Two Faces
Loose impressionistic brushstrokes sketch a series of portraits of two faces, one male and one female, while the verse on the soundtrack tells the tale of both one and a thousand relationships.
Two Faces
1968
3
1-channel film installation (21‘20‘‘). 2.00:1 aspherical widescreen, stereophonic sound. A wife waits for her dead husband. An adaption of three japanese poems in three different translations. An examination of waiting and the slowness of time. An exercise in slow cinema.
Two Faces
1968
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