Totems et Tabous

In Brussels, Belgium, the Royal Museum of Central Africa is undertaking a radical renovation, both physical and ethical, to show with sincerity, crudeness and open-mindedness the reality of the atrocities perpetrated against the inhabitants of the Belgian colonies in Africa, still haunted and traumatized by the ghost of King Leopold II of Belgium, a racist and genocidal tyrant.

O Porto de Santos

A portrait of Santos Port, its geography, workers and the life that surrounds it, including the poor, prostitutes and the night life inhabitants.

Entre la ola y la roca

Living among the percebeiros of the Coast of Death (Galicia), this documentary shows a unique relationship between man and his surroundings, man and the sea. At the end of Europe, years after the Prestige oil spill disaster, these fishermen face an uncertain future.

Let Us Persevere in What We Have Resolved Before We Forget

On the island of Tanna, a part of Vanuatu, an archipelago in Melanesia, strange rites are enacted and time passes slowly while the inhabitants await the return of the mysterious John.

Mi perro muerto

Photo poetry of Bunchanawingʉmʉ Jesús Camilo Niño Izquierdo' piece of lost feelings in the Arhuaco Indigenous Reservation, northern Colombia.

Banks of the Nile

With a dual motion a cruise ship and a fishing boat pass one another on the Nile and butlers in turbans set up a wooden gangway. Thanks to a rope and pulley system cows climb skywards then disappear into the hold of the sailing vessel. On the bank, black-haired women rock back and forth, bursting out laughing and showing the first signs of going into a state of trance. Never-before filmed gestures and faces of the people of the Nile succeed one another, uprooted to an unknown, magical world. The Banks of the Nile is one of the first experiments of film in colour that uses the Kinemacolor process.

Marquis de Wavrin, du manoir à la jungle

A documentary that invites us to discover the strange path led by the explorer-ethnographer Marquis de Wavrin who, in the 1920s and 1930s, made ethnographic films in several countries of Latin America.

Funeral Bororo

Meu Pescador, Meu Velho

At a 2005 Carnival night, something mysterious happens at Porto Formoso bay, leaving the fishing boats wrecked. Fishermen decide to build bigger boats, but at the small village harbor it is impossible to deck them. They demand the construction of a new harbor, but many inhabitants are opposed due to a Castle ruins that lay there. If to some residents ruins look worthless, for others they are the village soul and future, as a lot of tourists would like to visit them...While the landscape transforms, we follow the Director voice through the story of the last seven years of this community.

Afghan Women

The words of the women and the rhythm of their lives in the seclusion of family compounds suggests both the satisfying and the limiting aspects of a woman's role in a rural Afghan community. Filmed in the Balkh Province, an area inhabited by Tajik and other Central Asian peoples. The town of Aq Kupruk is approximately 320 miles northwest of Kabul. The theme of the film focuses on women. The film and accompanying instructor notes examine the economic, political, religious, and educational status of women, their legal and customary rights, and the degree of change in their actual and perceived roles.

Uma casa, uma vida

Quatre altitudes bosniaques

Quatre altitudes bosniaques is an exercise in topographic cinema shot in Bosnia-Herzegovina. The document draws on the geography of the city of Sarajevo, from which the filmmakers construct a visual ethnography fragmented into four levels of elevation.

Outro Fogo

A sensory record of the relationships of affinity and enmity with fire in the conservation of the Cerrado biome. In the company of local residents hired to act as brigadiers and, more recently, as management agents, the short film explores the affections established with fire in the midst of combat pyrophobias and management pyrophilias. In addition to documenting fire fighting and manipulation techniques, the cinematographic experiment points to a more than human visual anthropology, where environmental forces such as heat, vegetation and wind make up an alterity whose condition remains ambiguous.

Hermógenes Cayo (Imaginero)

IMAGINERO is an ethnobiography of Hermogenes Cayo, a self-taught woodcarver and painter who lives on the high Andean plateau of Argentina. The film portrays Hermogenes, his wife Aurelia Kilpe, and their children in their Andean lifestyle, as well as Hermogenes' passion for painting, carving, building, and his devotion to the Virgin Mary. Devout, austere and dedicated to craftsmanship, he can make anything from religious figures carved from cactus wood to a working harmonium. Inspired by a trip to Buenos Aires to advocate for land rights, Hermogenes has labored to replicate the style of the capital's grand cathedral and shrine to the Virgin with resourcefulness and skill.

Los Monos de los Andes

Hasta que las nubes nos unan, Guardiola - Diola

Between Africa and the catalonian Penedés stands the distance of a videocamera. A cut. What is what, where are we, where did the songs we sang while we worked go, where is the group, the colective, the community?

Kampen om Grønland

The world's largest island has been part of Denmark since 1721, but a significant majority of the 56.000 inhabitants now want independence. They feel their culture and language is threatened and is the main reason for the many suicides among young people. But the Danish speaking Greenlanders feel discriminated and want to keep the ties to Denmark. The film follows four strong young Greenlanders, who each in their own way insist on taking responsibility for the future of their country. The documentary explores the difficult balance between the right to self-determination and xenophobic nationalism. Between traditional culture and globalization.

This Time Tomorrow

Documentary showing the 1966 Le Mans 24 hour endurance race.

NOVA: Bird Brain

Call somebody a “bird brain,” and you’re not delivering them a compliment. But as NOVA shows, birds turn out to have advanced problem-solving skills that we usually assume are unique to humans. Watch astonishing tests of avian aptitude: parrots that can plan for the future, jackdaws that can “read” human faces, and crows that can solve multi-step puzzles with tools like pebbles, sticks, and hooks. Could these just be clever tricks based on instinct or triggered by subtle cues from their human handlers? To rule out any doubts, NOVA puts feathered Einsteins through their paces and reveals skills that even three- or four-year-old children have a hard time mastering—such as putting off one reward now to get a bigger one later. From this revolution in thinking about our feathered friends, the conclusion seems irresistible that bird brains see the world in ways that aren’t so different from our own.

Напољу цветају наранџе

Somewhere in the mountains, a man lives alone in a disappearing village. Wandering through the misty nature, interpreting among the walls of his dark houses, on the very ground with his destiny to belong to a world that has been rejected.