Small is Beautiful: A Tiny House Documentary

Four people seek a more sustainable and secure future by asking the question: "What is it really like to build and live in a tiny house?"

We The Tiny House People

TV producer and Internet-video personality Kirsten Dirksen invites us on her journey into the tiny homes of people searching for simplicity, self-sufficiency, minimalism and happiness by creating shelter in caves, converted garages, trailers, tool sheds, river boats and former pigeon coops.

Minimalism: A Documentary About the Important Things

How might your life be better with less? The popular simple-living duo The Minimalists examines the many flavors of minimalism by taking the audience inside the lives of minimalists from various walks of life.

Summer of (Family) Love

"Summer of (family) love" is a roadtrip film that brings together some of the bigger names in the tiny house world with one family's attempt to live deliberately with just the essentials, if only for one season.

Die Konsum-Aussteiger: Mit Kindern im Mini-Haus

Living Small - Tiny House Documentary

"The Tiny House Movement is about reevaluating what we have, what we want, what we need, what we love – what we want to do with our lives." - Lina Menard Living Small explores the world of tiny houses through the lives of the people on the movement’s forefront. The film centers on Anderson Page as he builds a tiny house for the first time, discovering the challenges and rewards of constructing one's own living space. Living Small offers an alternative meditation on the spaces we inhabit and asks the question: Could we live more with less?

We Never Asked for This

Frankie and Charlie have moved to a tiny house. They regret it. It’s Christmas Eve. Frankie is miserable. Charlie’s organised a festive family lunch. Then Charlie finds a disoriented cockatiel by the river. She tucks him into a box and brings him inside. Little do they know – this bird has its own agenda. Nobody seems to notice something strange has started falling from the sky.

Tertiary Sound

ASMR: A feeling that disappears because it’s too subtle to notice, leaving a trace of a soft tingling sensation behind.

How to Breathe in Kern County

As the day grinds to a halt, agricultural workers gather to street race in the quiet, contemplative night.

Locked Off

Rave Culture is one of Britain’s great cultural exports, but after its first wave in the late eighties and early nineties, it was soon forced into the underground by stringent new laws and superclubs. But forward 25 years into in the midst of a nationwide purge on the nation’s nightlife, where nearly half of all British clubs have shut down in the last decade, and a new kind of scene has emerged. Clive Martin investigates this 21st century version of Rave, where young people break into disused spaces with the help of bolt-cutters and complicated squatting laws, to suck on balloons and go hard into the early morning. But with the police using increasingly extreme tactics to clamp down on these parties, and more than one fatality causing nationwide media panic, can the scene survive?

Here at the Water's Edge

Leo Hurwitz’s film, Here At The Water’s Edge, features the 1960 New York City’s waterfront. Made with photographer Charles Pratt, the film is a cinematic poem to the people who work on the water. Pratt, who largely financed the film, made it possible for Leo to use his vision as an artist and filmmaker while the blacklist still over-shadowed his life and ability to work in other areas. Here At The Water’s Edge, a film without narration, draws our attention to the often-neglected life in, on and around water – as well as bringing into view what workers on the water give us. Leo, in his own work, was always concerned with seeing what is happening in spaces in the world where others fail to look.

Chahine & Co

A “Cinéma, de notre temps” series episode directed by French film critic Jean-Louis Comolli on the Egyptian director Youssef Chahine.

Citizen Ken Loach

A “Cinéma, de notre temps” series episode directed by french filmmaker Karim Dridi, originally aired 2 July 1997.

Le Home Cinéma des frères Dardenne

A “Cinéma, de notre temps” series episode directed by french film filmmaker Jean-Pierre Limosin, originally aired sometime around 2006.

Le Cinéma de grand-père

Remarkable life story of Henri Diamant-Berger, a director and screenwriter whose devotion to cinema led him to collaborate with some of the greatest actors and filmmakers of his time.

Nanook of the North

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Olympia - Fest der Völker

Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.

Olympia - Fest der Schönheit

Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.

La Sortie de l'usine Lumière à Lyon

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

O Cinegrafista de Rondon

Record of the life and work of Luiz Thomaz Reis, a cameraman who accompanied Rondon's expeditions through the interior of Brazil since 1915. He documented, in photographs, the revolutionary movements of the 1920s, especially that of Catanduva. In the montage, iconographic material, old films and filming made at the National Museum of Cinema were used, where some of his cameras are located.