Человек с киноаппаратом

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

Chaplin Today: 'City Lights'

In 1928, as the talkies threw the film industry and film language into turmoil, Chaplin decided that his Tramp character would not be heard. City Lights would not be a talking picture, but it would have a soundtrack. Chaplin personally composed a musical score and sound effects for the picture. With Peter Lord, the famous co-creator of Chicken Run and Wallace & Gromit, we see how Chaplin became the king of slapstick comedy and the superstar of the movies.

Rómeó és Júlia - musical

This is the Hungarian version of the French musical Roméo et Juliette: de la Haine à l'Amour based on William Shakespeare's play Romeo and Juliet, with music and lyrics by Gérard Presgurvic.

Plant of Ford Motor Company - Antwerp

Short documentary on the Antwerp Ford Motor Company plant.

Cheval (Bixio). Pas monté

One of the first movies ever made.

Pop féminisme : des militantes aux icônes pop

An overview of 21st-century feminism through the lens of pop culture.

Deux, Trois Fois Branco

Akerman, Monteiro, Oliveira, Ruiz, Schroeter and Wenders are among the directors he produced: Deux, trois fois Branco is a portrait of Portuguese producer Paulo Branco, between life and legend.

Mode bas stockings

Short silent film about some models of silk stockings.

Blood of 1000 Virgins

The question of "who hunts virgins" and more will be stripped down and explored in the sexiest trailers hosted by Playboy's Nikki Leigh.

New York Portrait, Chapter II

Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.

Chaplin Today: 'The Kid'

This documentary is featured on the two-disc Chaplin Collection DVD for "The Kid" (1921), released in 2004.

Visions de Lourdes

Charles Dekeukeleire, then a questioning Catholic, was spurred into making this documentary on a pilgrimage with the Catholic Young Workers’ Movement. The director’s approach is one of critical reflection; A film emotional and fervent, even acerbic.

New York Portrait, Chapter III

"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human." (Tom Gunning)

Traffic Crossing Leeds Bridge

A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.

Carmencita

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

Člověk z půdy

Erich Von Stroheim

Documentary about notorious actor/director Erich Von Stroheim.

Kino Wien Film

A journey through Viennese cinemas, from the first showings by the brothers Lumière to modern megaplexes.

Caligari — Wie der Horror ins Kino kam

On February 26, 1920, Robert Wiene's world-famous film The Cabinet of Dr. Caligari premiered at the Marmorhaus in Berlin. To this day, it is considered a manifesto of German expressionism; a legend of cinema and a key work to understand the nature of the Weimar Republic and the constant political turmoil in which a divided society lived after the end of the First World War.

Cinéastes de notre temps : Le Dinosaure et le Bébé, dialogue en huit parties entre Fritz Lang et Jean-Luc Godard

An hour-long discussion between Fritz Lang and Jean-Luc Godard in which they discuss a variety of art forms, the role of the cinema, their collaboration together, and much more. (Filmed in 1964 but released for TV in 1967.)