Mitterrand, président culturel

On the occasion of the fourty years anniversary of François Mitterand's election, a look back to the relationship between the President and artists, from admiration to manipulation.

Det andra Jerusalem

Archaeological gardens and tunnels are built. Khaled and other Palestinians lose their homes. Lawyer Ziad gets angry new clients every day. Arieh and other Israeli settlers move in. PeÅ Holmqvist and Suzanne Khardalian follow a turbulent Jerusalem, 50 years after Israel took full control.

The Last Days of Jesus

For almost two thousand years, the story of Jesus’ final days has been celebrated by Christians the world over. From Jesus’ triumphant entry into Jerusalem, through to his eventual crucifixion six days later, the key moments have been immortalized in countless films, pieces of music, and works of art. But in recent years, some historians have begun to question inconsistencies in the Gospels’ version of events. They believe that the Gospels could hide a very different story; one that casts the historical Jesus in an entirely new light. Based on a new interpretation of contemporary historical events in Rome, "Last Days of Jesus" peels back thousands of years of tradition, to explore a new political context to the events in Jerusalem. "Last Days of Jesus" explores how dramatic political events in Rome could have played a crucial role in shaping Jesus’ destiny, and examines an extraordinary political alliance that altered the course of history.

Rafael França: obra como testamento

Stones and Flies: Richard Long in the Sahara

In the fall of 1987, Philippe Haas accompanied the sculptor Richard Long to the Algerian Sahara and filmed him tracing with his feet, or constructing with desert stones, simple geometric figures (straight lines, circles, spirals). In counterpoint to the images, Richard Long explains his approach. Since 1967, Richard Long (1945, Bristol), who belongs to the land art movement, has traveled the world on foot and installed, in places often inaccessible to the public, stones, sticks and driftwood found in situ. His ephemeral works are reproduced through photography. He thus made walking an art, and land art an aspiration of modern man for solitude in nature.

Black Is the Color: African-American Artists and Segregation

Black Is the Color highlights key moments in the history of Black visual art, from Edmonds Lewis’s 1867 sculpture Forever Free, to the work of contemporary artists such as Whitfield Lovell, Kerry James Marshall, Ellen Gallagher, and Jean-Michel Basquiat. Art historians and gallery owners place the works in context, setting them against the larger social contexts of Jim Crow, WWI, the civil rights movement and the racism of the Reagan era, while contemporary artists discuss individual works by their forerunners and their ongoing influence.

與竹共舞

2012／HD／Color／19min／

Kentridge and Dumas in Conversation

William Kentridge and Marlene Dumas – two of the most celebrated names in international contemporary art – come face to face in a series of frank, witty and intense discussions about their work and practice. The film follows them from the gentle ambience of a dinner conversation, to their studios – where we are given insight into the way that each artist works – to some of their finished works and installations. What emerges is how very differently these two highly successful South African artists approach image making. Dumas’ method is deeply intuitive – she often works on the floor as though embracing her paintings, pouring and dabbing paint to produce her remarkable portraits. Kentridge is intensely systematic, alternating gestural mark making with the repetitive action of drawing-filming-erasing for his animated films.

JAAR, el lamento de las imágenes

Follows Chilean artist Alfredo Jaar as he finds his artistic voice and develops the socially critical perspective of his work.

Promises

Documentarians Justine Shapiro and B.Z. Goldberg traveled to Israel to interview Palestinian and Israeli kids ages 11 to 13, assembling their views on living in a society afflicted with violence, separatism and religious and political extremism. This 2002 Oscar nominee for Best Feature Documentary culminates in an astonishing day in which two Israeli children meet Palestinian youngsters at a refugee camp.

The Colours of Pride

Tom Hill, a Seneca artist and curator, explores the works of four contemporary Indigenous artists.

