La Langue de Zahra

Meuthen's Party

MEUTHEN'S PARTY unmasks the rise of the provincial politician Dr. Jörg Meuthen who doesn't shy away from spreading racist sentiments with a smile on his face.

Visions of Europe

Twenty-five films from twenty-five European countries by twenty-five European directors.

Al otro lado del muro

Honduran immigrants living in Mexico, teenage siblings Rocío and Ale must take over care of their two younger siblings after their mother is sentenced to prison on dubious grounds. Tensions grow between the pair as the decision must be made on whether to stay together in Mexico or split the family up to cross into the US to work.

Nella pancia del piroscafo

Through the personal memory of the view of the director who in first person re-lives, after fifty years, the journey of his family towards Argentina, where he was born, on the inside of the last emmigration groups of people from Piedmont in 1948. This journey of memory and emotions gradually becomes an outline for the analysis of the situation of the emmigrants from Piedmont and of their presence from after the war until today in Argentina from the time of Peron until the economical crises through the blood thirsty and dark period of the military dictatorship.

The Iron Triangle: Willets Point and the Remaking of New York

Targeted for several failed redevelopment plans dating back to the days of Robert Moses, Willets Point, a gritty area in New York City known as the “Iron Triangle,” is the home of hundreds of immigrant-run, auto repair shops that thrive despite a lack of municipal infrastructure support. During the last year of the Bloomberg Administration, NYC’s government advanced plans for a “dynamic” high-end entertainment district that would completely wipe out this historic industrial core. The year is 2013, and the workers of Willets Point are racing against the clock to forestall their impending eviction. Their story launches an investigation into New York City’s history as the front line of deindustrialization, urban renewal, and gentrification.

On la nomme la Brûlure

One night, nine children from the same Tunisian village attempt the deadly crossing. Like a poem or a prayer, this film welcomes the words of bereaved mothers and gives dignity to their grief.

I Come From Away: An Immigrant in Maine

An intimate look inside the immigrant community in Portland, Maine, as told by Nyamuon Nguany Machar who arrived as refugee in 1995 and David Zwalita Mota who came as an asylum seeker in 2019.

Les dieux de Molenbeek

Three Salons at the Seaside

A film on the staff and customers of three Blackpool hair-dressing salons as they discuss the many facets of life. Stories of love, loss and gritty determination to carry on and make the best of things with a sense of humour abound.

« Je ne suis pas chinetoque » : Histoire du racisme anti-asiatique

Journalist Émilie Tran Nguyen invites the viewer to follow her in her quest and discover, at the same time as her, the historical origins of this anti-Asian racism. Told in the first person, alternating archive images, interviews with historians, sociologists and field sequences, this film traces the making of prejudices in the French imagination and pop culture, to twist the neck of stereotypes, deconstruct and act.

Mirage à l'italienne

Al wat je ziet

What if from one day to the next, you’re no longer seen, but instead are stared at? The leading characters in this multi-layered film have ended up in a new world where suddenly nothing seems to align. In their new lives in the Netherlands, they unintentionally provoke reactions on a daily basis. Even after many years, they still hear the same questions over and over again: where are you from, do you speak Dutch, do you tan in the sun?

Estoy acá (Mangui Fi)

For Ababacar and Mbaye - two Senegalese immigrants who met and established a great friendship in Buenos Aires - the challenge goes beyond adapting to the customs and living conditions in Argentina, or dealing with the indifference and racism they suffer on a daily basis: both came to an instance of their lives in which they must define a course, and in turn accept that their identities and needs have become more complex. The decision to leave their country was driven by the urgent objective of financially supporting their families, but the stay in Buenos Aires crossed them with new people, new ways of seeing things, and even an economic situation different from that which they found at home. Their different ways of seeing things allow them to see in each other a different version of themselves.

La Peine

Emperors of Nothing is an unprecedented immersion within Forest, a prison in Brussels notorious for its inhumane incarceration conditions, bearing witness to how the human spirit resists or submits to this harsh world. Deeply personal and candid moments shared with inmates and wardens alike, those who have forfeited or devoted their lives to prison, expose universal truths of what it means to be "behind bars".

The Betrayal (Nerakhoon)

Co-directed by acclaimed cinematographer Ellen Kuras and subject Thavisouk Phrasavath, this haunting documentary chronicles a refugee family’s epic journey from Laos in the aftermath of the secret war waged by the United States there to New York, where they find themselves fighting a different kind of war on the streets of Brooklyn. Filmed over the course of 23 years, THE BETRAYAL is a visually and emotionally stunning look at the complex ways in which the political shapes the personal.

Seuls

Fearing for their lives, Afshin, Alain and Patricia fled their country, without their parents, when they were only children. They had to start all over here in Canada in the hope of a better life. Combining real shooting and animated cinema, "Alone" bears the imprint of hope: how does a child manage to rebuild himself in a new country, when he has left everything behind?

De Quoi J'Me Mêle ! Banlieues, Guerre Et Paix

From the “integration model” to the “Islamist fanatic”, France fantasizes about these children of immigrants who grew up with it. Like every month “What I’m Meddling With!” presents portraits, the result of an in-depth investigation, to give a face to today's questions. The program, broadcast in the thematic evening of the Franco-German channel Arte, is made up of 2 ambivalent documentaries: "Les Lumières De La Zone" and "Les Soldats De Dieu" followed by debates.

D’ Abdul À Leila

After losing part of her memory in an accident, Leila, a young French woman of Iraqi origin, reconstructs her story by reconnecting with her family and exploring her roots. Through music and cinema, she brings her exiled father's poems to lite, dis-covers the reality of the Middle East, and embarks on a personal quest to understand her identity and find her voice.

Meno-paluu

A Liberian refugee SAM REAYAH and his family have been separated for five years and live in uncertainty waiting for family reunion. While Sam and his younger daughter Ruth continue their lives in Buduburam Refugee camp in Ghana, his wife Decontee and his older daughter Joyce have already started a life in Rochester, USA. The film explores the idea of home. Sam's family had a home in Liberia, but they had to give it up. They were forced to build homes elsewhere. They built a home in Ghana. They build a home in The United States. They built homes together, they build homes separate of each other. But which home does the heart want?