Даха, илли, даха!
The film tells the story of ancient Ingush lullabies - Ingush women and men tell the lullabies of their families and the stories associated with them: love, friendship, blood feud.
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Даха, илли, даха!
2022
0
Chroniques d'un village tzotzil
Duration: 1 h 39 m | 1992
A documentary about the daily life of a native Tzotzil community in southern Mexico, shot over a period of eight years.
Documentary
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Даха, илли, даха!
2022
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Él Es Dios
1965
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Enterrement chez les Tetela
Short ethnographic documentary on the Tetela tribe in Congo based upon footage and commentary by director Luc de Heusch from 1953 reassembled by Damien Mottier (Université Paris Nanterre) and Grace Winter (CINEMATEK).
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Enterrement chez les Tetela
2023
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Lotoko
Short ethnographic documentary showing a leopard dance based upon footage shot by director Luc de Heusch in Congo in 1954 reassembled by Damien Mottier (Université Paris Nanterre) and Grace Winter (CINEMATEK).
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Lotoko
2023
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Nkumi, la vie quotidienne
Short ethnographic documentary showing some everyday life scenes based upon footage shot by director Luc de Heusch in Congo in 1954 reassembled by Damien Mottier (Université Paris Nanterre) and Grace Winter (CINEMATEK).
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Nkumi, la vie quotidienne
2023
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Asante Market Women
As retailers, wholesalers, and negotiators, Asante women of Ghana dominate the huge Kumasi Central Market amid the laughter, argument, colour and music. The crew of this `Disappearing World' film have jumped into the fray, explored, and tried to explain the complexities of the market and its traders. As the film was to be about women traders, an all female film crew was selected and the rapport between the two groups of women is remarkable. The relationship was no doubt all the stronger because the anthropologist acting as advisor to the crew, Charlotte Boaitey, is herself an Asante. The people open up for the interviewers telling them about their lives as traders, about differences between men and women, in their perception of their society and also about marriage.
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Asante Market Women
1982
10
Machete Gillette... Mama
"With characteristic wit and rigor, experimental filmmaker Larry Gottheim here applies his impressionistic editing style to footage collected during his travels in the Dominican Republic. Gottheim’s formal emphasis on repetition and fissures between sound and image resonates here as a mode of sociological reflection (with the fragmentary montage mirroring elements of ritual while also destabilizing the ethnographic gaze). A largely overlooked antecedent to the contemporary blending of avant-garde and ethnographic filmmaking, MACHETTE GILLETTE… MAMA still poses a potent challenge to documentary convention." - Max Goldberg
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Machete Gillette... Mama
1989
6
Kwaheri
Early Mondo film featuring primitive rituals, animals being butchered, unusual birth defects, and a legit trepanation scene.
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Kwaheri
1964
5
Folia no Morro
An ethnographic documentary following the Folia de Reis party that is celebrated every year at Morro de Santa Marta on Rio de Janeiro.
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Folia no Morro
2008
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Congo
An experimental ethnographic documentary that criticizes the colonizer view of anthropology.
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Congo
1972
5
The Hunters
An ethnographic film that documents the efforts of four !Kung men (also known as Ju/'hoansi or Bushmen) to hunt a giraffe in the Kalahari Desert of Namibia. The footage was shot by John Marshall during a Smithsonian-Harvard Peabody sponsored expedition in 1952–53. In addition to the giraffe hunt, the film shows other aspects of !Kung life at that time, including family relationships, socializing and storytelling, and the hard work of gathering plant foods and hunting for small game.
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The Hunters
1957
6
Funeral Chants from the Georgian Caucasus
A short film set in the mountainous province of Svaneti, documents the performance of polyphonic men’s funerary laments common to the region.
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Funeral Chants from the Georgian Caucasus
2007
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Choqela: Only Interpretation
This provocative and profound film documents the Choqela ceremony, an agricultural ritual and song of the Aymara Indians of Peru. By offering several different translations of the proceedings, the film acknowledges the problems of interpretation as an inherent dilemma of anthropology.
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Choqela: Only Interpretation
1987
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Naked Spaces: Living Is Round
Shot with stunning elegance and clarity, NAKED SPACES explores the rhythm and ritual of life in the rural environments of six West African countries (Mauritania, Mali, Burkino Faso, Togo, Benin and Senegal). The nonlinear structure of NAKED SPACES challenges the traditions of ethnographic filmmaking, while sensuous sights and sounds lead the viewer on a poetic journey to the most inaccessible parts of the African continent: the private interaction of people in their living spaces.
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Naked Spaces: Living Is Round
1985
5
Wolfram, a Saliva do Lobo
The darkness of the mine, invaded by the miners' light, by the noisy machines and the permanent and intense smell of ore in the air, leads us to an environment in which time and space become confused. A documentary film at Panasqueiras' Mine, between 2008/09. A reality captured by an eye-observer which does not interfere, but follows the compost that grows from the earth and is decomposed by man-machine.
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Wolfram, a Saliva do Lobo
2010
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La máscara de la conquista
The film tells two parallel stories. One, set in the present, tells of a pagent about the conquest of America, while the other, set in the 15th century, tells of a group of conquistadors coming ashore searching for gold. The film takes place in an unnamed country.
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La máscara de la conquista
1986
0
La Nación Oculta
Ñaalec (Fabián Valdez) is a Moqoit college student disenchanted with formal ways of learning and embarrassed by his drunken classmates. He seeks to recover his people's culture by learning from elders who still remember the old ways. Ñaalec travels to the Nanaicalo Nqote ("eye of the dragon"), a sacred lake whose water gave people the power of the gods. This docudrama is part of a series of community-created films supported by CEFREC (led by Iván Sanjinés, son of legendary Bolivian filmmaker Jorge Sanjinés).
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La Nación Oculta
2011
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Mod
'Mod' is an attempt by the filmmaker at communicating with the young men who hang out at the ‘notorious’ water tank in her neighbourhood in Pratap Vihar, Ghaziabad. The water tank is a space that is frequented by the so-called ‘no-gooders’ of the locality, a place where they play cricket, play cards, drink and smoke up. When she enters the space with her camera, the boys are curious and at the same time wary of it and her. They sometimes resist, sometimes protest, and at times, open up. As the film unfolds we get a hint of the lives the boys lead and the fragile world they create for themselves at the water tank.
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Mod
2016
0
Untitled
A revealing one-shot portrait of two Nepali newlyweds in a moment of rest and playful interaction, Stephanie Spray's Untitled challenges our perception of two themes at the very core of ethnographic filmmaking: human relationships and the ways in which they can be experienced by the viewer. Only fourteen minutes long, Untitled is uncut, rejecting the implications of edited sequences and also purposefully excluding subtitles over the couple's conversation. The style of the film confronts the history of ethnography as a controversial study of the "other" by refusing us any clear messages or meanings behind what is being presented, challenging the viewer to come up with their own answers to any questions that may arise.
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Untitled
2010
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Mountain Town
This documentary looks at the stories of a few people in Aspen Colorado and how they contribute to the community.
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Mountain Town
2006
0