The Paradox of Norval Morrisseau

In this revealing study of Norval Morrisseau, filmed as he works among the lakes and woodlands of his ancestors, we see a remarkable Indigenous artist who emerged from a life of obscurity in the North American bush to become one of Canada's most renowned painters. Morrisseau the man is much like his paintings: vital and passionate, torn between his Ojibway heritage and the influences of the white man's world.

I Am Sitting in a Room

I am sitting in a room is a sound art piece by American composer and sound artist Alvin Lucier composed in 1969. The first performance of the work was in 1970 at the Guggenheim Museum in New York. In collaboration with his partner Mary Lucier. The piece features Lucier recording himself narrating a text, and then playing the tape recording back into the room while re-recording it. The new recording is then played back and re-recorded, and this process is repeated. Due to the room's particular size and geometry, certain resonant frequencies are emphasized while others are attenuated. Eventually the words become unintelligible, replaced by the characteristic resonance of the room.

Freeze: But is it Art?

In 1988, art student Damien Hirst and a group of like-minded associates mounted an exhibition in a building in the East End of London. Entitled Freeze, it was a huge critical and commercial success, propelling Hirst and the group into the spotlight of the avant-garde. More than five years later, Hirst exhibits to international acclaim and is regularly derided in the tabloid press. This portrait of Hirst, which resumes the Omnibus season, is presented as a drug-induced nightmare after Hirst has been put to sleep by a sinister dentist, played by Donald Pleasence. In between interviews with fellow Freeze artists including Angus Fairhurst , Sarah Lucas and Tracey Emin , Hirst is seen preparing Mother and Child Divided, his work for last year's Venice Blennale. The piece consists of a cow and a calf, each sawn in half, pickled in formaldehyde and exhibited in four tanks.

The Price of Everything

Featuring collectors, dealers, auctioneers and a rich range of artists, including market darlings George Condo, Jeff Koons, Gerhard Richter and Njideka Akunyili Crosby, this documentary examines the role of art and artistic passion in today’s money-driven, consumer-based society.

The Mountain of the Lord

Recounts the 40-year history of building the Salt Lake Temple, shown as if recounted by Wilford Woodruff to a young reporter. It portrays the pioneers' dedication to temple worship.

In Our Hands: The Battle for Jerusalem

Produced by CBN Documentaries and Biblical Productions, "In Our Hands" tells the story of the Battle of Jerusalem in the Six-Day War through the eyes of the IDF's 55th Paratrooper Brigade

Diameter of the Bomb

Since the renewed Intifada began in 2000, there have been over 75 Palestinian suicide bombings. This is the story of 0ne-the bombing of bus 32 in Jerusalem in June 2002. The film connects the stories of a group of ordinary Israelis-Jews and Arabs. Each of them holds a clue to someone who died that day.

North Star: Mark di Suvero

North Star: Mark di Suvero is a 1977 documentary film about Mark di Suvero that was produced by François de Menil and Barbara Rose. Born in 1933, di Suvero has become one of the most recognized sculptors of the late 20th and early 21st centuries. From about 1975 to 1977, fairly early in di Suvero's long career, filmmaker de Menil and art historian Rose produced this film, which was characterized at the time as "a tribute to the extraordinary work and life of the innovative American sculptor of monumental but delicate constructions." The film shows di Suvero making and installing several of his very large sculptures, and incorporates informal interviews of di Suvero, his mother, and others involved in his career and life at that time. From 1971 to 1975 di Suvero, an American, lived in a self-imposed exile in France in protest of US involvement in war in Vietnam and Southeast Asia, and the filming spans the end of his exile and his return to New York.

Да летиш с плавници

Paintings, performances, experiments, electronic music sounding in the spaces of two old houses in a small Italian town, heated conversations about contemporary art, touching meetings with the closest people and places in Bulgaria after 50 years of separation. "Flying with Fins" is a film about the constant search for meaning in art and life. Alzek Misheff, artist - rebel and experimenter, leads us in this philosophical and aesthetic journey through time, space and ideas.