Grand Prix: Challenge of the Champions
1966
0
Twice every day, rain hail or shine. That's how often the dancers at Donhuan Lu gather to exercise in the plaza. The music and the moves are hard to pass by, and the personalities are even more captivating! "Happy Dance" is a short exploration of the phenomenon that is 广场舞, and how it turns ordinary neighbours into good friends.
A short making of feature about the 1966 John Frankenheimer movie Grande Prix
Grand Prix: Challenge of the Champions
1966
0
Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.
Olympia - Fest der Völker
1938
6
Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.
Olympia - Fest der Schönheit
1938
6
A documentary about the life and activism of Jaha Dukureh, a Gambian anti-female genital mutilation campaigner who returns to her country of birth to confront the harmful tradition that she and 200 million women and girls have undergone globally.
Jaha's Promise
2017
7
The modern criminal justice system is hindered by the fact that countless rape kits remain untested in police evidence storage facilities across the United States. Only eight states currently have laws requiring mandatory testing of rape kits.
I Am Evidence
2017
6
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Las Hurdes
1933
7
Sarajevo in the twentieth month of its besiegement. The situation is critical, but the city chooses to organise an international film festival. Dutch filmmakers Johan van der Keuken and Frank Vellenga present Van der Keuken's documentaries Face Value and Brass Unbound there, and one of the festival organisers asks a festival visitor: "What is the significance of film in war?" In Sarajevo Film Festival Film, a reflection on film, war and daily life, fictional images are juxtaposed in a disconcerting way with the gruesome reality of the life of a festival visitor.
Sarajevo Film Festival
1993
0
When asked to make a documentary about her friend’s mother—a Parisian astrologer named Juliane—the filmmaker sets off for Montmartre with a Bolex to craft a portrait of an infectiously exuberant personality and the pre-war apartment she’s called home for 50 years.
Maison du Bonheur
2018
6
Located on the île de la Cité, in the middle of the Seine, the Paris Law Court looks like an impenetrable fortress. Like Kafka’s castle, it guards its secrets well. It is the place of power. The filmmaker, who worked there for several years as a crime reporter, is extremely familiar with its labyrinthine spaces, its practices, its ceremonies. She comes back to it now, while the Courthouse, such as she knows it, is about to disappear: its relocation is planned in 2017. So, she explores it, camera in hand, on the traces of her experience.
Retour au Palais
2018
0
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Nuit et Brouillard
1959
8
Otamaniki
2021
0
Minuta ticha
1968
0
The story of Pixar's early short films illuminates not only the evolution of the company but also the early days of computer animation, when a small group of artists and scientists shared a single computer in a hallway, and struggled to create emotionally compelling short films.
The Pixar Shorts: A Short History
2007
7
Taking the form of a conversation between a young teacher at a French school in Moncton and her students, the film shows how hard it is for francophones to preserve their language in a society where English is everywhere and has been for centuries.
Éloge du chiac
1969
6
"One Last Hug" chronicles a three day summer camp for children learning to cope with the death of a loved one. With the guidance of trained professionals, grieving children as young as seven years old learn that their feelings are normal, and that by talking about them they can begin to heal. A testament to the healing power of shared sorrow, One Last Hug shows the often-unseen and particular experience of children's grief.
One Last Hug
2014
6
A documentary about the possible ties between H.P.LOVECRAFT and the Polesine region (Italy), stimulated by the casual discovery of a mysterious manuscript attributed to the great American horror writer died in 1937.
H.P. Lovecraft - Ipotesi di un viaggio in Italia
2004
8
Short film about the Manzanar Japanese American internment camp. Preserved by the Academy Film Archive in 2011.
Manzanar
1972
0
A short documentary about a homeless couple who face the ban on being on the street during 2020 quarantine. Just through their eyes, the two protagonists show us a different Milan, silent and suspended.
Lockedout
2020
0
For almost 50 years, the world's population has grown at an alarming rate, raising fears about strains on the Earth's resources. But how true are these claims? Taking cues from statistics guru Hans Rosling, Misconception offers a provocative glimpse at how the world—and women in particular— are tackling a subject at once personal and global. Following three individuals, director Jessica Yu focuses on the human implications of this highly charged political issue, inspiring a fresh look at the consequences of population growth. In English, Hindi, Mandarin, and Russian with subtitles.
Misconception
2014
5
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
L'arrivée d'un train à La Ciotat
1896
7