the-scenes footage and more.

Die Blume der Hausfrau

About a group of door-to-door salesman who try to sell vacuum cleaners from "Vorwerk", a German manufacturer.

Unearthed & Untold: The Path to Pet Sematary

This documentary is a detailed look into the making of PET SEMATARY, one of the most enduring cult-horror classics of our generation.

It Conquered Hollywood! The Story of American International Pictures

A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.

Faces of Death

A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.

Marauders from the Mediterranean: The Macabre Magic of the Spanish Zombie Film

A feature-length documentary exploring the history of the Spanish zombie film.

Fumettophobia

Short documenting the importance of comic books to children's imaginative development, in spite of adult fears that they might be a negative influence.

Celebrating Ennio Morricone: - THE SECRETS BEHIND HIS GENIUS

CAM Sugar & Decca Records present "CELEBRATING ENNIO MORRICONE: THE SECRETS BEHIND HIS GENIUS", featuring tracks from the new album Morricone Segreto, the first posthumous release of the Maestro.

Comizi d'amore

Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.