Minister

An epic-like story of a young Eritrean soldier who deserts the British army in order to protect his village from a marauding bandit.

The Ambassador's Wife

The beautiful and spoilt Yerusalem had a wonderful life in Paris as the wife of the Eritrean Ambassador. Due to political changes, her husband is arrested, and she has to run for her life, finding herself in a refugee shelter in south Tel Aviv, where nobody cares who she was. Even there, at the skirts of town, among the desperation and poverty, she does not give up and struggles with all her might to regain her former status. A torrid love affair with an affluent Israeli architect brings her closer to her target until she discovers that he will never leave his family, and that her fate is doomed.

Freedom Runners

Rotem Genossar, a teacher at the Bialik-Rogozin campus in south Tel Aviv, founds a running group for his students, young African refugees whose families fled their homeland and now live in Israel without any legal status. At first running is just a social activity for the students, but it quickly becomes a means to fight for their civil rights, part of a struggle to secure them a place of their own, out of the margins of Israeli society.

Depot Asmara

A film that excavates layers of myth and memory, on an ancient Eritrean steam railway, to learn the elusive truth about Eritrea, its war-ridden history, and at the core of it all, a deep friendship that keeps it all going.

Breaking Through: The Rise of African Cycling

Biniam Girmay’s recent successes have shown that African cycling is on the up, ready at last to follow athletics and football into the big time. But why has it taken so long, and what’s needed to take it all the way? Set against the beauty and battles of the Tour du Rwanda, we explore the past, present and future of riders from Eritrea, South Africa, Rwanda and more, meeting Girmay and the rising stars hot on his heels, as well as the people passionate about giving these riders the opportunities they deserve. This is the story of the next great continent in cycling - Africa.

Staden brinner

When a group of Eritrean refugees arrive in the small town of Härnösand there is a growing sentiment against them from the locals. 17-year old Sara Westin decides to found an anti-racist group to combat these feelings but when Sara and her best friend are murdered by Sara's Eritrean ex-boyfriend the feelings in the city reach a boiling point.

Milenu

Milenu is based on very popular Eritrean story about a girl whose parents wanted to marry her to her own brother. Being in love with another young man, she refuses her parents' decision and flees the village to take refuge up in an oak tree.

Hoffnungsschimmer am Horn von Afrika

Trespass

A market in Eritrea, a bar, a boat, streets in Brussels and Helsinki. The avatar in this realistic animation is in many places simultaneously. He explores the earth with stops and starts, stepping from one world into the next. His home is the stable factor that he keeps returning to after entering the outside world.

Eritrean People's Liberation Front

BBC's Simon Dring's film focuses on the EPLF, Eritrean People's Liberation Front, which is battling Ethiopian forces. The film includes interviews with Ali Sayed, EPLF head of foreign missions, and Mohammed Ramadan Nour, General Secretary.

White Hotel

When two women with a video camera follow an HIV research team to Eritrea, Africa, they find a strange and magical country which transforms their documentary into an intimate investigation of their own capacities to love, suffer and forgive.

Life is Fare

This beautiful film about the immigrant experience is a San Francisco film about Eritrea. Sephora Woldu plays "Sephora" who, like the director, is an architecture student but also a filmmaker. She is pitching to her traditional mother a film she wants to make about a man who fled their home country and ended up in San Francisco. As a recently arrived immigrant, he is terribly homesick for his native Eritrea, but will not admit it due to unease towards speaking ill of the country; and more consciously in hesitance of admitting hard truths about his culture and himself. "It’s colorful and visually whimsical in a way that can only be described as if the Wizard of Oz went to Africa," said Woldu.