Afterlife

A short, black comedy set in a world between the living and the dead. After Martin Stevens is killed in a car accident he finds himself in a waiting room, pending judgement.

Kill Me Three Times

While on a seemingly routine job, a jaded hit man discovers that he's not the only one with his target in the crosshairs.

La mujer sin piano

A quietly comic look at a Madrid housewife's attempt to escape from her mundane and tedious existence. Encountering mostly impersonal bureaucracy, she has no specific plan for what she wants to do, just the fervent hope that she will find the adventure she's so desperately seeking.

Show Boat

This film sticks very closely to the Edna Ferber novel, rather than the musical based on the novel. There are only two major changes from Ferber's book : *Julie in this version is a white woman, not a racially mixed one; therefore she and her husband are not unlawfully married. * Ravenal returns at the end, instead of dying as in the novel

Guys and Dolls

A new adaptation of the classic musical about a pair of big city gamblers place a bet on whether one guy can convince a wholesome, pious woman to join him on a weekend island rendezvous.

Remains to Be Seen

A singer and her apartment manager get mixed up in a creepy Park Avenue murder and find themselves facing danger at every turn.

Julius a Ethel

Driving Miss Daisy

The story of an old Jewish widow named Daisy Werthan and her relationship with her black chauffeur, Hoke. From an initial mere work relationship grew in 25 years a strong friendship between the two very different characters, in a time when those types of relationships were shunned.

Monster in a Box

Monologuist Spalding Gray talks about the great difficulties he experienced while attempting to write his first novel, a nearly 2,000-page autobiographical tome concerning the death of his mother. Among his many asides, Gray discusses his problems in dealing with the Hollywood film industry, recounts the trips he took around the world in order to avoid dealing with his writer's block and describes his ambivalence about acting as stage manager for a Broadway production of "Our Town."

The Boys in the Band

A witty, perceptive and devastating look at the personal agendas and suppressed revelations swirling among a group of gay men in Manhattan. Harold is celebrating a birthday, and his friend Michael has drafted some other friends to help commemorate the event. As the evening progresses, the alcohol flows, the knives come out, and Michael's demand that the group participate in a devious telephone game, unleashing dormant and unspoken emotions.

Mame

The madcap life of eccentric Mame Dennis and her bohemian, intellectual arty clique is disrupted when her deceased brother's 10-year-old son Patrick is entrusted to her care. Rather than bow to convention, Mame introduces the boy to her free-wheeling lifestyle, instilling in him her favorite credo, "Life is a banquet, and most poor sons of bitches are starving to death."

The Phoney

Rupert, the son of world-renowned artist Luther Milo, longs to create art of his own but is shackled by the need to care for his ailing father. Long-time friend and gallerist, Gab, suggests that the world has woken up to the fact it’s just two blobs on a canvas, and has simply become worthless. This prompts Rupert to consider all of his options – some less tasteful than others.

Provvisorio, quasi d'amore

Anthology of urban stories form seven Italian directors.

Две женщины

A headstrong young woman is married to land baron. Her feelings for her son's tutor becomes a complex web of unrequited love.

Ugglan

The mood in a teacher's lounge changes when the reason behind a colleague's nickname is brought to light.

La corte de Faraón

The wise men of the kingdom interpret a dream of Pharaoh and decide that Putifar, a victorious general, should marry Lota, a virginal slave.

Skřivánčí píseň

Happy Death Day to Us

Mína z Barnhelmu

Polnočná omša

On Christmas Eve, 1944, in Nazi-occupied Slovakia, the Kubiš family grapples with survival amidst brutal reprisals. Marián collaborates as a fascist guard leader, while his sister Angela has an affair with their Nazi lodger, Major Brecker. The situation escalates when their younger son, Juraj, a former partisan fighter, returns home wounded. As Germans search homes for escapees, Juraj hides in the attic, while an unsettling Christmas dinner unfolds below with Major Brecker present.