Skripkanın Sərgüzəşti

During the WWII a group of children are trying to save Stradivarius violin from Nazis.

Uzaq sahillərdə

The film portrays the life of the legendary Azerbaijani guerrilla of the Second World War Mehdi Huseynzadeh, who fought the Nazi forces in the present-day Italy and Slovenia, hence the film's name On distant shores referring to the Adriatic Sea.

Matteo Falkone

Matteo Falcone is an Azerbaijani short drama film based on Prosper Merimée's like-named story from 1829. Matteo Falcone is a successful Corsican, who lives with his wife Giuseppa and 10-year-old son Fortunato. One day he leaves home with Giuseppa, leaving Fortunato alone.

Təhminə

This Azerbaijani romantic drama depicts the love affair between Zaur, a man from an affluent family, and Tahmina, a divorced woman doing her best to survive in a conservative society.

Özgə ömür

Psychological drama about a university dean who leads a double life.

Yerku ashkharhic i hishatak

In Soviet Azerbaijan, a divorced Armenian couple fights over the custody of their daughter, Ashen. Stolen from one parent to another, Ashen's guardians are tragically killed in the bloody war surrounding them. Will the arrival of a new savior finally bring Ashen freedom? Official selection of the Global Lens Collection presented by the Global Film Initiative.

Təkcə adanı özünlə apara bilməzsən...

A young girl is trying to save an island which is endangered by nearby construction.

Şeytan Göz Qabağında

A journalist is investigating a group of poachers who are illegally selling the huge amounts of fish

Nar Bağı

Inspired by Anton Chekhov's The Cherry Orchard, the film follows a prodigal son who returns after 12 years. His reappearance at the family home in rural Azerbaijan significantly alters their way of life.

Yarasa

In a Azerbaijan, in the beginning of this century, the first films made in the history of cinema are shown.The characters meet each other in a room. Three characters who will witness the linking up of their destinies through their common love for this new captivating art.

Yaramaz

Film exposes the corruption and the decadence of the late Soviet bureaucracy in Azerbaijan SSR through the eyes of a naive Azerbaijani adult man, Hatem.

Kəndlilər

Огни Баку

Dedicated to the development of the oil industry of Soviet Azerbaijan in the background of the first half of the twentieth century, including their selfless work in strengthening the economic and military might of the USSR.

Burulğan

After the novel of the same name of M.Suleymanov. The film is about dramatic events between two workers.

Süd Dişinin Ağrısı

A young boy through a period of transition. His last baby tooth, which symbolises this period, is sore. He is scared of pulling it out, of saying goodbye to his dead mother and to his childhood. No one understands him, be is deprived from material physical affection. He himself does not understand his father who has brought another woman home. He feels this is an act of betrayal towards his dead mother.

Qətl Günü

After the novel of the same name of Yusif Samadoghlu. The film is about three intervals in time: the distant past, yesterday and today, about innocent victims, about repression, and conquest of different countries.

Hər Şey Yaxşılığa Doğru

The events occur during the Nagorno-Karabakh War. Because of a corpse in a zinc coffin with an arguable address, two families get excited. Having cut the lid off the coffin to identify the soldier, they find out that he is, in fact, Armenian - former citizen of Baku.

De ki, Məni Sevirsən!

Dağıdılmış Körpülər

The plot of film is constructed on the basis of memoirs of the son and mother. They were divided with border between northern and southern Azerbaijan.

Əlvida, Cənub Şəhəri

The film takes place in the Azerbaijani capital of Baku at the end of the 1980s. At this time, the Soviet Union was starting to fall apart, and with this came the start of a number of ethnic conflicts. Fariz and his family move into a Baku apartment block from war-torn Nagorno-Karabakh. Fariz's relations with his new neighbors are strained by his accusations that it was people like them who failed to support the Azeris in their conflict with ethnic Armenians. The only one who stands up to him is Alik, who acts as peacemaker between him and the older inhabitants of the building. Alik has no reservations about brandishing his gun in order to keep the peace. One day, the apartment managers want to evict a number of musicians who have been squatting in the basement. Alik gets involved, but soon discovers the situation is more complicated that he first believed.