L'arrivée d'un train à La Ciotat

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Starz Inside: Sex and the Cinema

Sex and Cinema is a steamy trip through the looking glass of the camera lens, depicting how sexually charged films reflect our own sexual liberation. It will unzip America's obsession with sex, both from a cinematic and social perspective, exposing the hypocrisy inherent in our culture's war against eroticism (be it film, art, literature or song lyrics). The special will look at many films that push the boundary, from mainstream studio films to product that in its time has been considered pornographic.

Laurel & Hardy - Die komische Liebesgeschichte von Dick und Doof

The lives of Stan Laurel (1890-1965) and Oliver Hardy (1892-1957), on the screen and behind the curtain. The joy and the sadness, the success and the failure. The story of one of the best comic duos of all time: a lesson on how to make people laugh.

Cortázar y Antín: cartas iluminadas

In the 60s and thanks to the epistolary exchange, the young filmmaker Manuel Antín and the famous writer Julio Cortázar devised four films. An ocean away, a fruitful collaboration and genuine friendship are born.

São Paulo, Cinemacidade

Mixing new images to existing São Paulo movies takes, the documentary presents the city from the perspective of five main attributes: transformation, anonymity, crowd, precariousness and dimension.

Super Hunts, Super Hunters

Lions, leopard, cheetah, hyena, wild dog and crocodile - extraordinary scenes of super predators hunting. The Super Predators was filmed over three years at Londolozi Game Reserve in South Africa and on Kenya's Masai Mara. It captures some of the most extraordinary scenes ever seen on film of these super predators hunting and killing. Dramatic slow-motion action replays allow the viewer the opportunity of observing all the subtleties of these magnificent hunters in action. The film includes a plea for the world's most notorious predator, man, to work in closer partnership with nature for our mutual benefit and survival.

Vivien Leigh, autant en emporte le vent

In "Gone with the Wind" she was an unforgettable Scarlett O'Hara. Beauty, two-time Oscar winner, celebrated Hollywood star and great Shakespearean interpreter - Vivien Leigh was all that. Behind the celebrity, however, was a fragile person. Her bipolar disorder clouded her success and her private happiness.

In the Shadow of Hollywood: Race Movies and the Birth of Black Cinema

This documentary captures the sounds and images of a nearly forgotten era in film history when African American filmmakers and studios created “race movies” exclusively for black audiences. The best of these films attempted to counter the demeaning stereotypes of black Americans prevalent in the popular culture of the day. About 500 films were produced, yet only about 100 still exist. Filmmaking pioneers like Oscar Micheaux, the Noble brothers, and Spencer Williams, Jr. left a lasting influence on black filmmakers, and inspired generations of audiences who finally saw their own lives reflected on the silver screen.

Exode

Int.Anouchka-Nuit

Anouchka is a 30 year old screenwriter who works in a wine bar for a living. She traces her last 15 years of alcoholism thanks to a screenplay she wrote.

Das Wunder von Nairobi - Noten der Hoffnung

Peter Lorre: The Master of Menace

Documentary overview of Peter Lorre's ascension to fame as a master purveyor of silky but disquieting peril.

Sea Sorrow

A very personal and dynamic meditation on the current global refugee crisis through the eyes and voices of campaigners, specially children, where past and present establish a dialogue. A reflection on the importance of human rights.

Watch the Tempo

On 18th of December 2017, the Filarmonica Teatro Regio Torino, directed by Timothy Brock, presented "The Gold Rush" by Charles Chaplin, with live performance of the soundtrack. But let's go back a few days: this short film takes us in the backstage of the concert!

Sexo en el plató

How are the sex scenes filmed? What tricks are used to fake the desire? How do the interpreters prepare and feel? Spanish actors and directors talk about the most intimate side of acting, about the tricks and work methods when narrating exposed sex. In Spain the general rule is that there are no rules. Each film, each interpreter, faces it in very different ways.

Tin Tan

Germán Cipriano Gómez Valdés Castillo, a young radio announcer from Cuidad Juárez, succeeds in drawing attention to the pachuco movement through his character Tin Tan, laying the groundwork for a new form of binational and mass linguistic expression: Spanglish. He soon became a leading figure in theater and film on the American Continent. Singled out by critics as a destroyer of the language, he quickly won the approval of the public. His ability to improvise revolutionized the film industry. His talent as an actor, singer, dancer and comedian contributed to the Golden Age of Mexican Cinema. From El Hijo Desobediente to Capitán Mantarraya, from Cuidad Juárez to Havana, from mambo to rock, the legacy of Tin Tan makes him one of the great icons of Mexico today. This film tells his story as it has never been told before.

Réfugiés Algériens

Directed by Pierre Clément and Djamel-Eddine Chanderli, produced by the FLN Information Service in 1958, this film is a rare document. Pierre Clément is considered one of the founders of Algerian cinema. In this film he shows images of Algerian refugee camps in Tunisia and their living conditions. A restored DVD version released in 2016, from the 35 mm original donated by Pierre Clément to the Contemporary International Documentation Library (BDIC).

The Celluloid Closet

What "That's Entertainment" did for movie musicals, "The Celluloid Closet" does for Hollywood homosexuality, as this exuberant, eye-opening movie serves up a dazzling hundred-year history of the role of gay men and lesbians have had on the silver screen. Lily Tomlin narrates as Oscar-winning moviemaker Rob Epstein ("The Times of Harvey Milk" and "Common Threads: Stories from the Quilt") and Jeffrey Friedman assemble fabulous footage from 120 films showing the changing face of cinema sexuality, from cruel stereotypes to covert love to the activist triumphs of the 1990s. Tom Hanks, Susan Sarandon, Whoopi Goldberg, Tony Curtis, Harvey Fierstein and Gore Vidal are just a few of the many actors, writers and commentators who provide funny and insightful anecdotes.

The Cyberpunk Educator

A 2003 documentary study of mainstream Cyberpunk films of the 1980s created by director Andrew J. Holden. The film uses the structure of literary theorist Northrop Frye to describe the common, repeating stories in Western culture, and how Cyberpunk can be defined and understood according to that analysis, with a focus toward American film industry portrayal of race, gender, and government.

Lost in Lebanon

As the Syrian war continues to leave entire generations without education, health care, or a state, Lost in Lebanon closely follows four Syrians during their relocation process. The resilience of this Syrian community, which currently makes up one fifth of the population in Lebanon, is astoundingly clear as its members work hard to collaborate, share resources, and advocate for themselves in a new land. With the Syrian conflict continuing to push across borders, lives are becoming increasingly desperate due to the devastating consequences of new visa laws that the Lebanese government has implemented, leaving families at risk of arrest, detention, and deportation. Despite these obstacles, the film encourages us to look beyond the staggering statistics of displaced refugees and focus on the individuals themselves.